Doular a voz que conta : uma experiência fenomenológica davoz como performance

Abstract

It is recognized that the art of storytelling and doulage are ritualistic processes, in which one cultivates a proper, intuitive path that guides me as a person and professional. Phenomenologically, such processes constitute the experience lived subjectively. Therefore, counting and doular make up the phenomenology of my surroundings. And it is my experience with the voice that establishes the connection with the two processes. The problem of research of this dissertation, thus, is structured, from the following question: how does my voice reveal itself, as a performance, in my art of telling history and in my craft as a doula? revealing as an object of study my voice, as performance. The objective, therefore, of this dissertation work is to elucidate about my path of being a doula and storyteller, from the discussion of voice as performance. The objective, therefore, of this dissertation work is to elucidate about my path of being a doula and storyteller, from the discussion of voice as performance. Among the theoretical foundations that will support the discussion, I will make use of the production of Paul Zumthor (1915-1995) between voice and performance, intertwining this field with bachelard's redondo phenomenology (1884-1962). Across the board, I am guided by the conception of the Sacred Feminine and the Archetype of the Great Mother, based on the writings of Clarissa Pinkola Éstes (1945-) on the intuition and wisdom of women and analytical psychology of Carl Gustav Jung (1875-1961) on archetypes, archetypal images, animus and anima. In fact, I take as a form the memorial to weave the quilt of this trajectory in these two fields of phenomenological experience, where the voice will be the great guiding thread. It is a work that is constituted in autobiographical narrative, at the same time, reflective and poetic.