2025-06-102025-06-102024-08-30BARRETO, Francelina Ribeiro. A metaficção historiográfica em Paulina Chiziane, José Cardozo Pires e Márcio Souza: reflexões sobre a transfiguração da história em literaturas de Língua Portuguesa. Orientador: Carlos Henrique Lopes de Almeida. 2024. 137 f. Tese (Doutorado em Letras) - Instituto de Letras e Comunicação, Universidade Federal do Pará, Belém, 2024. Disponível em: https://repositorio.ufpa.br/jspui/handle/2011/17494. Acesso em:.https://repositorio.ufpa.br/jspui/handle/2011/17494This paper has as its aim to reflect on the different dimensions that historical facts assume regarding fiction in the Mozambican, Portuguese and Brazilian literature. The corpus analyzed includes the O alegre canto da perdiz (2018), by Paulina Chiziane, Balada da praia dos cães (2009), by José Cardoso Pires and Galvez, imperador do Acre (2022), by Márcio Souza. In these narratives, it is possible to notice a historical event intertwined in the story: Mozambique’s colonization, Salazar’s dictatorship in Portugal and Acre’s annexation to Brazil; relevant historical moments in the construction of these nations. Furthermore, it is demonstrated how these literary constructions of different societies - African, Portuguese and Brazilian - produce, through literature, original texts which represent ideological positions. Therefore, this study proposes analyzing paradoxical relations between literature and history, in order to demonstrate how these interactions influence the above-mentioned works. When it comes to the possibility of comparative studies with other fields of knowledge, which is proposed is a comparative analysis of texts in Portuguese, whose latency ends up evidencing the conspectus of history, the official one or not. This investigation is bibliographical, which emphasizes the discussion on the relations between literature and society. Analyses are carried out on the novels written by Paulina Chiziane, José Cardoso Pires and Márcio Souza, works which reflect on the artistic elaboration process itself and, at the same time, use history to question its veracity. It is possible to notice that in these works the historiographic metafiction presents itself as a strategy of reflection on history, as well as of resignification and interpretation of facts. The historiographic metafiction is observed in the light of studies by Linda Hutcheon (1991), Zênia de Faria (2012) and Maria Tereza de Freitas (1986); the metastory is studied considering ideas in Hayden White (1994); and the historical novel is discussed using Lukács (1983). Moreover, as memory presents itself as an artifice in the works analyzed, this category is examined through Aleida Assmann (2011) and Halbwachs (2013).Acesso AbertoAttribution-NonCommercial-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nc-nd/3.0/br/MestiçagemDecolonialidadeEntrelugarLiteraturaWilliam OspinaMestizajeDescolonialidadEntremedioTeseCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIALITERATURA, MEMÓRIAS E IDENTIDADESESTUDOS LITERÁRIOS