Navegando por Assunto "Tempo"

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Dicionário privativo
(Universidade Federal do Pará, 2017-12) GOMES, Álvaro Cardoso
We intend to analyze in this article how the Portuguese poet Albano structures his last book, Small Privative Dictionary, followed by A Handful of Sand, like an authentic dictionary, composing poetic entries. The method used is the poem analysis, with theoretical support, aiming to detect how this singular construction serves not only to reveal the obsessing presence of death and time, but also the means to combat them, through the cult of eroticism, Beauty and Nature.
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O espaço do mar e o tempo da pesca: reflexões sobre pesca artesanal na Vila do Castelo/Bragança-PA
(Universidade Federal do Pará, 2016) SARAIVA, Luis Junior Costa; CORRÊA, Jéssica do Socorro Leite
This paper arises from the field research with artisanal fishermen in the village of Castelo, located in the town of Bragança-PA, from June 2015 to March 2016. Our intention was to understand the relationship of shrimp fishermen in the region and its trade flow. During the research, we faced other possibilities and wishes of those social actors, and the present work was being molded within its objectives as we approached, in a wider way, the reality of fishing, now not only directed to the catch of white shrimp, but with the desire to understand the dynamics of its space/time organization and also the tensions that surround the fishing environment, not only in local aspects, but in national ones, with a direct impact on the artisanal fishermen lives. Under this perspective, this paper will emphasize the temporal and spatial dynamics of fishermen who increasingly experience economic and political impacts related to fishing. Thus, our approach with artisanal fishermen has allowed moments of reflection, not only about the fishing itself, but about environmental issues in the context of the tensions experienced in the Resex.
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História e cinema: uma leitura iconográfica da modernidade
(Universidade Federal do Pará, 2021-06) SILVA, Edinei Pereira da
This article has a scope deal with a movie theater as a consequence of changes by the development of modernity. The elements captured by cinematic lenses, beyond big facts shown by the historiographies studying, passing by daily relation, those which many times are managed by the time. This one, problematized here like capitalism substance placed as standardization about an organization. Some films were done to fund the study. For example Metropolis (Lang, Fritz), and Tempos Modernos (Chaplin, Charles). Both bring a lot of questions for an analysis of that conjuncture. Searched scan scenes that bring the direct form to Time as an elementary substance about that reality, and your conjunctions which implies in alternation and consequences of modernity man from iconographic reading.
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Joining diffraction filter and residual diffraction moveout to constructo a velocity model in the depth and time domains: application to a Viking Graben data set
(Universidade Federal do Pará, 2014-08-14) COLLAZOS GONZALEZ, Jaime Andres; FIGUEIREDO, José Jadsom Sampaio de; http://lattes.cnpq.br/1610827269025210
Diffracted seismic waves are generated by unsmooth structures in the subsurface with a size on the order of seismic wavelengths. Because the incident wave field can be significantly affected by these discontinuities, many important properties of the seismic events can be used to improve the velocity model building. In this thesis, we propose a practical approach to construct velocity models in the time and depth domains using diffractions. This methodology applies the plane wave destruction (PWD) filter jointly with the residual diffraction moveout (RDM) method to construct velocity models in time and depth domains. Our method does not depend on any requirements except for identifiable diffractions filtered from reflection events and an arbitrary initial velocity model as input. The post-stack migrated images (in the time and depth domains) are compared with the mi- grated images derived from conventional seismic processing steps. In both cases, we used post-stack Kirchhoff Migration. Beyond the to the need to identify and select the diffraction events in the post-stack migrated sections in the depth domain, the method has a very low computational cost of processing time. To reach an acceptable velocity model was less compared with conventional processing. The applicability of our methodology was verified using a real Viking Graben seismic dataset.
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Tempo e narrativa: interseções entre filosofia e relato de um certo oriente, de Milton Hatoum
(Universidade Federal do Pará, 2019-10-29) JESUS, Stélio Rafael Azevedo de; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/3519128535996125; https://orcid.org/0000-0002-2507-5346
This dissertation discusses about time and narrative, focusing on the intersections between philosophy and Relato de um certo Oriente, by Milton Hatoum. It uses Paul Ricoeur's Temps et Récits as a fundamental guide in the analysis of the proposed dyad. Moreover, the phenomenological character of time provides a key to a qualitative study of the analysis of time in Relato, at the same time a study of narrative, passing through Aristotle's Poetics as an important element for the development of the notion of triple mimese and narrative theory, present in the theoretical work in question. Thinking about the phenomenon of time and its essential aspects for the fabulation of writing is a fundamental element that results in the observation of the experience of writing temporality. In this sense, the writing of this temporality in the account of a certain East re-forms the human experience in time and its forms of producing signs and abstracting meanings, by transposing the artistic recreation of image-time into the world of language. Keywords:
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O tempo em grande sertão veredas e a paixão segundo G. H
(Universidade Federal do Pará, 2019-02-27) PEREIRA, Anderson Luiz Teixeira; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This monograph is an interpretative study about time in two importantes novels of Modern Brazilian Literature: Grande sertão: veredas (1956), by João Guimarães Rosa, and A paixão segundo G.H. (1964), by Clarice Lispector. The common theme, i.e., the slit to the possible, originated by the comparison between these two novels, It’s the complex temporal configurations of fiction that both writers develop in their literature. Thus, time, at first, as a structural narrative category, but also, as theme of the fictional world, becomes the key-word that will to guide our reading about the experience of time lived and narrated by the characters Riobaldo and GH, respective of the abovementioned novels. Based on the conexion between modernity, fiction and time — Jauss (1996), Habermas (1998), Berman (1986), Mendilow (1972), Pouillon (1974), Meyerhoff (1976), Ricoeur (2010, v. 2) and Nunes (1992, 1985 and 2008) — It will be possible to think about how these novels take on the problem of time under a modern point of view. The Modern Literature, as a symbolic sphere of confrontation of the theoretical and the conceptual discourses, rewrites Western thought tradition, through a movement of writing that put the language its own condition for the narrative development. In this way, time, once put on to narrative plot — Paula (2010) e Cerqueira (2013) —, It’s reorganizes the sui generis reality of the fictional world and it’s establish to us the necessity of the interpretative act. Finally, Guimarães Rosa and Clarice Lispector, through a modern asthetic construction, which particularized the fictional experience of time, can be circumscribed in a historical-aesthetic framework of thinkers and artists who reflected about experience of time in the modernity.