Please use this identifier to cite or link to this item: http://repositorio.ufpa.br:8080/jspui/handle/2011/10022
Title: Teatro da fragilidade: uma cartografia respiratória com o bando de atores independentes e seu espetáculo três
Other Titles: Theater of fragility: a respiratory cartography with the band of independent actors and their show three
metadata.dc.creator: PERLIN, Sandra Terezinha
metadata.dc.contributor.advisor1: MARTINS, Benedita Afonso
Keywords: Teatro - Pará
Teatro popular
Issue Date: 26-Jun-2016
Publisher: Universidade Federal do Pará
Citation: PERLIN, Sandra Terezinha. Teatro da fragilidade: uma cartografia respiratória com o bando de atores independentes e seu espetáculo três. Orientadora: Benedita Afonsos Martins. 2015. 173 f. Dissertação (Mestrado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2015. Disponível em: http://repositorio.ufpa.br/jspui/handle/2011/10022. Acesso em:.
Abstract: In the following text, I ppropose a respiratory cartography created with three sections lines: the first building a methodological way with theoretical support in Deleuze-Guattari as perspective to the second section, which is the expression in fragments of memory, a sacred ritual on the construction process of the show Três, the band of independent actors, exercising Teatro da Fragilidade. In the last section, I present the mysteries that make theater, which differ form principles because the Teatro da Fragilidade is not connected to a source, a layer that understands and explains, but a theatrical doing more likely a body without organs, touted by of artists. The methodological path was not constructed, the path takes paired with me, - path and walker mix if shuffle – memory, a sacred ritual Mnemosyne, for the expression of the show Três construction process. The relevance from of the research is to report and understand the mysteries of Teatro da Fragilidade from band rehearsals processes of independent actors, to build a show, and nominat that doing theater in the city of Belém, Pará, Brazil, from the application of the concepts of rhizome of Deleuze-Guattari a linking of dissertation writing whith a rhizomatic writing.
URI: http://repositorio.ufpa.br/jspui/handle/2011/10022
Appears in Collections:Dissertações em Artes (Mestrado) - PPGARTES/ICA

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