Navegando por Assunto "Sociologia urbana"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
A cidade vista através do porto: múltiplas identidades urbanas e imagem da cidade na orla fluvial de Belém (PA)
(Universidade Federal do Pará, 2006) SILVA, Marcos Alexandre Pimentel da; CAMPELO, Marilu Marcia; http://lattes.cnpq.br/8338592541775616
This dissertation focuses the constrution/mark of multiples urban identities in the context of Belém city in state of Pará, considering the different trajectories realized trough of Porto da Palha, localized in the south portion of the fluvial riverside of that city. Considered the urban identity as a continuous process in that are multiples experiences belong to urbe, beside the marcation of a material and symbolic difference in the production of a specific image of city. The Porto da Palha made a expressive locus for multiples identities construtions and a space belong to is possible looking a “marginal” image of Belém. Are enphasized the territorials and communities aspects of this process, because the same occurs in advers situation wich a colection of networks directed of the suplly of a local consuption territorializing in the Port. Besides, the interations and changes of experiences developeled between the diferents social groups as fairors, residents of port, “quilombolas” and “ribeirinhos” group producting in this space a form of survival community. That territorials and communities ties and of that materials and simbolics pratices seted with the river and are realized according in this urban route defined for this social groups, to come out another image of city, a ribeirinha city on the fringes.
Acesso aberto (Open Access)
Determinação dos clubes de convergência da renda per capita agrícola - uma análise para os municípios cearenses
(2009-12) OLIVEIRA JÚNIOR, José Nilo de; DINIZ, Marcelo Bentes; CASTELAR, Luiz Ivan de Melo; FERREIRA, Roberto Tatiwa
This paper analyzes the process of agricultural county convergence in the state of Ceará using a threshold model in the period from 1970 to 1996. The results show the existence of four clubs of convergence. One formed by the group of richer counties; another one by the group of poor counties and two intermediate groups. The results intra-clubs show that both human capital and physical capital are important to explain the growth process of Ceará's agriculture. On the other hand land is important only for the two richer clubs.
Acesso aberto (Open Access)
A dinâmica de uso da Praça Olavo Bilac no contexto da cidade de Belém
(Universidade Federal do Pará, 2011-10-30) NOVAES, Raquel Santos de; SÁ, Maria Elvira Rocha de; http://lattes.cnpq.br/9993934259448457
This work, entitled: Dynamics of use of Olavo Bilac Square in the context of the city of Belém, aimed to identify and analyze the different uses and form of ownership in the Olavo Bilac Square, and for this we start from the assumption that the various uses in this square are revealing the conditions of life imposed by the capitalist mode of production. The methodology is structured from a survey of literature sources concerning the issue, then conducted a documentary research about the origin and history of the square in question, precisely in newspapers, websites and official documents belonging to the Parish of St. Dominic, we also carried out a systematic observation in the study area, the hours of the morning, afternoon and night; every day of the week, but not consecutively. It was also made a roadmap for the application of interviews with vendors and visitors of Olavo Bilac Square, to serve as records of historical reference and records of uses of the respondents. After applying this screenplay we went to the step of the interviews, when we had a conversation with vendors who work within the Square, with people using the square as a passage, and other neighborhood residents who use the square, and that has to do with this, totaling 16 people. The results of this research show that, this square is a reference to leisure, is a place of passage, the encounter, but also the diversity and inequality that the capitalist mode of production imposes on cities and those who live there, because the Olavo Bilac Square as well as all other squares, is the expression of the city, and will express the lifestyle of this city.
Acesso aberto (Open Access)
Habitus, governanças institucionais e trajetórias tecnológicas: uma análise sociológica do espaço, o caso da expansão do óleo de palma (dendê) no Vale do Acará, Pará
(Universidade Federal do Pará, 2017-07-04) MONTEIRO, Marcílio de Abreu; COSTA, Francisco de Assis; http://lattes.cnpq.br/1820238947667908
The altered space is understood by social practices and lived experiences, conformed in habitus, technique and institutions. The organization of space results from a continuous and repeated combination of actions and objects, according to representations, material and symbolic, that interact within social relations, as subjective bonds that are objectified in the connection between a geographic cut and the social conformations. The dynamics of technological trajectories, as a more visible element of these changes, is the analytical tool to indicate the movements arising from the action and reaction of the structuring structure before a structured structure. Based on the construction of these theoretical-methodological elements, it is sought to understand the phenomenon of the advance of palm oil in the Amazon by reference to the changes resulting from this social fact, through its spatial objectification. Having as a case study the alterations that occurred in the Vale do Acará, Pará, as space-place, an objectified social and geographic space.
Acesso aberto (Open Access)
“Pelas ruas de Belém...”: produção de sentido e dinâmica cultural nos arrastões do Pavulagem em Belém do Pará
(Universidade Federal do Pará, 2016-04-01) CHAGAS JUNIOR, Edgar Monteiro; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424
Recent demands by groups of residents from large Brazilian urban centers for some cultural manifestations understood as traditional – approached according to a model of cultural representation whose dimension of identity value has been increasingly activated – has permitted some reflections that surpass the conditions of use and appropriation of urban public spaces that elaborate and institute different forms of artistic- cultural expression without necessarily following the consolidated standards for large events where distance from the artist and the public prevails. During the last two decades, there has been a resuming of actions of pedagogical nature on knowledge whose origin are in old popular dances that started to provide a referential for production of discourses by urban cultural activists who became known for their appeal to “degradation” of identities in a world economically globalized, redirecting participation and consumption of the socalled cultural assets and providing a form of public mobilization that began to (re) assume the streets as referential in the sense of socialization and experimentation as driving energy of accomplishment of a cultural action performatically ritualized. Therefore, this study aims to collaborate with these discussions anchored in the possibility of intermingling among the notions of heritage, ritual and performance motivated by observations of a cultural movement called Arrastão do Pavulagem, which has been performing for the last twenty eight years, and has been consolidated in the annual cultural schedule of Belém do Pará as a moment of esthetic and symbolic (re) creation of the festivity based on performance of musicians, dancers, actors, producers who carry out their actions in an environment, that suggests that it is institutionalized from a sense of participation and experimentation of the place as one of the fundaments of this movement mobilized by different interests, but that, when meeting at this environment, intermingle and performatically elaborate discourses and visualities that operate in the possibility of (re) interpretation of the urban landscape of the Historical Center of Belém do Pará.