Navegando por Assunto "Tradition"

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Brinquedo de miriti: tradição, gênero e currículo multicultural
(Universidade Federal do Pará, 2017-06) LOBATO, Lídia Sarges; RIBEIRO, Joyce Otânia Seixas
This article is based on research carried out in a miriti toy production studio and was developed for 10 months, which constituted the graduation work. The research objective was to observe how the gender relations were materialized at the production and in the miriti toy itself and what cultural knowledge was transmitted at the process of making toys. I quote Williams (1992), Hobsbawm (1984), Clifford (2008), Scott (1995), Louro (1997, 2000), Silva (2000, 2004), Connell (1995), Moreira (2002), Candau (2003), Ribeiro (2010) e Gomes (2013). And as result, I inform that the miriti toy tradition is bicentennial, anchored in the belief of rough work and light work, on which it is sorted by gender the toy production. This gender culture is governed by normativity and by the spatialization that determine the proper places that the masculine and feminine bodies must occupy; in view of the hierarchy and inequality existing in the studio, there is a need to deconstruct this norm through the multicultural curriculum.
Acesso aberto (Open Access)
Evolução da pecuária bubalina e a transformação dos ecossistemas na Resex Verde Para Sempre: um olhar a partir da análise retrospectiva
(Universidade Federal do Pará, 2013) PEREIRA, Leandro Borges; OLIVEIRA, Myriam Cyntia Cesar de; http://lattes.cnpq.br/0949702419746141
This study aims to identify the historical reasons that promoted the development of animal husbandry in a traditional community of Verde para Sempre Extractive Reserve, specifically, in the community of St. John Cupari. With that, also seeks to identify the influence of this activity in the transformation of the landscape. Therefore this research used the method of Retrospective Analysis. This is based on the historical research of breaking points that mark the passage of a particular operation of a productive system to another. Through Retrospective Analysis, through the construction of models denominated chronic, trajectories were identified for each family and their related behaviors. Possession of the familie trajectories analyzed the reasons and circumstances which led the decisions that transformed the productive logics. In the community were observed three evolutive trajectories, with them is noted how the families, according to their abilities, altered farming systems influenced by particular stimuli at each historical moment arising from the economic and ecological environment of the locality. According to these stimuli there was families who maintained consumptive logic with buffalo breeding based on a small amount animals, an average of 10 animals per family, but actually present growth trend, and with creating another group with average of 80 animal, which has remained stable over the last 10 years. The third group is that best defines the differences of a consumptive logic for a market, being the group with the highest breeding having around 300 heads, that contrary to second group greatly increased the number of animals in this same period of time. The high amount dramatically altered the way of life of these families, replacing old productive practices arising from the extraction of fauna, like fishing and hunting by others that revolve around livestock. Thus, it was concluded that livestock developed in accordance with the practical know-how and their unique interests, which defined forms of resource use, and simultaneously. landscape transformation in interaction with the local market, being influenced by government policies, promoted livestock as the best income alternative.
Acesso aberto (Open Access)
Mametu Nangetu na mata
(Universidade Federal do Pará, 2017-05) RIBEIRO FILHO, Pedro Ivan Olaia; ALVES, Wellington Romario da Silva
Traditional communities of African array has a deep relationship with nature and its elements. The forest surrounding the market-place “CEASA” is attended by people from traditional communities. They collect leaves, bark and herbs that the forest gives and offer thanks to the energies and mystics persons of the forest. Mametu Nangetu is a tradition woman that goes to the market-place CEASA sinc she was kid, she has great intimacy with the space. She reaps what nature presents us and also afforests the place. This video is the ethnographic record by during the research process of the project: “Feira Livre; -performa-te cidade: investigação performática, diálogos e outros sabores”. This project was awarded by “Bolsa de Criação, Experimentação, Pesquisa e Divulgação Artística 2015 da Fundação Cultural do Pará”. This record was achieved in one morning we were with the Mansu Nangetu’s community at the CEASA’s fair and forest, and we follow Mametu Nangetu sharing knowledge of our bantu tradition. Katendê is the Lord of Forests and Lord of Jinsaba, the sacred leaves. Mariô is the oil palm leaf and it’s used at the entrances of candomble houses. A CANON G15 machine was used to capture the images.
Acesso aberto (Open Access)
Memória e cultura: sairé, espaço poder e conflitos - 1996 a 2004
(Universidade Federal do Pará, 2010-06) FERREIRA, Cláudia Laurido
This work focus on the tensions which emerged between the municipal government and the leaders of Alter do Chão village from 1996 to 2004, when the municipal government made changes in the Sairé celebrations and took hold of part of this Feast. This research is made up with the use of the methodology of oral history telling, carried out through interviews with the leadership of the event, teachers, artists and members of the government. Issues from local newspaper from this period are also analized, which together with the interviewer declarations describes the Feast like territory of power and conflicts, being thus the memory, a fundamental instrument to understand the tensions caused by this context of changes.
Acesso aberto (Open Access)
Tradição e festividade: o boi pretinho da vila cuéra
(Universidade Federal do Pará, 2017-06) ROSARIO, Samuel Antonio Silva do; ROSARIO, Jocenilda Pires de Sousa do
This video shows moments of the traditional bumba joke my ox made by residents of the "Vila Cuéra" community, in the municipality of Bragança-Pará, which receives the affectionate name of "Boi Pretinho" and during their presentation are narrated stories of the community through Of songs that involve the river, the forest, legends and the knowledge that are part of the daily life of the residents. The records were made in 2016 during the II Seminar on Socio-environmental Issues and Ethnobiodiversity in the Amazon, conducted by UFPA, IFPA and VILA "QUE ERA". A Nikon model PC 1431 was used to capture the images.
Acesso aberto (Open Access)
Uma viagem pelos saberes da tradição: uma experiência vivida com os ceramistas da “vila que era” em Bragança-PA
(Universidade Federal do Pará, 2020-09) ROSARIO, Samuel Antonio Silva do; ROSARIO, Jocenilda Pires de Sousa do; SILVA, Carlos Aldemir Farias da
The present work is part of a doctoral research under development in the Graduate Program in Education in Science and Mathematics at the Federal University of Pará. The video portrays some knowledge developed by the ceramist Josias Furtado, from navigation through the region's river to moment of clay removal, a practice developed by his family for generations, which involves direct relations with the river, the forest and with the clay. A Nikon Coolpix P520 camera was used to capture the images.