Silenciosas narrativas em imagem-tempo: João Gilberto Noll, esvaziamento discursivo e cinema moderno

Abstract

This works means an exercise of reading of the brazilian writing João Gilberto Noll literary narrative, promoting an approach of this books to the image-time concept Gilles Deleuze, in the relationship of the narrative aspects and the discursive emptying, silence, as important elements in the artistic production and tendency of modern arts. The image-time concept of the french philosopher was building for thinking the modern cinema, those create this-self in a image system that break the classic narrative, with the perception based in a sensitive- motor scheme. In this works, in despite it, the concept is thinking in relationship of the literary works of João Gilberto Noll, that approach with the modern cinema and show us fragmented imaging tissue, tending to discursive emptying. This works is an exercise of reading of the brazilian writing João Gilberto Noll literary narrative, promoting an approach of his works to the time-image concept Gilles Deleuze, in the relationship of the narrative aspects and the discursive emptying, silence, as an important elements in the artistic production and tendency of modern art. The time-image concept of the french philosopher was building for thinking the modern cinema, those create this-self in a image system that break the classic narrative, break the perception based in a sensitive- motor scheme. In this work, in despite it, the concept is thinking in relationship of the literary works of João Gilberto Noll, that approach with the modern cinema and show us fragmented imaging tissue, tending to discursive emptying. So, taking as a point of reflection Noll's work, we discuss how the time-image and silence compose the work of the writer. After presentation and discussion of the concept of time-image and silence, we proceeded to a reading of significant points in the fictional works of Noll, rehearsing a relationship between cinema, literature and other arts in termsprimarily for the production of images in a particular narrative form and also the implications of these forms of thought. For reasons of economic strategy for the formation of a crop of significant production of the writer, his works directly considered in this work are Hotel Atlântico (1989) and O Quieto Animal da Esquina (1991). Thus, the intent is (1) propose some ways for interpreting the work of Noll and (2) investigate how themodern narrative production, especially the narrative next to the concept of timeimage, composed of strong visual appeal, which makes the production of ambiguous images, discontinuous narratives, characters wandering, tends to drain this discursive, tends to the silence.