Please use this identifier to cite or link to this item: http://repositorio.ufpa.br:8080/jspui/handle/2011/4468
Title: Música e tecnointerações na Amazônia paraense: retóricas e identificações culturais em materialidades do Terruá Pará e da Banda de Thrash Metal Antcorpus
metadata.dc.creator: BAENA, Talita Cristina Araujo
metadata.dc.contributor.advisor1: AMARAL FILHO, Otacílio
Keywords: Midiatização
Música
Divulgação
Identidade cultural
Projeto Terruá Pará
Belém - PA
Pará - Estado
Amazônia brasileira
Issue Date: 9-Aug-2013
Publisher: Universidade Federal do Pará
Citation: BAENA, Talita Cristina Araujo. Música e tecnointerações na Amazônia paraense: retóricas e identificações culturais em materialidades do Terruá Pará e da Banda de Thrash Metal Antcorpus. 2013. 98 f. Dissertação (Mestrado) - Universidade Federal do Pará, Instituto de Letras e Comunicação, Belém, 2013. Programa de Pós-Graduação em Comunicação, Cultura e Amazônia.
Abstract: There are times mankind has experienced a long process of social mediatization, intensified by the advent of the playing techniques of art and culture. This process, in contemporary times, enabled the transformation of real experience in the music-historical experience media. In this context, culture and business merge and globalize, restructuring each other. In Paraense Amazon, the complexity and possibilities of this media experience of music has led the region to another wave of adjustments to global contexts. The dissertation deals of communication processes and cultural identity through materiality of two phenomena of contemporary music experience perceived in Paraense Amazon: the dissemination of music project - Terruá Para - and thrash metal band Antcorpus. The analysis started from the reflection that the communication can be understood as a hermeneutic of existence, crossed by a mediatical ambiance. Among the observations recorded, stood out because of its importance: the social mediatization through technological interactions, namely, tecnointeractions that vectorize appropriation, and incorporation of musical expressions, both groups of young as professionals related to local cultural industries. To vectorize these processes through mediatical images of musical experiences, the tecnointeractions exhibit sound experiences of the town, which in some cases suffered metonymic processes that evidence a standard system of feeling, which here is called aesthesis policy.
URI: http://repositorio.ufpa.br/jspui/handle/2011/4468
Appears in Collections:Dissertações em Comunicação, Cultura e Amazônia (Mestrado) - PPGCOM/ILC

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