Navegando por Assunto "Urban"

Agora exibindo 1 - 7 de 7

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A emersão do carimbó urbano: um gênero marginal do carimbó
(Universidade Federal do Pará, 2021-11-05) LEITE JÚNIOR, Daniel da Rocha; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703
This research aims to demonstrate that the urban carimbó has emerged in recent years as a movement and also a lifestyle for the Stampers of the Metropolitan Region of Belém (RMB). In this way, the intention is to show why this type of cultural manifestation is configured as legitimate - despite the absence of its registration in the patrimonialization process carried out by the Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN) during the years 2008 to 2013 that generated the research on the identity of the carimbó and resulted in the Carimbó Dossier in 2014, therefore, there is no investigation a deep investigation on the carimbó produced in urban spaces, therefore, this research focused on the absence of registration and on the existence of an urban resignification of the carimbo. In this way, the focus of this research was to recognize the matrices that constitute the bases for the emergence of the urban carimbó, from a methodology of participant observation conceptualized by Malinowski (1975) and anchored in convergence with the multi-situated ethnography of Marcus (1995), focusing on the subjective character of the subjects and objects analyzed, as well as an analysis of the trajectory of the carimbó sets Caruana and Cobra Venenosa based on a bibliographic clipping provided in the research on carimbó by Salles (1969), Gabbay (2012) and Amaral (2004). ), in addition to cultural studies on the hybridization processes postulated by Canclini (2003) and cultural diaspora by Hall (1996) and, also, studies on urban spaces made by Lefebvre (2006) and Harvey (2014) to demonstrate how this movement urban carimbó reshapes the identity of the traditional manifestation of carimbó, by developing new forms of sociality.
Acesso aberto (Open Access)
Jovens e interação comunicativa na Amazônia paraense: entre o rural e o urbano
(Associação Nacional dos Programas de Pós-Graduação em Comunicação, 2015-06) CASTRO, Fábio Fonseca de; COSTA, Alda Cristina Silva da; IGREJA, Monique Feio
This article proposes a reflection about the way that communicative interactions are established among young people living in Murutucu island, Belém PA, belonging to a territory with practices marked by the articulation between the urban and the rural. The island is close to Belém - just 9 km -, and local young people live there in a continuous displacement between rural and urban, a factor that puts them in contact with different realities. This study enabled the data mapping related to the experience of living in the island, as well for the displacement to Belém. Moreover it allowed the characterization of the use of smartphone and the internet by young people of Murutucu. In the field research, questionnaires were used, targeted to 10 young people, in order to identify the young islanders profile.
Acesso aberto (Open Access)
O lazer no cotidiano: práticas coletivas como resistência
(Universidade Federal do Pará, 2020-12) MENDES, Francivaldo José da Conceição; AMARAL, Márcio Douglas Brito
This paper discusses the notion of the city, of everyday life, with a central focus on the occurrence of leisure. In that contexto the leisure is understood as a set of human practices experienced in a free and differentiated time that coexists temporally and spatially in different societies. The objective is to demonstrate that in different spatial contexts there are various practices that, despite being considered litte important, constitute significant content of urban social life. These leisure practices exist because they re-exist to an irreducible logic of power. In other words, they are expressions of social daily life that are not captured by the technical rationality of urban forms and that are dissociated from a pattern that is based on consumption and the ephemerality of social relations. The reflection proposed here starts from a bibliographic review combined with repeated field observations that took place in cities in the Amazon and other regions of Brazil. In spite of the predominance of the abstraction of urban space, it was found that the subjects, in different times and spaces, maintain a sophisticated network of interaction and sociability whose materiality refers to spontaneous, non-rationalized practices, highlighting real paths to a city, a daily life , different for and for leisure.
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O neotribalismo e outras socializações pós-modernas
(Universidade Federal do Rio de Janeiro, 2016-12) CASTRO, Fábio Fonseca de
This article updates the debate on neo-tribalism, a phenomenon first identified with post-industrial societies and then understood as a common cultural process of contemporaneity, in light of the reflections on the dynamics of socializations and sociability production, developed by the Center for Cultural Contemporary Studies at the University of Birmingham (CCCS), in the first case, and G. Simmel’s philosophy in the second. We discuss the idea of neo-tribalism using major catego ries that are used to describe the phenomenon: spatiality / nomadism and temporality / presentism.
