2022-01-112022-01-112021-06-29CANTO, Ednésio Teixeira Pimentel. Ecologia de um Sukiya Sonoro: discurso poético polifônico na música tradicional japonesa. Orientadora: Líliam Cristina Barros Cohen. 2021. 87 f. Tese (Doutorado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2021. Disponível em: http://repositorio.ufpa.br:8080/jspui/handle/2011/13821. Acesso em:.https://repositorio.ufpa.br/handle/2011/13821The research aims to understand musical discourse in the repertoire of traditional Japanese music. This objective is developed through an idea of polyphonic poetic discourse, observed through the interrelationships between elements from various Japanese sociocultural domains representatively transversalized in the two repertoires in vogue: the tsugaru shamisen repertoire and the sōkyoku repertoire, for Koto. These aspects are organically constituted as elements of multiplicity and diversity that inhabit various Japanese cultural domains (ethical- aesthetic principles present in the tea ceremony, in Japanese literature, in music, in literature, etc.). Thus, the research perspective aims to understand elemental notions and modes of organization understood and observed from a perspective in which the interrelationships can be observed in the various domains of Japanese culture. The methodological construction developed in the research is similar to (or even acts as) the methodological construction in artistic creative processes, pre-establishing the Musecological one, which is defined as the research concept that is built by the search for an understanding beyond knowledge as objectivity and starting from an organicity built in the process and in the relationship with the research object, establishing as a guiding element the knowledge of the object from the exercise, submersion, insertion and non-distant learning of the studied musical practices. The research operates through a principle constituted by multiple elements, bringing this explicitly in the format that ends, deriving in notebooks. This idea is based on Gumbrecht's (2016) notions about the relationship between art and the production of knowledge, and achieves maximum strength within the research by being used as a skeletal structure for the organization of the other elements of this research. It can then be explained by saying that in this research, more than building systematically rationalized knowledge, the aim is to produce sensitive knowledge.Acesso AbertoMúsica - JapãoEtnomusicologiaMúsicas tradicionais - JapãoEstéticaTsugaru ShamisenKotoAnalise do discursoPoéticaTeseCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICATEORIAS E INTERFACES EPISTÊMICAS EM ARTESARTES