2023-06-072023-06-072023-02-06BAYMA, Roberta Bentes Flores. Teatro Dadivoso: ritos e atos poéticos como práticas de cuidado de si e de outres. Orientadora: Ivone Maria Xavier de Amorim Almeida. 2023. 215 f. Tese (Doutorado em Artes) - Universidade Federal do Pará, Instituto de Ciências da Arte, Belém, 2023. Disponível em:https://repositorio.ufpa.br/jspui/handle/2011/15670. Acesso em:.https://repositorio.ufpa.br/jspui/handle/2011/15670This thesis-plot is a work of artistic creation composed of performative research woven by between threads, lines and fibers of fragments of dramaturgical rehearsals that enact acts and rites poetics, offered in favor of ancestral and existential healing through testimonies of life and artistic residence. Written texture arising from affectations and memories, lived or invented especially for this composition, resulting from experiments and artist-therapist creation processes with Teatro Dadivoso. Warp that departed from transformative metaphor of the life cycle of moths transmuted into poetic daydreams and becoming bodies, which produced meanings about the act of artistically researching and creating. Woven in casular spaces and crossed by other voices, those who came before and produced other plots, as well as testimonial narratives by artists and spectators who acted in generous poetics. Research in art that proposed to weave a performative cartography between female folds, corners and crossroads through which the research object transited in confluence of paths with the methodological movements experienced among poetic devices. It reveals testimonial scripture that aimed to affirm in the difference acts of singular care, different from those produced in certain power-fields of knowledge, ritualized in the scenic productions Ô, de casa! Posso entrar para cuidar? and Divinas Cabeças. To this end, it established lines of dialogue with other areas of knowledge, both scientific and non-scientific. scientific, and with other scenic poetics as a way of understanding approximations and distances from the meanings produced in the rites and poetic acts of Teatro Dadivoso as practices of caring for oneself and others that trigger political, ethical-poetic and spiritual.Acesso AbertoAttribution-NonCommercial-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nc-nd/3.0/br/Artes CênicasTeatro - ParáArte - PerfomanceTeseCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATROPOÉTICAS E PROCESSOS DE ATUAÇÃO EM ARTESARTES