Navegando por Assunto "Photography"

Agora exibindo 1 - 8 de 8

Acesso aberto (Open Access)
Alegorias do sofrimento e da resistência: disposições afetivas da política em imagens fotográficas
(Associação Nacional dos Programas de Pós-Graduação em Comunicação, 2022-06) LAGE, Leandro Rodrigues
The purpose of the text is to present the general lines of an epistemological and also a methodological proposal for the debate on images, considered affective expressions of indignation, conviction and desire. It seeks to examine photographs of the artistic and photojournalistic regimes as allegories of the suffering and resistance of the Amazonian peoples, with the intention of discussing how these images manage and give visible and sensitive expression to experiences of suffering, to physiognomies of historical time, to survivals of the desire and political subjectivations. This proposal starts from the experimentalism of knowledge through allegories, rehearsing the theoretical-methodological productivity of the benjaminian allegorical episteme in the legibility of the images and tensioning the forms, correspondences, temporalities and conventions in the examination of images that offer an apprehension of history as an anachrony of sufferings and fights. The background to this approach is the inextricable link between image and politics.
Acesso aberto (Open Access)
Cidade (Re)vista : interpretação decolonial da fotografia de Naiara Jinknss em Belém do Pará
(Universidade Federal do Pará, 2022-06-14) SANTA BRÍGIDA, Juliane Oliveira; CASTRO, Marina Ramos Neves de; http://lattes.cnpq.br/6636359546031674
This research focused on the imagetic production of the documentary photographer Naiara Jinknss, focusing on the content posted on her Instagram during 2019, in order to understand from a decolonial interpretation the role of her photography as an image of resistance. Therefore, the overall aim seeks to answer the following question: "how can Naiara Jinknss's photographic production be interpreted as an image of resistance within the power relations present in the discourse on the Amazon?". Through netnographic inspirations in Kozinets (2014) and phenomenological-decolonial approach, anchored in the phenomenological sociology of Schutz (1979), the understanding that phenomena and experiences are conditioned to the social and, therefore, transmitted in society was adopted. While exploring research objects that are immersed in the context of a country built by coloniality, it is a fact that the phenomena and experiences analyzed are also involved in what Quijano (1992) calls the colonial matrix of power. Therefore, we seek to develop the articulation of the concepts of Kossoy (2001), Aumont (2002), Fairclough (2001), Bhabha (1998), Hall (2006), Quijano (1992), Mignolo (2015), Maldonado-Torres (2017), among others. The research methodology developed included a bibliographic survey on the Amazon, Power and Photography, in the area of Social Sciences, and multiple stages of online data collection. The relevance of this study is trusted in highlighting the photographic production made by a professional from Pará who identifies with several minority groups in front of a field traditionally marked by power relations that do not contemplate these groups and that is not exempt from discourses and imaginary reproduced on the Amazon.
Acesso aberto (Open Access)
Cidade (Re)vista: interpretação decolonial da fotografia de Naiara Jinknss em Belém do Pará
(Universidade Federal do Pará, 2022-06-14) SANTA BRÍGIDA, Juliane Oliveira; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394
This research focused on the imagetic production of the documentary photographer Naiara Jinknss, focusing on the content posted on her Instagram during 2019, in order to understand from a decolonial interpretation the role of her photography as an image of resistance. Therefore, the overall aim seeks to answer the following question: "how can Naiara Jinknss's photographic production be interpreted as an image of resistance within the power relations present in the discourse on the Amazon?". Through netnographic inspirations in Kozinets (2014) and phenomenological-decolonial approach, anchored in the phenomenological sociology of Schutz (1979), the understanding that phenomena and experiences are conditioned to the social and, therefore, transmitted in society was adopted. While exploring research objects that are immersed in the context of a country built by coloniality, it is a fact that the phenomena and experiences analyzed are also involved in what Quijano (1992) calls the colonial matrix of power. Therefore, we seek to develop the articulation of the concepts of Kossoy (2001), Aumont (2002), Fairclough (2001), Bhabha (1998), Hall (2006), Quijano (1992), Mignolo (2015), Maldonado-Torres (2017), among others. The research methodology developed included a bibliographic survey on the Amazon, Power and Photography, in the area of Social Sciences, and multiple stages of online data collection. The relevance of this study is trusted in highlighting the photographic production made by a professional from Pará who identifies with several minority groups in front of a field traditionally marked by power relations that do not contemplate these groups and that is not exempt from discourses and imaginary reproduced on the Amazon.
Acesso aberto (Open Access)
Fontes fotográficas da Segunda Guerra Mundial no ensino de História: uma proposta de estudo para estudantes e professores
(Universidade Federal do Pará, 2020-08-31) ANAISSE, Marcelo Ribeiro; ALMEIDA, Conceição Maria Rocha de; http://lattes.cnpq.br/5784314365587893
This work aims to reflect theoretically and methodologically upon the use of photography in the teaching of History, considering the foundations of historical literacy, photography as a historical source and the production of an electronic paradidactic book (e-book) as a possibility of pedagogical tool for students of the High School and teachers. The starting point of this project was the application of a survey among the students of the High School classes of the State School Dr. Ulysses Guimarães, located in the city of Belém, Pará. The data obtained with the survey, in which the students answered questions about their preferred topics and others related to History learning, provided rich material used in analyzes and reflections about the teaching of History. In the survey, there was an indication of interest on the topic of World War II. Considering the interest shown by the consulted students and the aim of deepening theoretical and methodological studies on historical iconographic sources, the choice was to develop a study on photography in World War II in order to reflect upon the possibilities, limits and particularities of the photographic document and its potential for teaching and learning history. As well as written documents, photographs are also significant sources of information and reveal much more than a “portrait” of experienced reality. In order to analyze the documentary richness of photography, developing a methodological study of this type of source is important, and this should be based on theoretical references both from authors who approach photography and from those in the field of history teaching.
