Navegando por Assunto "Processo Criativo"

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
O camelo, o leão e a criança que brinca: transmutações da busca de si em três atos-poéticos
(Universidade Federal do Pará, 2019-04-05) MIRANDA, Michele Campos de; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
Acesso aberto (Open Access)
Dragão de luz: uma poética sobre a experimentação de iluminação cênica do espetáculo santo anjo do senhor
(Universidade Federal do Pará, 2019-07-05) LISBOA, Marckson Davi de Moraes; SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243; SAPUCAHY, Ana Flávia Mendes; http://lattes.cnpq.br/6144243746546776
This research deals with spectacle’s light trials of Santo Anjo do Senhor, from Companhia Cênica de Cínicos of Belém of Pará. As an artist-illuminator-researcher, I seek to investigate the potential of non-theatrical equipment, devices and lighting materials, and the interaction of these scenic resources with the actor and the space within an experimental staging. The research develops by Gaston Bachelard's Phenomenology of Imagination to analyze the light of the spectacle as a phenomenon through the bias of daydream. For this, I summon Gilbert Durand’s imaginary conception, the Antonin Artaud’s scenic proposal, provocations of Eugenio Barba, propositions of Patrice Pavis and perceptions of scenic lighting of Roberto Gil Camargo, Cibele Forjaz, Francisco Turbiani e Iara Souza, further, explanations of Cecilia Salles and Sonia Rangel on creation processes to compose a methodology based on the Dragon myth, as poetic image. In the research, I visit both Chinese mythology and the imagery poetry of the tale Os dragões não conhecem o paraíso by Caio Fernando Abreu, to approach the development of scenic lighting over four-year seasons of the spectacle.
Acesso aberto (Open Access)
Para ter onde ir : performatividades madalênicas ou um mergulho no abismo do meu desejo profundo
(Universidade Federal do Pará, 2023-08-30) FERREIRA, Leonel Rodrigues; SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243
"To have where to go: Magdalenian performativity or a dive into the abyss of my deep desire" is a memorial for a master's degree in arts, in which I present the artistic procedures of two performative shows by "Teatro Madalenas Company", from Belém do Pará, staged in the years 2003 and 2015, thus resulting in a new performative show. Such a poetic act articulated the artistic procedures used by the "Madalenas" company, with others that are part of my trajectory as a scene artist, mainly making use of Viewpoints, the re-signification of urban space as dramaturgy, in addition to my personal memories. For the conception of the performative show, I establish a dialogue between Viewpoints and Composition based on the studies of Anne Bogart and Tina Landau; the studies about "The invasion Theater", by André Carreira; Max Martins' poems, from the work "To have where to go" and experimentation in video art. Keywords: Theater, Performativity. Creative process, Body composition. Video art."