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Peregrinos da fé na Amazônia urbana: faces do individualismo religioso
(Universidade Federal do Pará, 2023-09-29) PINTO, Daniel Silva; MORAES JÚNIOR, Manoel Ribeiro de; http://lattes.cnpq.br/2429279552706202; https://orcid.org/0000-0001-6986-7671
The study of the dynamics of religiosity in modern times, especially on the processes of individual identity construction, indicate more systematic and far-reaching investigations on the effects of modern religious individualism in the configuration of national religious fields; this phenomenon affects the size and measurement of traditional religions such as Christianity and, mainly, how institutionalized religion is affected in its ability to transmit its memory or authorized religious heritage. The analysis of such a phenomenon in Brazil, at its theoretical level, in this work - which could lead to the production of a sociological literature of religion with less focus on institutions and more on the individual in his free transit through the immense national symbolic-religious market - is centered on Danielle Hervieu-Léger's concept of the pilgrim. The figure of the pilgrim would be the symbol of a new religiosity - or could we call it spirituality? - at the beginning of this century, always on the move and with no vocation for traditional religiosity, accustomed to symbolic borders and fixed rituals. In the Amazon, this more fluid and deterritorialized religiosity can be better exemplified and identified in its urban dimension and with more intensity in the groups practicing those generically classified as New Age religions in fusion or hybridity with practices and cosmologies of the Amazonian religious imaginary. Its adherents or practitioners emphasize more a religiosity of personal search or spiritual development in contrast with the traditional religiosities of Christian transcendence. In turn, Christians, Catholics and Evangelicals, do not cease to manifest practices and beliefs hybridized with other symbolic-religious matrices, and even an intense transit, whether internal or endogenous, that is, between the diversity of evangelical denominations, (Pentecostal and Neo-Pentecostal ), or external, exemplified by the double or multiple belongings of Catholics.
Acesso aberto (Open Access)
Produção do espaço e violência de controle social: da articulação funcional à mercadorização espetacular
(Universidade Federal do Pará, 2020-10-16) SANTANA, Simão Bossi; AMARAL, Márcio Douglas Brito; http://lattes.cnpq.br/6997234298024427
The present work entitled “Production of Space and Social Control Violence: from functional articulation to spectacular commodification” presents a research about the relationship between the production of space and the violence of social control, on the conditions of its foundation and transformation in capitalist society. It aims to theoretically substantiate our hypothesis that the crisis of expanded reproduction of capital, manifested from the 1970s onwards, represents a turning point that leads to the production of spectacular space that starts to incorporate the violence of social control as a spectacular commodity, in order to interrupt the possibilities of an urban like the Lefebvrian utopia, as well as reproduce the social relations of capital production. In view of this objective, a bibliographic review was undertaken, presented on the form of debates, which intercross knowledge from different areas of knowledge, involving works and researchers from Geography Becker (1978), Harvey ([1989], 2012) and Trindade Jr (2016), Social Sciences, Oliveira, (2003), Shearing & Stenning (1981) and Souza (2015), Arantes Philosophy (2014), Lefebvre ([1971], 2008) and Zizek (2008), History, Liang ( 1992) and Architecture, Arantes ([1998], 2014), Benevolo ([1971], 2015) and Hall ([1988], 2016), addressing themes ranging from the urban, to the city and metropolis, violence and social control , capital reproduction and commodification processes. These, in turn, are organized into four theoretical paths that seek elements that are fundamental to the central hypothesis. Finally, after consolidating these elements, a brief conclusion and some notes for future research are presented.
Acesso aberto (Open Access)
Veias de spray: o movimento artístico do graffiti em Belém do Pará (1980-1999)
(Universidade Federal do Pará, 2024-10-04) CONCEIÇÃO, Edvan da Silva; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
As we walk around the city every day, multiple stimuli are heard and felt. These stimuli can be present in different ways, whether through sounds, noises or visually through records of human presence in this space. Graffiti becomes one of these stimuli, which are consumed daily by the various individuals who create the urban landscape of a city in their social interactions. Bearing in mind the importance and constant presence of graffiti and pixação in the urban scene of Belém, the question was: do these movements constitute sociocultural products, which contributed to the individual and collective identity formation of certain groups, reflecting on the social dynamics of domination of spaces in the urban scenario of the city of Belém, during the 1980s and 1990s? This research was developed through three movements, bibliographical and source research, interviews and finally, the writing of this dissertation, which is divided into three parts, the first two are subdivided into topics which contextualized the theme in question, the last part, presents the position of the researcher. Therefore, we emphasize that the movement analyzed in this research falls within the field of urban art, integrating itself into the landscape of a city, exposing existences and tensions present in the social fabric.