Navegando por Assunto "Periferia"

Agora exibindo 1 - 9 de 9

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Audiovisual, resistência e educomunicação na Amazônia paraense: a experiência do Telas em Movimento
(Universidade Federal do Pará, 2022-06-13) SILVA JUNIOR, Valdecir Ramos da; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
In this dissertation, Festival Telas em Movimento of Belém do Pará is understood as a collective that contributes through actions, experiences and artistic-cultural activities, and promoves of cinema and audiovisual in communities on the periphery, riverside, quilombolas and indigenous peoples, from the Amazon. Telas em Movimento's activities seek to train young people to produce audiovisual content that helps in the personal and social development of their communities. Its main practice is the dialogue between audiovisual and resistance, through the dissemination of techniques and knowledge in filmmaking and thinking. In this work, the understanding of the educommunication process developed in the experiences of the Collective is evidenced, therefore, the objective is to understand the communicational dynamics, in the educommunicative practices of the Telas Em Movimento collective. One of the main work methodologies used is participatory Action Research in Brazil, contextualized by Cicília Peruzzo (2017) and designed by Orlando Fals Borda (1989), aiming at the construction, development and collaborative investigation of research issues. The basic concepts in this study are the Freirean educational perspectives, such as pedagogy of the oppressed (FREIRE, 1987) and pedagogy of autonomy (FREIRE, 2021), the applicability of the concepts of Educommunication by Ismar Soares (2011) and decoloniality as an enunciating concept, which through methodology and conceptualization make up the theoretical and methodological basis of this work, presented here by Walter Mignolo (2017), Catherine Walsh (2009, 2017), among others. The results demonstrate that Telas em moviment, educational needs and practices as a tool for social emancipation and that through its experiences it provides social and professional possibilities, as well as seeks to build new narrative practices in communicational products.
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Coletivo Terra Firme: comunicação e cidadania na periferia
(Universidade Federal do Pará, 2018-03-16) LIRA, Adriana do Socorro Campos de; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research departs from the themes and concepts of communication, citizenship and periphery, understood as fundamental for a better understanding Coletivo Tela Firme‟s communicative pratices, which is our studied object. The group works in the urban periphery, specifically in Terra Firme neighborhood, in Belém, Pará state. Their work consists of audiovisual production that circulates on the internet as well as citizenship actions directly in the outskirts of the city. Such work is based on the logic of popular, alternative, community communication, since it is carried out in and for the peripheral neighborhoods and communities from Belém, aiming at social awareness and social change. The group‟s work has become a reference in the city‟s political and educational fields. Thus, this research goal is to inquiry the configuration of Coletivo Tela Firme‟s communicative practices in the outskirts of the capital of Pará. The hypothesis raised in the investigation is that the group‟s activism in the communities where it operates in is intended to stimulate and promote political and social engagement among those who live there, mainly to contribute to their citizenship rights enhancement. Hence, it is proposed in this study a process of mapping and analyzing their videos and the actions they have done in Belém peripheral neighborhoods, either on their own or in partnership with other movements and organizations engaged with political and social struggles. The theoretical standpoints that support our research are based on Peruzzo (2009), Gohn (2010), Gonczevski and Martin (2011), Pinsky and Pinsky (2013), Mouffe (2013). Coletivo Tela Firme‟s work began in social media which, according to Castells (2005), Lemos (2006) and Primo (2013), are platforms that favor political and social participation processes, as much as they contribute to the articulation with other resistance movements. To carry out this study, the master's thesis approach is based on bibliographical and qualitative-descriptive research, mainly informed by content analysis, as well as interviewing, to reach its objectives, among which identifying citizenship alternatives in and for the urban periphery through Coletivo Tela Firme‟s communicative practices.
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Comunicação que se faz comunidade na periferia: ancestralidade e vinculação na passagem Limoeiro, bairro do Jurunas, Belém, Pará
(Universidade Federal do Pará, 2021-11-18) CONCEIÇÃO, Raphael Castro da; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
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De que periferia estás falando? Da representação artística à representação social da periferia em escolas periféricas de Belém
(Universidade Caxias do Sul, 2013-06) CASTRO, Fábio Fonseca de; FREITAS, Aline Meriane do Carmo de
The article discusses the relationship between social representations and artistic representations, observing the receipt of two video clips, both thematising the periphery, by high school students from two schools in the outskirts of Belém (Brasil). We want to understand how a artistic representation contributes to conform a social representation on the social dialogic process and about the liminality between artistic representations and media representations. The objective is to understand the dynamic role of the central nucleus of the representations, structured, as demonstrated by observation, through the dialogical process inherent to the social experience.
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Matando a fome de lazer "Lá no meu Setor": práticas e sociabilidades na periferia de Belém (PA)
(Universidade Federal do Pará, 2021-10-21) LOBATO, Flavio Henrique Souza; BAHIA, Mirleide Chaar; http://lattes.cnpq.br/6052323981745384; https://orcid.org/0000-0001-7168-2019
Historically, through capitalist and eurocentric perspectives, concepts, practices and spaces proper to a hegemonic understanding of leisure have been developed, which legitimized conventional forms of what it would be, how it should be and in which spaces and times the practice of leisure should take place. In several public policies, these conceptions were established as the only possible leisure practices, favoring some people and neglecting many others. Hence, as a social convention, society began to consider leisure practices and spaces as excluding. Therefore, this research aimed to analyze the leisure practices of the Bom Jesus I Community, on the outskirts of Belém (PA), considering the macro and micro contexts of analysis, based on the interaction and sociability processes of local residents. To make this study achievable, from a qualitative approach, bibliographical, documental and field research were used. In an exercise of ethnographic practice, informal conversations, participant observation, semi-structured interviews and records in a field notebook were carried out. The investigation was guided both by an "outsider and long distanced view", considering the structuring processes (macro perspective), as well as an “insider and close-up view" (micro perspective), focused on the "inversions" practiced daily, for the leisure of this population. To “kill the hunger for leisure”, the “discoveries” revealed that over the years different practical alternatives and sociabilities were created from the processes of interaction between local residents. It was also established that, often alienated by hegemonic understandings, this population cannot see or consider their daily experiences as leisure. The conversations, the "crazy rock", the "jogo do bicho" (a brazilian popular game of chance), football and the "picnic" are "forms of entertainment", characterized by very particular dynamics, full of purposes and meanings, which enable this “sector” to have fun, make itself exist and resist day by day
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Periferia e negritude: ritmo e poesia (rap) como produção estratégica do mundo periférico em Belém-PA (1996-2023)
(Universidade Federal do Pará, 2024-04-08) MAIA, Emily Maria Pantoja; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264
In 1994 saw the first appearance of a rap group in the city of Belém do Pará. Emerging from the Terra Firme neighborhood, on the outskirts of Belém, the MBGC group - Manos da Baixada do Grosso Calibre - revolutionized with a new musical style to portray the reality of Belém's outskirts. Since the 1980s, a time of great change in cultural representation, including the historiographical sphere, rap has spread worldwide as a way of mirroring popular culture and the dissatisfactions suffered in neighborhoods far from the centers. It emerged in the 1970s in the United States, after a period of great crisis, as an innovative way of getting around the neglect experienced by young people in marginalized neighbourhoods. On the Brazilian scene, rap began as a form of entertainment and later became politicized. Thaide and DJ Hum started national rap and soon other names emerged, gaining prominence, such as Racionais Mc's, who gave rap an engaged form. As a result of these events and the visibility of rapping in the Belém newspapers and hip hop culture, the musical style gained strength and influenced new subjects in the region, paying attention to the Amazonian scenario and the difficulties suffered by the city's neighborhoods, including artists from Pará such as Pelé do Manifesto and Th do 91, with great visibility in "abolitionist poems". In this way, the general aim of this work is to understand the possibilities of the rap musical style as being susceptible to historical analysis and understanding, in that it includes people from the periphery - Pelé do Manifesto, Th do 91 and others who started the movement such as Mc Negro Edi, Bruno BO, Marcelo Muslim, Dj Morcegão - with their rhymes loaded with aspects of diasporic culture. Rap is a style characterized as "spoken song", which seeks to counter social, economic, cultural and historical injustices, and takes on the role of portraying realities faced strictly by black people, and can therefore be characterized as an effect of colonization. In view of this, it is noticeable that it stimulates thoughts contrary to a formed hegemony, in order to confront cultural tensions and racism.
