Navegando por Assunto "Oral tradition"

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Acesso aberto (Open Access)
Entre o cinema e a locomotiva: os documentários de Edivaldo Moura como escrituras fílmicas de um passado castanhalense (1940-1995)
(Universidade Federal do Pará, 2024-02-26) OLIVEIRA, Matheus de Sousa; PETIT, Pere; http://lattes.cnpq.br/8376409779394321; https://orcid.org/0000-0002-8970-3073
This research aims to analyze the process of filmic writing of part of the urban daily life of the 20th century (1940-1995) in the city of Castanhal (Pará) through two documentaries produced by the paraense filmmaker Edivaldo Moura, which are O Cinema de Seu Duca (2016), that addresses the multicultural trajectory of Cine Argus during its nearly six decades of operation in the city; and A Última Maria (2021), that focuses on some of the structural elements of the Bragança railway (EFB) in the daily life of the inhabitants of Castanhal, safeguarding the Castanhal locomotive and the railway station as protagonists. Both films are structured in similar ways by inviting residents of the city to share their past personal experiences with the main elements that the films envision – the Cine Argus and the Castanhal Locomotive. Film analysis (internal reading) was utilized in conjunction with documents sources to assert the films not as mirrors that represent a past already given by a passive social externality, but rather as producers of a historical movement proper to the Castanhal period addressed and, mainly, to its present producer. As a result, the films were understood as creators of a temporal intelligibility that anchors the present-past by formulating their own specific writings of part of the urban transformation of Castanhal, having the cinema and the locomotive, along with the social experiences developed in these spaces, as supplanted symbols – and at the same time resistant – of the policy of urban-commercial remodeling of Castanhal initiated vigorously from the second half of the 20th century in the city.
Acesso aberto (Open Access)
"No tempo do pega": lugares e memórias da Balaiada no ensino de História em São Bernardo-MA
(Universidade Federal do Pará, 2020-12-18) SOUSA, Ronilson de Oliveira; BRITO, Adilson Júnior Ishihara; http://lattes.cnpq.br/5217224392697515; http://orcid.org/0000-0002-9072-8956
This essay on History teaching aims to understand the representations of Balaiada in the past and present of São Bernardo-MA, considering the memories and oral tradition shared between citizens throughout time about the vestiges of slavery and Balaiada resistance processes. We analyze the silences and forgetfulness of this past from the teaching of History in the researched school and also in the city, the narratives and historical discourses nowadays. To analyze this strategy, the essay was structured as an action research, exploring the different places of the city and rural communities of black ancestry. In this sense, we elaborated activities inside and outside the school, exploring history, memory and oral traditions. By dealing with citizens and immaterial sources, students were instrumentalized in dealing with oral sources, produced by recording interviews conducted in the city and in the communities, collecting testimonies of oral traditions. Within the theoretical-methodological contribution of the research – action, class – workshop and Oral History, students prepared forms with questions about the origin of the city, the past of slavery and the remains of Balaiada in the region. The data collected allowed us to analyze several aspects of local historicity, mainly regarding issues related to the black resistance processes in Balaiada, in the sites of memory, versions and traces of the city’s past. Also, as part of this master’s essay and didactic-pedagogical product, we prepared a documentary, presenting oral narratives, group memories and representations of the Balaio past in non-formal learning spaces combined with the teaching of History and Public History.