Artigos Científicos - ICA
URI Permanente para esta coleçãohttp://10.7.2.76:4000/handle/2011/8076
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Item Acesso aberto (Open Access) Sala Odeon: contribuições para a História do Cinema na Amazônia: a recepção e a exibição cinematográficas no início do século XX(Universidade Federal do Tocantins, 2020) MELO, Ana Claudia da Cruz; SILVA, Carmen Lucia Souza da; GRACIO, Felipe Giuseppe de AlbuquerqueIn this article, we present the results of the research that focused on the history of the Odeon amusement room, built in Belém do Pará, Brazil, at the beginning of the 20th century. In the light of reception studies, the research aimed to raise elements that allowed inferences about the profile of the public and the nature of the films exhibited during the 1910s, in the context of an Amazon city, which was experiencing economic and migratory impacts of the First Cycle of Rubber Exploitation (1850 to 1920). For the operationalization of the methodology of the studies, we visited the memories of the pioneer of Spanish cinema, Ramón de Baños Martínez, about his period in the capital of Pará, hired as a projectionist, camera operator and photographer. We also sought to gather information about Odeon's programming, in the pages of the newspaper O Estado do Pará, a periodical founded in 1911. Theoretical-methodological movement guided by Bernardet and Mascarello, regarding the need for research on the History of Brazilian Cinema to go beyond the field of film production. The investigation revealed, among other aspects, that even given the predominance of showing imported, European and North American films, the public was always eager for national and, above all, local productions, applauded after facing long lines and in late-night sessions. It also reveals the colossal audiences of pornographic films, exclusively for male audiences, sold as a miraculous elixir for the problems of sexuality.Item Acesso aberto (Open Access) As telenovelas brasileiras como tecnologias sociais de hipervisibilidade da identidade de gênero e sexualidade(Universidade Federal do Acre, 2020-12) MELO, Ana Claudia da CruzUnderstood as social technologies of hypervisible of gender identity and sexuality, Brazilian telenovelas have promoted, for decades in Brazil, fields of germination of moral issues, mobilized social practices and are responsible for an incalculable production of sex discourses. In this work, we present how this dynamics materialized through letters from readers of Jornal do Brasil (JB), between the years 1978 and 2000, where viewers, moved by the first LGBT representations – issue and/or characters - in telenovelas in the country, led an extensive debate on censorship, new ways of control, freedom of speech and post-military dictatorship democracy. We also demonstrate how this debate sustained and still sustains the arguments for issuing Government Age Rating Ordinances to this day. To track these controversies caused by the telenovelas, we considered the methodological recommendations by Bruno Latour, which proposes to give voice to the actors (groups, spokespersons, anti-groups) of the discussions. That is, try to identify their origin, motivations and controversies. From them, we demonstrate discursivities, statements and gender performatives, according to compressions by Foucault, Butler, Preciado and Eribon. We bring results of analyzes as basis to understand that, as social technologies, as Brazilian telenovelas have in sex one of their main instruments and support.Item Acesso aberto (Open Access) Percursos formativos da Museologia na Amazônia paraense(Universidade Federal do Estado do Rio de Janeiro, 2022) SILVA, Carmen Lucia Souza daWith the objective of celebrating 90 years of instruction in Museology in Brazil, the article presents, with emphasis on the context of the Amazon of Pará, formative paths that contributed to the field of Museology studies in the country, starting in the 19th century. It traces this trajectory through discursivities and practices that constitute an ideal of a museum and its importance, wrapped in teaching and research actions, still in the 19th century Brazilian society. It goes on to visit the some landmarks that would, at the end of the first decade of the 21st century, result in the creation of the first course of Bachelor's Degree in Museology in the North of the country, linked to the Universidade Federal do Pará (UFPA), amid the expansion of Brazilian higher education institutions and the insertion of a national policy to value culture and heritage. It concludes by demonstrating current paths taken by the Museology degree in the region.Item Acesso aberto (Open Access) Museus e Patrimônio: Pensamento Cibertecnológico e Cultura Digital(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza da; MELO, Ana Claudia da CruzIn this work, we present a reflection on how digital technologies have changed the way we experience museums and cultural heritage in the last decades and even in a context of social isolation motivated by the Covid-19 pandemic. We revisit the ideas and thoughts of theorists such as Wiener, Haraway, Pre ciado and Levy to reflect, from cybernetics to cyborg and datacentric culture, on these transformations when considering the sub ject-technology-society interrelationship. For that we also point out formative or historical landmarks, in Brazil and in the world, which culminate in a range of resources that expand memories and museological spaces with the impulse of cyber technologies. Advents that are at the base of what is called digital cul ture, where society is remodeled, affected by technological addenda. We also bring results from cartographies of spaces on the internet of Brazilian museum institutions, carried out between 2018 and 2020, which signal how we are in an immersion process in digital culture.Item Acesso aberto (Open Access) Do Patrimonium ao Patrimônio Digital 3.0(Universidade de Brasília, 2021-12) VIEIRA, Ana Lidia Marreiros Tavares; SILVA, Carmen Lucia Souza daEste trabajo presenta la transformación conceptual del término patrimonio, desde su origen latino patrimonium hasta el Patrimonio Digital 3.0. El análisis de la dinámica entre sujeto-tecnología-patrimonio