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Navegando por Assunto "Sociability"

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    Arrastão do Pavulagem e o " estar junto" em Belém do Pará durante a Pandemia de COVID-19: comunicação, sociabilidades e consumos da cultura material
    (Universidade Federal do Pará, 2023-03-22) SANTOS, Lucas Gil Corrêa dos; VIEIRA, Manuela do Corral; http://lattes.cnpq.br/1758973354834768; https://orcid.org/0000-0003-2034-5359
    This master's dissertation seeks to understand how the practices of communication, consumption and sociability, involving the June procession Arrastão do Pavulagem, held annually between the months of June and July, were resiginified, with the scenario of social isolation, arising from the Covid-19 virus pandemic. To this end, the following procedures will be used as methodology: netnographic analysis, as pointed out by Kozinets (2014); interviews with semi-structured script; snowball sampling, according to studies by Bockorni and Gomes (2021); and participant observation. In order to ground the axes of analysis, the notes of França (2008) and Muniz Sodré (2008; 2002) about communication will be used; Amaral Filho (2017; 2019) about cultural shows and entertainment; Santos (2010) and Castro (2012; 2020) about Amazonia; Simmel (1983) and Maffesoli (2016) about sociabilities; Miller (2007) about material culture; and McCracken (2003; 2007), Barbosa, and Campbell (2006) about consumption. We highlight the experimental and successful character in the preparation and realization of the digital programming of the analyzed period, the sharing of similar feelings and sensations that enabled the subjects to connect with each other even at a distance, and the sensitive dimensions that crossed the practices of consumption of the arrastões and their material aspects.
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    “ Um conhecido estranho ”: transformações no lugar de morada e nas relações de sociabilidade sob influência da dendeicultura na vila Forquilha, Tomé-Açu/Pará
    (Universidade Federal do Pará, 2020-10-30) COSTA, Raquel de Jesus; MOTA, Dalva Maria da; http://lattes.cnpq.br/4129724001987611
    This dissertation deals with the themes of changes in the place of home and sociability between old and new residents, the latter attracted by the possibility of working in oil palm. Thus, the general objective is to analyze the transformations in the place of residence and the sociability relations under the condition of the influx of new residents to work as salaried workers in the oil palm industry in the village Forquilha in Tomé-Açu / PA. It is a case study, using quantitative and qualitative approaches with literature review and secondary data collection. Semi-structured and non-directive interviews were conducted with residents of vila Forquilha, 46 with people who have lived longer (“those from here”) and 51 who recently arrived motivated by wages (“from outside”). Observations were made in the field about people and the place, considering what happened related to the way of living, the sociability relations, the physical structures and the meanings of the place of residence. The main conclusions show that the changes were not only in the structure of the village, but also in the working relationships and sociability between the different groups. There was an expansion in the village area, an increase in population and changes in infrastructure and social organization. The interactions also changed due to the arrival of people to work, mostly young men who migrated more than once in search of wages. As a result, there are three types of social interaction: between residents “from here”; between “outside” residents and; between both residents. It is noticeable an interaction with greater fluidity in the coexistence between the same type of resident, however, between one type and the other it is superficial and sociability becomes more difficult due to differences.
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    Drag o quê?: sociabilidades, resistências e comunicação no Movimento das Themonhas no NoiteSuja, em Belém
    (Universidade Federal do Pará, 2020-06-30) FERREIRA, Emanuele Corrêa; VIEIRA, Manuela do Corral; http://lattes.cnpq.br/1758973354834768; https://orcid.org/0000-0003-2034-5359
    This essay aimed to understand and analyze how the Drag culture constitutes the experience of the subject and their sociability, specifically in the Demonha’s movement, in the context of the NoiteSuja movement, a network created in Belém that brings together Drag Queens from the local artistic scene, how the Drag constitutes the experience and constructions of these subjects who perform Drag. From the Communication study area, with sociabilty category, performance, gender and digital social media. The research area was carried out from March to December 2018, covering the analysis of five NoiteSuja parties. Interviews were also conducted with a semi-structured script, with nine Demonhas Drags interlocutors. It was so analyzed how Demonhas, through practices of sociability and performances, articulate themselves in on-off-line networks, also group in their Haus and invest their bodies on the streets, in a Megazord of Demonhas, sharing agendas and resisting, in existences crossed by sanctions that tend to seek the normalization of their bodies and the denial of their lives.
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    Eu encontrei ele no Grindr: processos comunicacionais e sociais entre jovens gays em Belém BELÉM - PA 2020
    (Universidade Federal do Pará, 2020-06-26) SANTOS, Elson Silva dos; VIEIRA, Manuela do Corral; http://lattes.cnpq.br/1758973354834768
    This study aims, based on anthropological inspiration, to understand the communications and social practices of young gay men in the relationship mobile app Grindr, used within Belém City and its metropolitan area. Apps are part of the context among subjects and technological devices that cover the dimensions of life and its social practices, such as relationships. It notices how the usability of the Grindr app becomes a mediator and facilitator of social bonds so much in body and aesthetic visibilities, as well as related to contents and interests. The analysis of this study is based on the interlocution among Communications Studies and the categories sociability, technology and gender. The field research consisted of 28-day participant observation, between July and August 2019, in which a profile created for this purpose was used on the Grindr app. Interviews were also carried out with a semistructured survey with young men who have ever used Grindr on their mobile devices and looked for experiences with other men. Thus, it was possible to identify how gender issues are present in the experiences of these users and in their social relationships manifested on the app, bringing thoughts about the power relations produced by homophobia and masculinities in a heteronormative society, in which negotiations and social codes cross the subjects' performances and identities.