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Pontos de memória: de Política Cultural a Museus em periferias.
(Universidade Federal do Pará, 2021-11-05) ALCÂNTARA, Camila de Fátima Simão de Moura; GODOY, Renata de; http://lattes.cnpq.br/5173744417832044; https://orcid.org/0000-0002-8138-8670
The following thesis presents an ethnographic research on the community initiatives of Points of Memory that participated in a democratic process for the construction of a cultural public policy in Brazil, based on social museology. The objective of this study is to understand the political and social (re)arrangements that the twelve self-styled “pioneers” initiatives make to maintain their museum processes in the Brazilian peripheries. Territories marked by deprivation and abandonment of effective public policies, where there is a proliferation of all kinds of violence against the place and its people. Reflections on the object of the research took place through the Anthropology of Museums, which provided an interpretation of museum processes in contact with the perception of the representations of pioneer Memory Spots about their realities in their places of existence. Organized into five chapters, the thesis discusses museums in processes that use realities and creative solutions in peripheral urban spaces to register the social memory and safeguard the cultural heritage of the various social groups that live in these territories. Presenting the main public policy guidelines aimed at museums that encouraged these groups to create their museum processes. The pioneering points' initiatives are revisited based on a privileged view of the Terra Firme Memory Spot, in Belem do Para, in which it considered community movements to defend the territorial, social, cultural and political development of the communities they represent. In this ethnographic research, I understand that the pioneering Memory Spots are museums in processes formed by different subjects who enrich themselves as communities, when they develop critical thinking about their realities and organize transformative collective actions in the cities where they take place, based on the active forces of memory. These museum processes come to life within communities, strengthening them as subjects who create, recreate and decide on their realities.
Acesso aberto (Open Access)
Relaciones laborales y estrategias de renta en los enclaves minerometalúrgicos de Pará
(2007-06) PONT VIDAL, Josep
Based on the new international division of labor and theoretical frameworks of World-system theory and sociological interpretations globalists, this letter is based on a sociological study at the micro level on industrial relations in the mining enclaves of the East Amazon. It discusses strategies union and conditions of livelihood of the workforce and their families. At Focus has compiled a “map” on two levels: the “activity located”, and the “subjetivation of activity.” The “activity located”, focuses the prospect of trade unions and workers’ associations from the action strategies. “Subjetivation of activity” refers to the subjective interpretations and strategies of income taken by the workforce.
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Violências e seus efeitos no bairro do PAAR, Ananindeua/Pará
(Universidade Federal do Pará, 2023-06-28) COSTA, Fernando Augusto Ribeiro; ACEVEDO MARIN, Rosa Elizabeth; http://lattes.cnpq.br/0087693866786684; https://orcid.org/0000-0002-7509-3884
We aimed, through the use of ethnographic procedures, to investigate, analyze and reflect on the effects of violence on how living and coexistence are established, organized and reproduced in the daily lives of individuals who live in the midst of it, especially in its subjective sense, especially in PAAR, a neighborhood on the outskirts of the Metropolitan Region of Belém, capital of the State of Pará. It is observed that in these relations there are elements of a coexistence based on mutual support and understanding, since the subjects have to live in the same side of coexistence and that, even for families whose members were considered suspects of illicit acts and barbarically exterminated, such attitudes do not disappear, but are reinforced. Conducting this reflection led us to seek to understand the nuances of a theme worked on under the most diverse aspects, which is always a task impregnated with the challenge of proposing a different look, an innovative analysis, or a conception so new that it can even respond to the longing to give ready-made answers to situations that are quite complex. Thus, numerous authors warn about the risk of aprioristic views and biases of thought that end up directing the analysis and, consequently, the conclusions. One such author is Slavoj Žižek. By working on the notions of subjective violence and objective violence, from a perspective of search and not of definitions, this author helps in the understanding of the multiplicity of visions and points of view while provoking the research to go in search of the confrontation of a reality full of symbolism in detriment of a Real full of Ideology.