Navegando por Assunto "Representations"

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
Envelhecimento: corpo, saúde, sexualidade e gênero (Belém-PA, 1920-1930)
(Universidade Federal do Pará, 2024-02-20) SANTANA, Breno dos Santos; CAMPOS, Ipojucan Dias; http://lattes.cnpq.br/0380400211532063
The dissertation discusses the representations of human aging in Belém do Pará in the first decades of the 20th century through the analysis of texts present in magazines illustrated illustrations that circulated in the capital of Pará, such as “A Semana”, “Belém Nova”, “Pará-Doctor". Accordingly, the debates sought to understand how the process of aging could be interpreted and experienced by the historical subjects of belenense period on screen. It is understood that, due to numerous social inequalities, there was a universe of many disputes related to the meanings given to aging, after all, being old would sometimes mean admiration and respect, sometimes misfortune and rejection, it all depended on the position occupied by those who spoke and those who were the target of the speech. As part of these arrangements, stigmas related to the body, health and sexual fitness; However, these interpretative sets spoke of their own idealizations around a young, modern and developed Brazilian society, at the same time, indicated processes of exclusion compared to what was desired, mainly due to the discursive core intellectual, at the center of which the arguments focused on the “action of time on bodies humans” were heavily produced.
Acesso aberto (Open Access)
Representações de mulheres gordas em quadrinhos de autoria feminina da/na Amazônia
(Universidade Federal do Pará, 2023-03-29) GILLET, Fabiana Oliveira; SANTOS, Luiz Cezar Silva dos; http://lattes.cnpq.br/2449524316115443
characters. It seeks to understand which are the representations of fat female characters on webcomics made by women authorship from Amazon, if there are those representations and which are the readings of those artists about fat bodies, as artists, drawers, and women, and if there are comic artists who identify as fat women. The relevance of the discussions involving the studies of the fat body in Brazil is highlighted, as research are still under development in the Social and Communication Sciences. It is considered that social representations in hegemonic media products play a fundamental role in the conception and maintenance of social models constitutive of the imaginary, ordering what will be accepted or repressed in society. Thus, it is important to emphasize that comics, as media, are vectors of speeches and stereotyped representations (BOFF, 2014; EISNER, 2005; THENSUAN, 2020), creating and strengthening social stigmas as in the case of fatphobia (ARRUDA, 2021, JIMENEZ, 2020). Therefore, this study aligns the idea that the media bios (SODRÉ, 2002) develops fatphobia, which highlights the importance of an approach from the perspective of communication science (ARRUDA, 2021). We intend to contribute to the research and debate on communication as a vector for maintenance or transformation of models, stereotypes and social stigmas; reflecting on fatphobia and the field of studies on gender and comics. In order to analyze the representation of characters and the production of meanings about fat corporality in webcomics produced by female comics authors from Amazon, we seek to identify fat characters in webcomics and illustrations of female artists from Brazilian Amazon region; dialogue with comics authors through semi-structured interviews (DUARTE, 2005; GASKELL, 2002) about the representation of fat women in webcomics; to analyze the meanings apprehended about fat corporality in the data collected from the analysis of the images (JOLY, 2007) of the illustrations and webcomics; and to discuss the representations of the female fat body and the senses produced and apprehended by these representations. We conclude that the senses seized in the representations present convergences with the discourses of acceptance and self-love diffused by the hegemonic media based on the body positive movement in line with the biosociabilities of consumption of the plus size industry (AIRES, 2019), generating resignifications in the regimes of visibility of the fat body, creating positive stereotypes, with invisibilities of larger fat bodies.
Acesso aberto (Open Access)
As representações sem consciência em Kant
(Universidade Federal do Piauí, 2015) SOUZA, Luís Eduardo Ramos de; BRITO, Aline Brasiliense dos Santos
Kant develops the theme of representations without consciousness, obscure and unconscious in a fragmentary and scattered manner throughout their works. Therefore, this paper aims initially identify and group several passages in which Kant deals of this matter in several of his texts, and posteriorly analyze and relate their ideas to form a comprehensive and articulated vision about this class special of representations. The views expressed in this paper are as follows: first, indicate that Kant understands the representations without consciousness in sense close to the no conscious representations; second, to show that the representations without consciousness (or no conscious) constitute the broader genre in which are contained the obscure and unconscious representations; third, argue that these two kinds of representations without consciousness are not defined in absolute terms, but in relation to the notion of degrees and attention deficits, respectively; fourth, propose that the representations without consciousness in Kant can be called obscure or indistinct perceptions, while opposed to representations with consciousness, which can be designated as clear or distinct perceptions.