Acesso aberto (Open Access)
Fotografia e reterritorialização urbana. Saídas fotográficas e sensibilidade social em Belém
(Universidade Estadual do Rio de Janeiro, 2018) CASTRO, Fábio Fonseca de; ARRAES, Raoni Lourenço; CASTRO, Marina Ramos Neves de
The article discusses the relationship between the notion of reterritorialization and the photographic experience, seeking to understand the social experience of photographing the city of Belém in its contexts of meaning: the historical dynamics of what we call the “photographic movement of Belém” and the temporal experiences of the observed subjects. In order to illustrate the problem, a nine-month-long ethnographic research is cut and a “photographic outlet” – an urban tour of photographers, which took place on the night of the Trasladação, which precedes the Círio de Nazaré, in Belém – is followed. The article discusses photography as a process of re-signification and sensitization of the urban space.
Acesso aberto (Open Access)
A imprensa ilustrada: uma análise das representações fotográficas em Belém (1910-1920)
(Universidade Federal do Pará, 2022-04-25) GOMES, Rodrigo Neves; LACERDA, Franciane Gama; http://lattes.cnpq.br/1007392320101957
The research aims to analyze photographs published in newspapers and other printed matter such as albums and magazines that circulated through the city of Belém-PA, in the first decades of the twentieth century. The main newspapers of the period, such as Estado do Pará, Província do Pará and Folha do Norte, started to bring portraits of people and the urban space that accompanied the articles, helping in the understanding and in the idea of credibility of the news transmitted. Many of these photos showed aspects of the city that were different from the way the capital of Pará was represented in the heyday of latex exports. Thus, the images published in the periodicals highlight other angles of the city. Therefore, the dissertation discusses how the representations of some urban aspects of Belém and its residents recorded through photographs, help us to understand the economic, political and social context in which these productions were published, during the so-called rubber crisis.
Acesso aberto (Open Access)
Mulheres Tembé-Tenetehara: entre saias, memórias, subjetividades e fotografias
(Universidade Federal do Pará, 2023-04-27) CARDOSO, Ana Shirley Penaforte; CARDOSO, Denise Machado; http://lattes.cnpq.br/2685857306168366
This thesis is the result of an ethnographic study about indigenous women from the Tembé Tenetehara people who live in the Alto Rio Guamá Indigenous Territory (TIARG) in the state of Para, Brazil. This research draws on fieldwork experiences and observations with cultural leader Kuzà'i, shaman Francisca, and information about the late chief Veronica Tembe’s life, who passed away in December 2013. This study uses photography as a tool for interaction and analysis, creating ethnography through visual anthropology lens. This theoretical and methodological approach goal was to observe the convergences between verbal and visual statements that enable us to understand the historically constructed indigenous people identity production from the coloniality perspective, a concept that diverges from how the indigenous themselves perceive their daily lives. This study seeks to reflect on the indigenous women historically constructed symbolic image and analyze this imagistic aspect production that conflict with the indigenous people perspectives, whose comprehension of themselves differs considerably from the version imposed by outsiders. The thesis aims to analyze the Tenetehara women subjectivities in their cultural practices and the historical society movements’ context, which distinguish them from the 305 indigenous people currently living in Brazil, with 275 having "local" languages (IBGE, 2010). These field observations and informations allow us to recognize the historical generalization imposed on indigenous populations in the country, which perpetuates an Eurocentric "Indian" identity, marked by exoticism and neglects these people particularities. This identity is a coloniality power result, a colonial device that permeates history and resonates in contemporary society. Thus, this thesis aims to examine the indigenous women protagonism, using the body-territory concept (CELENTANI, 2014; XAKRIABÁ, 2018; KARIPUNA, 2021), which is a central element of their way of life. These women bodies’ images within their struggles, rights, and achievements are conceived as an instrument of knowledge, memory, and perception, which are embodied in the Territory, distancing us from the imposed matrix and the coloniality gaze.
Acesso aberto (Open Access)
O sagrado em preto e branco: um recorte da festa de são Benedito
(Universidade Federal do Pará, 2019-09) SERRA NETTO, Helio Figueiredo da
The feast of St. Benedict, known as Marujada, occurs every December in the city of Bragança, in the state of Pará, Brazil. One of the aesthetic characteristics of this event is manifested in the dress of devotees, known as sailors. The peculiar hat, the white clothes, the bare feet and the details in red (or blue), create the identity of this manifestation and constitute a singular expression of imagery. Although the colors are predominant in this cultural manifestation, attracting the attention of a great part of the people who participate in the festivity, the objective of this article was to construct a photographic narrative beyond the colors and, when constructing black and white images, we grasp the deepest part of the feast: the relationship with the sacred. This article is an unfolding of doctoral thesis that sought to reflect upon the relationship with the technological excess experienced today, and how certain images can redeem us from the violence embedded in this excess. All images are authored by Helio Figueiredo da Serra Netto and were built in Marujada of 2015.