Navegando por Assunto "Sacred"

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Acesso aberto (Open Access)
O sagrado (re)velado em narrativas orais de mulheres quilombolas de Santíssima Trindade - Pará
(Universidade Federal do Pará, 2022-03-15) SOUSA, Natasha Fernandes de; RAMOS, João Batista Santiago; http://lattes.cnpq.br/8078757512392983
This research aims to understand the sacred (re)veiled in oral narratives of women from the Santíssima Trindade-Pará Community. The social relevance of giving time and voice to knowledge, religiosity and customs of those who inhabit or have inhabited marginal spaces, reflecting their narratives in search of identifying possible temporal interferences, and also what the Community represents through their voices. For this, the investigation presented a methodology with a qualitative approach with descriptive characteristics, considering the oral narratives of three quilombola women from the Santíssima Trindade community. The constitution of the data took place through observation, interview, informal conversations, audiovisual record and notebook. The results show that the sacred is (re)veiled through manifestations of religious rituals with devotion to the saints, mainly to São Pedro - the patron saint of the Community, as well as in rituals of healing with herbs or rezadeiras. It is noteworthy that the sacred is also (re)veiled through elementary or more elaborate hierophanies such as the human one. It is concluded that in the sacred (re)veiled in oral narratives of the women of the quilombola community Santíssima Trindade there is an intertwining between life and memory to the history of the Community itself, becoming a source of knowledge to know the history of the place where the sacred is (re)veils with representation and belonging to the community of black and quilombola women, in addition to a totalizing ideology.
Acesso aberto (Open Access)
O sagrado em preto e branco: um recorte da festa de são Benedito
(Universidade Federal do Pará, 2019-09) SERRA NETTO, Helio Figueiredo da
The feast of St. Benedict, known as Marujada, occurs every December in the city of Bragança, in the state of Pará, Brazil. One of the aesthetic characteristics of this event is manifested in the dress of devotees, known as sailors. The peculiar hat, the white clothes, the bare feet and the details in red (or blue), create the identity of this manifestation and constitute a singular expression of imagery. Although the colors are predominant in this cultural manifestation, attracting the attention of a great part of the people who participate in the festivity, the objective of this article was to construct a photographic narrative beyond the colors and, when constructing black and white images, we grasp the deepest part of the feast: the relationship with the sacred. This article is an unfolding of doctoral thesis that sought to reflect upon the relationship with the technological excess experienced today, and how certain images can redeem us from the violence embedded in this excess. All images are authored by Helio Figueiredo da Serra Netto and were built in Marujada of 2015.