Navegando por Assunto "Poeta paraense"

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Epopéia e transculturação em “Nativo de câncer”, de Ruy Barata
(Universidade Federal do Pará, 2015-04-06) CONCEIÇÃO, Laurenice Nogueira da; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431
This work establishes a dialogue between the poem "the native of cancer," the Para Ruy Paranatinga Barata, and the concept of transculturation Angel Rama. The stylistic analysis will be proposed by Carlos Reis (1976), according to which both the formal aspects linguistics as their transgression in the text contribute to its significance, including dialoguing with the context. The poem is discussed under the assumption that he was a modern epic of the Amazon, in which lyrical and epic amalgamate as Emil Staiger(1977), and from which the concept coined by Rama in the literature relates to the idea of regionalism and the same author of modernity, according to Baudelaire. Thus , we present the poem and its historical and literary context relating poetic form and content to the concepts of transculturation , modernity , epic, mediation and autonomy and engagement.We will see that in their structure the external elements, as a society, history and biography become internal, mainly by the use of the image, becoming a part of the text structure, as postulated Antonio Candido (2006).
Desconhecido
A poética do corpo na obra Linha-d'-água de Olga Savary
(Universidade Federal do Pará, 2014-12-21) LEITÃO, Andréa Jamilly Rodrigues; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
This paper is an interpretation of the body and its interrelationships with eroticism and love, from a dialogue with the book Linha-d’Água (1987), by Olga Savary (1933). The hypothesis this research articulates the poetic transfiguration of the body under the symbolic element of water as a poetic-ontological staging of the principle of unity between man and nature. Through a hermeneutic approach (RICOEUR, 1990), it is perceived in the poems a opening for textual articulation of a being in the world (being-there), with respect to the dynamics of human existence. The work of art operates a poetic recreation of bodies in the prevailing presence of the water, so that the loving communion establishes an approximation of the human being with its origin as a possibility of reconciliation with nature (PAZ, 1994). To compose this dialogue, we oppose a ecofeminism reading, which understands this operation as a poetic expression of subjectivities related to issues of gender or social roles (SOARES, 1999). Through the erotic impetus, human bodies are compared to a donation of nature, understood as unveiling of what the Greeks called phýsis (HEIDEGGER, 1999). The verses of Linha-d'Água articulate a movement that breaks with the conceptual legacy of Platonic metaphysics, which established a division, that has deepened in the modernity, between man and his carnal condition, between man and the reality. Amid the incessant cyclical dynamics of phýsis, Man must recognize itself in the liquidity of your body the return to primordial basis; on the other hand, he also must assume its condition of being released on the incessant temporal flow. In Savary's work, the human horizon is reinserted, through bodily experience, in reconciliation with that original impulse of nature and, at the same time, with the own living nature of lovers.
Desconhecido
Por uma história da recepção da obra de Max Martins
(Universidade Federal do Pará, 2013-01-16) QUEIROZ, José Francisco da Silva; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
This paper seeks to understand the critical reception of Max Martins’ poetry over 50 years of artistic activity. It proposes investigate, by utilizing an aesthetic recepcional approach, how the successive readings of journalists and critics established the acceptance of Max Martins’ production and the insertion of this writer into the respective local and national literary scene. Based theoretically on Aesthetic Reception, this study attempts to understand diachronically the effect caused by the Max Martins’ production in his immediate readers, and therefore make out a story of his reception. The approach of the assumptions made by H. R. Jauss (in The History of Literature as Provocation to Literary Theory) - such as the term "horizon of expectation" - will direct us as regards historicity of Max Martins’ poetic production, explaining why some misreadings of his works perpetuate until the present. Therefore by reconstructing the "horizon of expectation" it will be possible to understand which demand or question the Max Martins’ work attended at the time of its publication, furthermore to ascertain how the publishing of his works (G. Genette, 2009) influenced his reading over time, thereby updating their critical understanding and revealing some persistent inconsistencies in contemporary academic studies.
Desconhecido
Versos modernos: a paisagem amazônica no imaginário poético de Adalcinda Camarão
(Universidade Federal do Pará, 2012-04-20) BARBOSA, Iris de Fátima Lima; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431
This study proposes a thematic analysis of some poems of the poet Adalcinda Magno Camarão Luxardo (1915-2005) taking into account aspects of the imaginary and the elements, images, symbols, places and landscape embedded and reflected on her poetic productions. The writer was born in the city called Muaná in Marajó Island, in Pará and entered on the cultural and literary Paraense scene as one of the few women who campaigned in the art world during this period. When she was still normalist, she became part of the student groups who fought in literary fronts. It is Important to mention that the author contributed to literary magazines which circulated in Belemense society in the first half of the twentieth century like: Guajarina, A Semana and Amazônia – which helped to spread her poetry, beyond she wrote for newspapers like: O diário and A Província, which demonstrate her insertion and importance for the literary scene of that time, under the auspices of the constitution of a local literary movement. Therefore, this research is focused on the thematic analysis of the Adalcinda poems that shown the relationship among imagery, images, symbols, place and landscape trying to make analogies with authors such as Gilbert Durand (1997), François Laplantine and Liana Trindade (1997), in a survey based on anthropology, Gaston Bachelard(2008), with his consideration of the poetic space and Milton Santos (2006), regarding the idea of landscape, still placing the phenomenological views on these issues through Sartre (1996).