2018-06-112015-08-172018-06-112015-06-15NASCIMENTO, Cinthya Marques do. Sinval Garcia: um artista contemporâneo na confluência entre linguagens. Orientador: Orlando Franco Maneschy. 2015. 98 f. Dissertação (Mestrado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2015. Disponível em: http://repositorio.ufpa.br/jspui/handle/2011/9975. Acesso em:.https://repositorio.ufpa.br/handle/2011/9975The current research discourses part of the Sinval Garcia’s work (1966 - 2011) which performs major production in the Brazilian’s visual arts field. In his production, we will focus on the exhibition “Samsara” (1997) “Paisagens In-visíveis” (In-visible Landscapes) (2005) and “A Câmara da Transmutação Secreta” (The House of Secret Transmutation) (2009). This cut of his work constitutes by the interstices between photography and other languages, and it will be focused particularly on the established relationship with painting, observed over the links between the works within the artist's production context. To do this we used the concepts of phenomenology M.Merleau-Ponty, the study Laura Gonzalez Flores on photography and painting, beyond thought of Flusser about a philosophy for photography. This research contribute to the discussions of a story of contemporary photography in Pará and Brazil, and contribute to the reflective and critical stance of contemporary art nationwide.Acesso AbertoArte contemporâneaFotografia - AmazôniaFotografia - ExposiçõesSinval GarciaSinval Garcia: um artista contemporâneo na confluência entre linguagensSinval Garcia: a contemporary artist at the confluence between languagesDissertaçãoCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FOTOGRAFIAPOÉTICAS E PROCESSOS DE ATUAÇÃO EM ARTESARTES