Please use this identifier to cite or link to this item: http://10.7.2.42:8080/jspui/handle/2011/12321
Title: Marcadores de quadrilhas juninas em Belém do Pará: uma rasgação de afetos, trajetos e espetacularidades
Authors: SANTA BRÍGIDA JÚNIOR, Miguel de
http://lattes.cnpq.br/6889411521648199
Keywords: Etnocenologia
Quadrilha Junina - Belém (PA)
Espetacularidade
Cultura Popular
Issue Date: 19-Dec-2019
Publisher: Universidade Federal do Pará
Citation: ESTEVAM, Romulo Sousa. Marcadores de quadrilhas juninas em Belém do Pará: uma rasgação de afetos, trajetos e espetacularidades. Orientador: Miguel de Santa Brígida Júnior. 2019. 78 f. Dissertação (Mestrado em Artes) - Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2020. Disponível em:http://repositorio.ufpa.br:8080/jspui/handle/2011/12321. Acesso em:.
Abstract: The researches of Junines Dances in Belém do Pará: a trait of affection, trajectory and spectacular objective aims the investigation of three markers of Juninas dances: Edson Neves of the group Rosa Vermelha; Anderson do Rosário from the Kingdom of São João and Rai of the Roceiros da Barão group. For that, I set myself up as an artist-researcher-participant methodologically based in the field of Ethnocenology, which focuses on studying Organized Spectacular Practices and Human Behavior – PCHEO (BIÃO, 2007). In the pursuit of this understanding we take a dip in popular Junin culture and invite authors to dance with us: Clifford Geertz (1989) and Canclini (1982) in the great circle of issues such as identity and culture; in the creative processes Sonia Rangel (2009), in the modern choreographies Eleonora Leal (2011); in the ethnocenological balance the aesthetic and cultural matrices of Armindo Bião (2007), the emotional communities of Maffesoli (1998) and the Spectacularity of Dumas (2010). As a methodological procedure, we immerse ourselves in this Junino universe, accompanying enamored the creative processes of the spectacular practices of the chosen markers, experiencing the essays, contests and moments of relaxation and affection. This study seeks to contribute to the production of knowledge originating from the culture of the June block of Belém do Pará, dissociating popular knowledge and scientific knowledge as an ethnocenological premise.
URI: http://repositorio.ufpa.br:8080/jspui/handle/2011/12321
Appears in Collections:Dissertações em Artes (Mestrado) - PPGARTES/ICA

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