en las fases de internet permitió reflexionar sobre las etapas del Patrimonio Digital. Las propuestas sobre Patrimonio Digital se guiaron por la Carta sobre la Preservación del Patrimonio Digital de la UNESCO y las propuestas de Addison para el Patrimonio Digital 1.0 y 2.0. Reflexionamos sobre la constitución del Patrimonio Digital 3.0, desde la relación con la Web 3.0, marcado por el algoritmo y la búsqueda semántica. Realizamos una revisión de la literatura de investigaciones publicadas entre 2014 y 2019 en las plataformas Google Scholar, Science Direct y Periódicos CAPES. Así, identificamos la naturaleza heterosemántica de los objetos patrimonial digital 3.0, tejiendo las características del Patrimonio Digital 3.0, afectado por el entorno heterotópico. Con este camino, esperamos resaltar la urgencia de una legislación y criterios específicos para preservar el Patrimonio Digital.Item Acesso aberto (Open Access) Inteligência Artificial, Museus e Patrimônio: entrevista com Lucia Santaella(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza daLucia Santaella is a CNPq researcher 1 A. She is a full professor in the Graduate Program in Communication and Semiotics at Pontifícia Universidade Católica de São Paulo (PUC- -SP), with a PhD in Literary Theory at PUC- -SP and a “Livre-Docência” in Communication Sciences at Escola de Comunicações e Artes of Universidade de São Paulo (ECA-USP). She is the Graduate Coordinator in Intelligence Technologies and Digital Design. She received the Jabuti Award in 2002, 2009, 2011 and 2014, the Sergio Motta, Liber Award, in Art and Technology, in 2005, and the Luiz Beltrão - academic maturity award, in 2010. Since 1996 she has been doing post-doctoral internships in Kassel, Berlin and Dagstuhl, Germany, under the auspices of DAAD/Fapesp. She has 51 published books, six of which are co-authored and two critical studies. She organized 26 books and published close to 500 articles in Brazil and abroad. Her most recent areas of research are: Communication, Cognitive and Computational Semiotics, Artificial Intelligence, Technological Aesthetics and Philosophy and Methodology of Science. In this interview, Lucia Santaella speak about Artificial Intelligence and the ongoing technological changes that affect Museums and Cultural Heritage, encompassing epistemological and social issues.Item Acesso aberto (Open Access) Museus, Espaços e Tecnologias Digitais: entrevista com Lucrécia D’alessio Ferrara(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza daLucrécia D’Alessio Ferrara holds a Ph.D. in Brazilian Literature from the Pontifícia Uni versidade Católica de São Paulo (PUC-SP) and a “Livre-Docênte” from the Faculty of Architecture and Urbanism at Universidade de São Paulo (USP). She is a professor eme ritus at PUC-SP and a retired full professor at USP. She is currently a full professor at the Graduate Program in Communication and Semiotics at PUC-SP and leader of the Space- -Visuality / Communication-Culture Resear ch Group (ESPACC). His study interests are focused on the epistemology of communica tion in its possible thematic interfaces with culture, semiotics, architecture, the city and design. In this interview, Lucrécia D’Alessio Ferrara discusses the museum through times and spaces, including in the face of digital te chnologies, and also talks about Museology and Communication.Item Acesso aberto (Open Access) Museologia e cultura digital(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza da; SILVA, Rita de Cassia Maia da; MAGALDI, Monique BatistaItem Acesso aberto (Open Access) Experiências e reflexões sobre espaços urbanos de patrimônio e arte pública a partir da dimensão sociotécnica(Universidade Federal de Alagoas, 2014) SILVA, Carmen Lucia Souza daBesides presenting the Internet experience of the Urban Transcodification Project on virtualisation of historical monuments, which took place in Belém – PA, this paper aims to provide a theoretical reflection about how a socio-technical order has been effectively changing not only the interaction and production ways, but also how this order deals with the experience in effective urban spaces, which are pervaded by Public Art related heritage seen as spaces being affected by process of musealisation. The present paper also discusses the social use of heritage and the digital and virtual media, being as way to socialise information and knowledge or to consolidate a space that allows the access to the memory and experience of cultural heritage in cities. This theoretical-reflexive approach is based on researchers like Canclini (2006) who deals with historial monuments in Latin America, Levy (1999) and his issues on deterritorialisation, and Castells (2003) and FaustoNeto (2008) who argue about the socio-technical dimension.Item Acesso aberto (Open Access) Gilberto Freyre entre o frevo e o samba no carnaval do Recife(Universidade Federal do Pará, 2016-11) MENEZES NETO, HugoRecife's carnival has always been of interest to Gilberto Freyre, who worried particularly about the influence of the rhythm and the practices of Rio de Janeiro's festivity on that of Recife. This article examines this theme by relating it to Freyre's ideas about the formation of Brazilian society. It considers the sociological critique of Freyre's important works in order to analyze how the author locates representations of Recife and Rio de Janeiro in opposite poles of the pair tradition and modernity. The relationship between frevo and samba provides a new perspective to Freyre's recurrent and significant discussions on the themes of 'adaptation', 'transregional influences' and 'balance of opposites'.Item Acesso aberto (Open Access) Fronteiras étnicas nos repertórios musicais das 'festas de santo' em São Gabriel da Cachoeira (alto rio Negro, AM)(Universidade Federal do Pará, 2007-04) BARROS, Líliam Cristina da Silva; SANTOS, Antônio Maria de SouzaThis paper aims to explicit the ways thru what indigenous people in contact situation, actually living in the urban zone of São Gabriel da Cachoeira, explicit their ethnical identity. In the context of "festas de santo" (saint festivals), musical repertories manifests the ethnical frontiers using the language as principal signal of identity.