Navegando por Assunto "Teatro popular"

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
Gosto muito de estar aqui: na cultura e na educação pela vivência e experiência no cordão do mapará, Abaetetuba-PA
(Universidade Federal do Pará, 2023-11-16) CARDOSO, Michelly Conceição; TOUTONGE, Eliana Campos Pojo; http://lattes.cnpq.br/1223748500489517; https://orcid.org/0000-0002-7466-3996; LOBATO, Vivian da Silva; http://lattes.cnpq.br/8153247121237657
This research deals with Cordão do Mapará in the neighborhood of Angélica, Abaetetuba-PA, which is configured as a popular theater that problematizes culture and education as dimensions of the same social practice, radiating educational processes. Thus, the study seeks to understand how the educational processes that permeate this June festivities develop, through the participation and involvement of children and adolescents. We start with the following question: what educational processes are present in all Cordão do Mapará production, especially through the experiences of children and adolescents? The central objective is to investigate the educational processes that originate/occur in Cordão do Mapará through the participation of children and adolescents. To achieve this, the research involved a vast bibliographic and documentary review on the cordon present in the municipality of Abaetetuba as well as the use of iconography and oral sources. At the same time, field research was carried out using observations and interviews with actors involved with this June celebration, focusing on the relationship of children and adolescents with this practice. The results indicate that these subjects who frequent Cordão do Mapará build educational processes based on the local/Amazonian characters and elements that are present in this manifestation, and such learning, experiences and experiences in their lives constitute concrete possibilities for cultivating and valuing knowledge, Furthermore, these children and adolescents, when participating in the cultural event, are fully developing their potential, as they act and occupy spaces in the city's urban scene.
Acesso aberto (Open Access)
Máscaras, mascarados e oprimidos: do boi de máscaras de São Caetano de Odivelas ao Teatro de rua do Bairro da Terra Firme – Belém / Pará
(Universidade Federal do Pará, 2012) SANTOS JUNIOR, Paulo de Tarso Nunes dos; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This research investigates and analyzes the Teatro Popular this event from the scenic and visual elements that articulate the whole aesthetic. Reflecting on the importance of theatrical masks as a symbolic element in the preparation of technical and acting for the Street Theatre. Presents the work in creating characters from the signification of the object (mask) Popular Theatre for Theatre Street, in the neighborhood of Upland, Belém-Pará. The paper addresses the creation of a collective dramaturgy, which express in their scenes, their daily working. A street theater that seeks transcendence, through solidarity toward the collective awareness of the citizen to community problems and the fight against injustice and all forms of violence.
Acesso aberto (Open Access)
Teatro da fragilidade: uma cartografia respiratória com o bando de atores independentes e seu espetáculo três
(Universidade Federal do Pará, 2015-06-26) PERLIN, Sandra Terezinha; MARTINS, Benedita Afonso; http://lattes.cnpq.br/6379814397024971
In the following text, I ppropose a respiratory cartography created with three sections lines: the first building a methodological way with theoretical support in Deleuze-Guattari as perspective to the second section, which is the expression in fragments of memory, a sacred ritual on the construction process of the show Três, the band of independent actors, exercising Teatro da Fragilidade. In the last section, I present the mysteries that make theater, which differ form principles because the Teatro da Fragilidade is not connected to a source, a layer that understands and explains, but a theatrical doing more likely a body without organs, touted by of artists. The methodological path was not constructed, the path takes paired with me, - path and walker mix if shuffle – memory, a sacred ritual Mnemosyne, for the expression of the show Três construction process. The relevance from of the research is to report and understand the mysteries of Teatro da Fragilidade from band rehearsals processes of independent actors, to build a show, and nominat that doing theater in the city of Belém, Pará, Brazil, from the application of the concepts of rhizome of Deleuze-Guattari a linking of dissertation writing whith a rhizomatic writing.