Navegando por Assunto "Pluralismo cultural"

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Acesso aberto (Open Access)
De direito indigenista a direitos indígenas: desdobramento da arte do enfrentamento
(Universidade Federal do Pará, 2009) MACHADO, Almires Martins; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048; BENATTI, José Heder; http://lattes.cnpq.br/6884704999022918
This paper addresses the right Guarani, with its principles, nuances in conversation and subsumption of community issues. How to resolve conflicts in various fields of law, in a society Guarani. Discusses the importance that traditional religion has for the native law, which stems from the holistic mind. Discusses the principles of law Guarani: solidarity, reciprocity and prevalence of the collective interest of the individual. While dealing with indigenous law, the focus is on the right to hold property Guarani. The value is the theoretical framework of legal pluralism, to sustain it as a legal system, although thought and legislated differently than national law. In the end, enters on the adverse outcomes of external intervention, without due care anthropological necessary to such actions, departing in this case who is in charge of defending the legal right and interest indigenous. Explains the difficulty that has to work with right of indigenous peoples, to the limited literature that deals with it and because each indigenous people has its own ways of thinking and applying the law.
Acesso aberto (Open Access)
Trânsitos (in) visíveis diálogos na arte contemporânea paraense
(Universidade Federal do Pará, 2011-03-10) COUSTON JUNIOR, John Fletcher; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The following research aims to propose a critical and theoretical reflection towards examples of contemporary art exposed in exhibitions and museums in the city of Belém, Pará. This visual guide map will make possible a comprehension look related to the anthropological signals that art has in a fluid, hybrid and interconnected world. So in this sense, the discussion will be guided by the concept of Dialogism proposed by Mikhail Bakhtin and his research group on a way that it can also be renewed to our context through intersemiotics and intertextuality operations. The mentioned operations, on a philosophical and conceptual relation, will try to provide a route to understand the cultural processes of the contemporary societies. Associated to the discussion there is the role that the cultural processes perform on the Latin America societies, not intending to pave a uniform and continuous path, but a rizomatic net of appropriations, ephemerons loyalties and visual concepts.