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Title: O arrasta povo do Pará: experiência comunicativa e estética nas festas da aparelhagem Super pop
metadata.dc.creator: COSTA, Hans Cleyton Passos da
metadata.dc.contributor.advisor1: CASTRO, Fábio Fonseca de
Keywords: Aparelhagem Super pop
Música popular-Pará-História e Crítica
Música eletrônica-História e crítica
Música-Filosofia e estética
Issue Date: 24-Mar-2017
Publisher: Universidade Federal do Pará
Citation: COSTA, Hans Cleyton Passos da. O arrastá povo do Pará: a experiência comunicativa e estética nas festas de aparelhagem Super pop. 2017. 94 f. Dissertação (Mestrado) - Universidade Federal do Pará, Instituto de Letras e Comunicação, Belém, 2017. Programa de Pós-Graduação em Comunicação, Cultura e Amazônia. Disponível em: Acesso em:.
Abstract: The sound systems were created on the outskirts of Belém between the years of 1940 and 1950, with simple structures and familiar character. They consist of a sound projector, also known as a "boca-de-ferro", which was connected to one or two turntables. Based in a Communication Science approach, the present work aims to analyze the communicative experience, addressed as an aesthetic experience, present in the intersubjective elements that are shared with during the celebrations of the Super Pop sound system, held in Belém and its metropolitan region. The work was conducted from a phenomenological perspective, through which it seeks to highlight the experience of the researcher’s encounter with the object as a comprehensive and hermeneutic process. The intersubjective materialities are analyzed from the phenomenological approach present in Maffesoli and Schutz’s methodological orientations. In order to do so, I concentrate on the analysis of three events held by Super Pop Live, since, in my view, they contain the elements we observe in the set of such festivals and can thus be understood as syntheses of social forms and experience of the sound system party.
Appears in Collections:Dissertações em Comunicação, Cultura e Amazônia (Mestrado) - PPGCOM/ILC

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