Navegando por Assunto "Personagens femininas"

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Aspectos resistentes e performáticos nas tragédias medeia, Electra e as Troianas de Eurípedes
(Universidade Federal do Pará, 2015-12) PINTO, Rosane Castro; SARMENTO-PANTOJA, Carlos Augusto Nascimento
This paper presents a study of the tragedies Medea, Electra and The Trojans of Euripides, in which we discuss how the performance and endurance is. We will concentrate on analyzing the female characters the tragic elements and how the narrative is important for understanding the categories violence, memory and oblivion. To understand the theories related to performance, endurance and trauma will use the texts of authors like Jorge Glusberg (1980) which ensures the performance one related to delirium, manifested through the unconscious performer desire, because "the resulting speech is close to delirium and also, truth that is always raving "(Glusberg 1980, p.124). As Sarmento-Pantoja, which states that, the performance can also be considered as a performance built by the characters, "for us this performance can be critical to understand what we call suffering performance" (SARMENTO-PANTOJA, 2002 p.23). Alfredo Bosi notes that resistance is "opposing force itself to external forces" (BOSI, 2002, p. 118) in which we understand as opposition forces that conflict with each other.
Acesso aberto (Open Access)
Cinzas do norte e órfãos do Eldorado, de Milton Hatoum: vozes narrativas e alteridade na construção das personagens femininas
(Universidade Federal do Pará, 2017-06) SILVA, Francisca Andréa Ribeiro da; TRUSEN, Sylvia Maria; http://lattes.cnpq.br/1704721088122823
The undertaken analysis is centered on the study of female characters at works Cinzas do Norte and Órfãos do Eldorado, by the Amazonian writer Milton Hatoum, noting how the construction of the female characters takes place, from the perspectives of the narrators and for that, with discussions on voices as well as narrative modalizations, mainly drawing on Genette's studies. Thus, we seek to understand the peculiarities of the characters Naiá, Algisa, Alícia, Ozélia, Ramira, Florita and Dinaura, observing, their voices and their relations with the alterities, having the theoretical support ceded from Beauvoir's thought and the postcolonial studies, with Fanon. It is also emphasized, as the analysis requires, thematic, such as: cultural translation, hybridism, gender categories, memory and identity. In these fictitious women, it is observed the marginal and subordinate character of some of them, the autonomy and independence of others, and the enigmatic particularity of Dinaura, thus constituted by the language used by the narrators. In this way, the literary analysis made it possible to think of the constitution of being as a result of the relations of otherness, due to different perspectives.