Navegando por Assunto "Teatro paraense"

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Representação da informação do acervo fotográfico do figurino clássico do teatro paraense nas décadas de 1950 e 1960
(Universidade Federal do Pará, 2020-02-28) MIRANDA, Ana Mary Campos de; CONDURÚ, Marise Teles; http://lattes.cnpq.br/6085807397296909; https://orcid.org/0000-0003-4545-4199
Addresses the recovery of part of the memory of the classical costumes of the Pará theater, with the aim of contributing to the studies of descriptive representation of photographic services of theater costumes. And, for that, delimit them with the following objectives: a) discourse on the context of the organization and representation of information; b) address a descriptive representation of photographic images; c) portray a history of Pará's theater and its costumes; d) to analyze the descriptive representation of the collection of classical costumes in Pará between 1950 and 1960. For this, bibliographic research was carried out, using a qualitative approach of an exploratory nature, with data obtained from different bibliographic resources, in addition to documentary research, in which photographs of paraense theater costumes were analyzed. The results showed that, the constitution of the cataloging of the costume collection of theatrical pieces performed by theater groups from Belém of Pará, will play an important role as a documentary record of performances once performed, regardless of, the role of memory, since, by transforming the theater plays into visual products, it will allow the research, the reconstruction of the plays and costumes, in the most faithful way possible. It is concluded that from this research a concrete possibility was generated for the recovery and cataloging of part of the photographic collections of the costumes of plays staged in the Pará theater of the 50s and 60s.
Acesso aberto (Open Access)
Vanguardismos e modernidades: cenas teatrais em Belém do Pará (1941-1968)
(Universidade Federal do Pará, 2016-03-03) BEZERRA, José Denis de Oliveira; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361
This thesis aims at the analysis of the theatrical cultural practices in Belém do Pará, state of Pará, Brazil, from 1941 to 1968, by considering amateur and student´s theatre ideologies and movement, whose fundamental project was the transformation of local theatre practices. The materials for this research were collected in private and public institutions archives and in Brazilian scholars´ bibiographical production. From these materials, we have investigated how performances (“poetic products”) have created a dialogue with the sociopolitical environment in Brazil and in Pará during those years. Artists and intelectuals aesthetic principles in this cultural movement revealed important modernizing and avant garde actions and perceptions on culture and art. On account of that the production proposed by the groups Teatro do Estudante do Pará (1941-1951), the Norte Teatro Escola do Pará (1957-1962) and the Serviço de Teatro at the University of Pará (1962-1967) have confronted others theatre forms – specially the ones related to commercial and popular theatre practices – that represented what we define as a tradition. In the final analysis we conclude that cultural production have been articulated and grounded under erudition principals proposed by those traditional groups during three decades in Pará´s 20th century theater. The government arts funding, formal art education and arts renewing potency, among other reasons, have motivated the “avant garde artists” to think and to make theatre as an important artistic and intelectual mobilization field in Para´s society.