2020-10-162020-10-162020-08-25GOMES, Robson Farias. A imanência: uma dança... Orientadora: Maria dos Remédios de Brito. 2020. 288 f. Dissertação (Mestrado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2020. Disponível em: http://repositorio.ufpa.br:8080/jspui/handle/2011/12762. Acesso em:.https://repositorio.ufpa.br/handle/2011/12762This research consists of a scenic-theoretical reflection on the artistic and philosophical reverberations of thought immanently in dance, raised by dance thinker-artist Ana Flávia Mendes. This theoretical complex, called Theory of Immanent Dance, is based on postmodern choreographic and philosophical assumptions based on concepts of personality, idiosyncrasy and subjectivity. Both objectives are to update the theoretical-conceptual device of Immanent Dance with theoretical-performative openings and breaks in dance that culminate in a proposal by the Immanent Corporation. The research methodological procedure consists of a bibliographic and artistic-creative dialogue. The main theoretical references are: Ana Flávia Mendes, Gilles Deleuze, Félix Guattari, Fischer-Lichte, Santana, Rocha, Zourabichivli, Orlandi, Silva, among others. A research that questions the assumption, the imminence and the ideal designation in dance, I propose an emancipation of the creator-performer through the paths of difference.Acesso Abertohttp://creativecommons.org/licenses/by-nc-nd/3.0/br/DançaDança modernaDança – filosofiaFigura humana na arteDissertaçãoCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESTEORIAS E INTERFACES EPISTÊMICAS EM ARTESARTES