Navegando por Assunto "Quadrinhos"

Agora exibindo 1 - 3 de 3

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O corvo, de Edgar Allan Poe: interseção de linguagens entre tradução intersemiótica, adaptação e história em quadrinhos
(Universidade Federal do Pará, 2017-03-20) SOUZA, Deynea Fabíola Ferreira de; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Based on semiosis of intersemiotic translation, the presente study analyzes the language of the transposition of Edgar Allan Poe´s poem The raven, to the comic strip of the graphic artist Luciano Irrthum, from the Machado de Assis translation. Using as theorical references Julio Plaza (2010), Charles Sanders Peirce (2005), Linda Hutcheon (2013), Thierry Groesteen (2015), among others, this thesis discusses the semiosis of the relation among the crossing of the systems o signs – from the written poem to the comics – dealing with the relation among text an image, observing the specificities of the sequential art as, graphic cut, timing, frame, related to the intention of Poe for the poem exposed in his essay The philosophy of composition, in which the poet in relation to the poem an exposes the effect he intends to achieve, such as tone, rhythm, cadence. The present work also address the adaptation of the poem within the context of mass culture.
Acesso aberto (Open Access)
Etnografia em quadrinhos: subjetividades e escrita de si Tembé-Tentetehara
(Universidade Federal do Pará, 2016-03-31) OLIVEIRA JUNIOR, Otoniel Lopes de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
Comics is a language that uses textual and pictorial resources for production of meaning. More than just the sum of these resources, comics is a noteworthy hybrid with unique expressive features to production of discourse and statements. As a vehicle of cultural industry, but not only contained in it, the comic play a dual role, at the same time they act as mass media, it's also a language that through its conditions of its historical possibilities, provide the appearance of subjects knowledges. Historically, Brazilian indigenous societies undergo a process of adjustment to a homogeneous culture colonialism, be it historical, be it cultural, be it ethnic genocide. The representation of brazilian’s indigenous in materiality of the cultural industry is commonly marked by standardization of subjectivity and stereotyping images. Presenting the language of comics and their characteristics, this paper will examine, through archgeneological method if such subjective processes of indigenous peoples are present in a materiality clipping comic produced in the cultural industry. Also discuss the process of emergence of indigenous subjects knowledges by Tembe-Tenetehara's statements in comic language, made from workshops held in the Aldeia Sede as part of a participative field research presented here through a ethnography draw and comics.
Acesso aberto (Open Access)
História, narrativa gráfica e a ditadura militar em Belém: presente, passado e futuro pela ótica da arte sequencial
(Universidade Federal do Pará, 2019-01-29) ARAÚJO, Plínio Sá de; ESTEVES, Carlos Leandro da Silva; http://lattes.cnpq.br/6758802097773377
The dissertation proposal is based on the research line Historical Languages and Narratives: Production and Diffusion, of the Professional Master's Degree in History Teaching (PROFHISTÓRIA). The essay body is divided into four interrelated chapters aiming at the methodology of history teaching practices, using comics as a literary genre capable of narrating long-lasting stories. For this, the work is based on the dialogue between characteristics of semiotics, typical of comics, combined with propositions of the theory of history as historical narrative, historical consciousness and historical learning. The accomplishment of this dialogue is allied to debates and research workshops held at the Ruth dos Santos Almeida School, in the National Curricular Parameters and in the historiographic clipping that precedes and initiates the Civil-Military Dictatorship, in Belém, 1964. The result of the debate of these propositions presents as a HQ product.