2017-02-062017-02-062014-06-03CARVALHO, Ana Claudia Moraes de. Odô Iyá: da espetacularidade do Yle Ase Oba Okuta Ayra Yntyle ao corpo-cena. Orientadora: Giselle Guilhon Antunes Camargo. 2014. 101 f. Dissertação (Mestrado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2014. Disponível em: http://repositorio.ufpa.br/jspui/handle/2011/7576. Acesso em:.https://repositorio.ufpa.br/handle/2011/7576The present study aimed to create a Body-scene inspired by the experience in the terreiro of Candomblé Ketu-Yle Ase Oba Okuta Ayra Yntyle (Benevides-Pará), based on the investigation of the initiation ritual spectacle of Candomblé, guided by the theory and by the method Ethnoscenology. Candomblé religious bilieve that this ritual is the assertion of Its own existence on Earth in their bodies altered by the presence of the Orishas, indentifying their beliefs and their mythologies. The scenic experiments performed in the spectatle O Auto do Círio (2012 and 2013 editions), showed moments of the public cerimony by the initiation ritual, based on the Body-temple of the Yaô Yemanjá Ogunté, the same Body that experiences the sacred. Festive Body Yaô Yemanjá Ogunté is the focal point of this research on the Body as religious, cultural and as inspiration for the creation process of the Body-scene symbol.Acesso AbertoEtnocenologiaTeatro – RituaisReligião e culturaCandombléYemanjá OguntéPará - EstadoBenevides - PADissertaçãoCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO