Contradispositivos-mapas de uma rede de espaços artísticos autopoiéticos em Belém do Pará

Abstract

This research action cartographs, through the performative inscription of maps, the poetic and management contradicts of a network of autopoietic artistic spaces of Belém do Pará, understood as autonomous units by the sui generis totality of its poetic-political composition, whose capacity to self-manage, as a strategy of resistance, survival and maturation of its doing within a cultural context of the city, dialogues with the sense that it created for itself. Independent spaces, autonomous, self-managed and intentional, are other terminologies given to what is defined here as an autopoietic art space, this being the place managed by artists who establish a poetic production with political power by promoting, autonomously, intervention practices, training And artistic experimentation that constitute as micropolitics for the city. The term autopoietic is a decline of the concept of autopoiesis, of the Chilean biologists Humberto Maturana and Francisco Varela, triggered to support a research in the difference, to the extent that the spaces are autogerem like poiese of an artist or collective in cognitive interaction with its means, producing an ecology of knowledge that singularly to machine the extent and format of its activities, creative processes, ideological discourses, ways of defining, organizing, and constituting territorialities in the city. This poiese that results in a work of art as a phenomenon of the place, makes a displacement of its strictly material sense, amplifying this doing for the relations of production and experience of space as a work. The network of autopoietic artistic spaces, in this sense, is heterogeneous, polyphonic, and communicates in a collaborative way as a systemic organism pulsed by the insurrection of bodies that find in the circuit of affections the conductive flow of their potency of life.