Navegando por Assunto "Painting"

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Acesso aberto (Open Access)
Avaliação através do desempenho térmico de edificação verticalizada em Belém-PA
(Universidade Federal do Pará, 2013-04-01) VINAGRE, Natália Daniele de Lima; PERDIGÃO, Ana Kláudia de Almeida Viana; TOSTES, Maria Emília de Lima; http://lattes.cnpq.br/4197618044519148; http://lattes.cnpq.br/9009878908080486
This dissertation studies the thermal performance of materials in a vertical facade building in the city of Belém - PA, Brazil. This work aims to contribute to the study of the thermal performance and efficiency of materials used in residential buildings of the vertical envelopment, between opaque elements, two types of materials currently very used in construction were selected, painting and ceramic coating. It also studies the influence of the height of the building on its thermal performance and energy efficiency. The study was conducted with the use of computational modeling in EnergyPlus code that evaluates the thermal performance of the building, the influence of the height at the same energy efficiency. Compares the thermal performance of the two selected materials, it was found that the ceramic coating presented building with the average internal temperature of 0.42 ° C above the temperature at the building painted, hence less thermal performance. The influence of the height of the floor did not produce a significant variation in internal temperature, because its increase, small decrease occurred in the internal temperature with thermal gradient of about -0.07 º C / m due to the wind speed is greater when more higher the pavement. It is also considered for this study as passive natural ventilation strategy for the building under study, according to the analysis of Bioclimatic chart Givoni contribute positively to the condition of the internal temperature and humidity, and consequently the user.
Acesso aberto (Open Access)
"A conquista do Amazonas": Antônio Parreiras e a sua representação na Amazônia
(Universidade Federal do Pará, 2019-09) CASTRO, Raimundo Nonato de
The painting “A Conquista do Amazonas”, by Antônio Parreiras, is rich in detail and capable of referring the viewer to the colonial period, however, it is a production from the beginning of the 20th century and it is possible to see the construction of an identity regional by which marks the birth of the State of Pará beyond the borders with the other states of the federation. Antônio Parreiras was responsible for painting his masterpiece that would remain in Pará as part of the republican project of building national symbols. With this order, Antônio Parreiras organized his first historical screen. In this perspective, the main objective is to identify the various aspects present in the screen. Noting that the screen narrates one of the great achievements of the colonial period, but its production is part of a project to build a regional identity. So much so that the screen is divided into three key moments. The first relates to the act of conquest, in which the reading of the pose term is made. In the center, the five members of the expedition led by Pedro Teixeira hear in a solemn manner, and there is no manifestation of disrespect. The second moment is related to the idea of civilization in which the European leads the indigenous element towards living in society and progress. And lastly, the almost absolute predominance of European technologies, since the sails of the Portuguese vessels occupy a prominent place, if compared to those produced by the Amazonian natives.