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    A festa de São Pedro na Vila de Joanes, Ilha de Marajó, Amazônia
    (Universidade Federal do Pará, 2015-08-26) RAVAGNANI, Luis Ricardo; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
    The Joanes Village is a fishing village in the municipality of Salvaterra, in Marajó Island (PA). Historically it was an indian village and then a religious and military settlement gained importance and prominence in the local economy as a Real Fishing. The town has the historic site PA-JO-46, which consists of the ruins of the Church of Our Lady of the Rosary and wells of the colonial period marking the changes in time. Fishermen stand out as a craft group recognized and valued in the village for the economy that moves through them and the culture they share. In this work the look was focused on the "Feast of St. Peter" or "party of fishermen", as it constitutes a means of representation and sociability of the group of fishermen. Through ethnographic method tried to describe the different rituals that make up the party and understand the sociability of relations established between organizers and participants. I believe that the party is an important experience in people's lives and social groups and that through it we can understand and explain the various dimensions of society: politics, religion, kinship, work, leisure and economics, like “total social fact” (MAUSS, 1974).
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    As guitarradas paraenses: um olhar sobre música, musicalidade e experiência cultural
    (Universidade Federal da Bahia, 2012) CASTRO, Fábio Fonseca de
    The article notes the cultural scene built around the “guitarradas”, musical genre of brazilian state of Pará, discussing the socio-cultural and inter-subjective dimension of the phenomenon and realizing how it produces sensible, aesthetic and communicative collective experiences that impacts on the production of identitarian narratives.
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    Matando a fome de lazer "Lá no meu Setor": práticas e sociabilidades na periferia de Belém (PA)
    (Universidade Federal do Pará, 2021-10-21) LOBATO, Flavio Henrique Souza; BAHIA, Mirleide Chaar; http://lattes.cnpq.br/6052323981745384; https://orcid.org/0000-0001-7168-2019
    Historically, through capitalist and eurocentric perspectives, concepts, practices and spaces proper to a hegemonic understanding of leisure have been developed, which legitimized conventional forms of what it would be, how it should be and in which spaces and times the practice of leisure should take place. In several public policies, these conceptions were established as the only possible leisure practices, favoring some people and neglecting many others. Hence, as a social convention, society began to consider leisure practices and spaces as excluding. Therefore, this research aimed to analyze the leisure practices of the Bom Jesus I Community, on the outskirts of Belém (PA), considering the macro and micro contexts of analysis, based on the interaction and sociability processes of local residents. To make this study achievable, from a qualitative approach, bibliographical, documental and field research were used. In an exercise of ethnographic practice, informal conversations, participant observation, semi-structured interviews and records in a field notebook were carried out. The investigation was guided both by an "outsider and long distanced view", considering the structuring processes (macro perspective), as well as an “insider and close-up view" (micro perspective), focused on the "inversions" practiced daily, for the leisure of this population. To “kill the hunger for leisure”, the “discoveries” revealed that over the years different practical alternatives and sociabilities were created from the processes of interaction between local residents. It was also established that, often alienated by hegemonic understandings, this population cannot see or consider their daily experiences as leisure. The conversations, the "crazy rock", the "jogo do bicho" (a brazilian popular game of chance), football and the "picnic" are "forms of entertainment", characterized by very particular dynamics, full of purposes and meanings, which enable this “sector” to have fun, make itself exist and resist day by day
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    Pela margem da cidade: lazer, sociabilidades e controle social no subúrbio belenense em meados do século XX
    (Universidade Federal do Pará, 2024-02-23) GOMES, Elielton Benedito Castro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264
    This research is focused on social history in the Amazon. It deals with leisure experiences and sociability of residents from suburban neighborhoods from Belém do Pará, in the middle of 20th century, specifically in the districts of Guamá, Condor and Jurunas, the three nearby the Guamá riverside. In addition to the interest on practices and perceptions from residents related to leisure and sociability, is also of interest the activity of public security officers dedicated to the control and repression of practices from local residents related to leisure events and entertainment. The historical sources accessed are newspaper clippings – available in libraries and public archives in Belém – chronicles and memory novels, that yield a version about the city in the past, as well as oral stories of men and women that used to live in the paraense capital in the middle of 20th century and have experienced the effervescence of the urban life in religious feasts, cabarets, Saint John‟s festivities, carnival associations, dance houses, among others.
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    Veias de spray: o movimento artístico do graffiti em Belém do Pará (1980-1999)
    (Universidade Federal do Pará, 2024-10-04) CONCEIÇÃO, Edvan da Silva; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
    As we walk around the city every day, multiple stimuli are heard and felt. These stimuli can be present in different ways, whether through sounds, noises or visually through records of human presence in this space. Graffiti becomes one of these stimuli, which are consumed daily by the various individuals who create the urban landscape of a city in their social interactions. Bearing in mind the importance and constant presence of graffiti and pixação in the urban scene of Belém, the question was: do these movements constitute sociocultural products, which contributed to the individual and collective identity formation of certain groups, reflecting on the social dynamics of domination of spaces in the urban scenario of the city of Belém, during the 1980s and 1990s? This research was developed through three movements, bibliographical and source research, interviews and finally, the writing of this dissertation, which is divided into three parts, the first two are subdivided into topics which contextualized the theme in question, the last part, presents the position of the researcher. Therefore, we emphasize that the movement analyzed in this research falls within the field of urban art, integrating itself into the landscape of a city, exposing existences and tensions present in the social fabric.
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