Navegando por Assunto "Teatro - Produção e direção"

Agora exibindo 1 - 2 de 2

Acesso aberto (Open Access)
Grupo de teatro Palha: trajetória e identidade teatral
(Universidade Federal do Pará, 2015-06-26) FURTADO, Paulo Roberto Santana; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184
Study of the trajectory of the Straw Theatre Group over its 34 -year history (1980-2014), addressing his artistic production, cultural activities and inclusion in the panorama of Pará theater. The research aimed to understand the challenges the Group, which originated with young members and on the outskirts of Bethlehem, seeking to translate the Para theatrical movement during his thirty-four years of building a theatrical identity. The productions of the group are referenced the theory of German playwright and director Bertolt Brecht, in order to bring reality to the theatrical scene. It was used as a research source, group material, such as programs, newspaper clippings, photographs, videos, reviews, texts, scripts and testimony of its members and founders.
Acesso aberto (Open Access)
Por onde se vê: a performance na dança na cena contemporânea
(Universidade Federal do Pará, 2011-03-02) GOMES, Erika Silva; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692
Instigated for the new artistic productions, especially experienced at the dance universe , I throwed myself at the challenge to research which ways these artists have been tracking, what work instruments they have been using and mostly what the ideas that make them search for transformations look like. In this direction, I choose as study object the spectacle “Por onde se vê” from the Waldete Brito Experimental Dance Company of which I am part, and for which have danced on its first version. Therefore I included myself as objetc of study too. My inquire in this resarch aims to analyze the language of the performance in this spectacle, - whose theoretical referencial is based in the thoughts of authors as Renato Cohen and Roselee Godlberg - where it had as hypothesis that the use of this language could be a track in what the construction of these unusual and instigating artistic productions is closely concerned. The text points out some contributions brought from this border art so as to extend the creative universe in the scene. The used methodology was based on a descriptive qualitative boarding, by means of the data collected during interviews standardized and structuralized with the director and the interpreters on the process of creation and the accomplishment of the four versions of the spectacle, as well as the reports of the spectators envolved into it.