2017-06-092017-06-092016-06-10BARROS, Ana Carolina Magno de. Pele de terra, minha morada: memorial da criação do ritual cênico-erótico em diálogo com a obra Magma de Olga Savary. Orientadora: Wladilene de Sousa Lima. 2016. 198 f. Dissertação (Mestrado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2016. Disponível em: http://repositorio.ufpa.br/jspui/handle/2011/8645. Acesso em:.https://repositorio.ufpa.br/handle/2011/8645This memorial naked the creation of scenic-erotic ritual earth Skin: my home done in dialogue with the Magma work of Olga Savary. It is understood as a mapping (PASSOS; KASTRUP; ESCÓSSIA: 2009), only a sibilada mapping a snaking between spiraled artistic languages and creative movement (SALLES: 2011) writing in sibilares. Having the image as "methodological operator" (RANGEL: 2009), this research snared four elements, said scenicerotic ritual (ARTAUD: 2006), rooted in the pursuit of erotic body (BOGART: 2011) active (QUILICI: 2015) ; an essay in which digestion eroticism signs (BATAILLE: 2013), the sacred (MAÇANEIRO: 2011), myth (CAMPBELL: 1990) and Uroboros image-strength, well in a performative writing; the daily stage director, made poetry shaped images, drawings, paintings, collages and scribbles, devices used to design the staging (ROUBINE: 1998); and the daily scene, a story in the literary journal structure, which narrate the daily life of the tests and present the ritual script. In this paper I propose to strip the act of creation that unfolds in new works, a circularity that feeds back, similar to the Uroboros as an erotic ritual.Acesso AbertoTeatroLinguagem corporalErotismoRepresentação teatralSavary, Olga, 1933-DissertaçãoCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO