Please use this identifier to cite or link to this item:
Title: O olhar artístico diante do fenômeno social: a violência invisível do filme "o som ao redor"
Other Titles: The artistic look before the social phenomenon: the invisible violence of the film the sound around
metadata.dc.creator: MARÇAL, Ana Carolina Chagas
metadata.dc.contributor.advisor1: SOUZA, José Afonso Medeiros
Keywords: Cinema brasileiro
Arte e sociedade
Violência urbana - Recife (PE)
Issue Date: 30-Jun-2015
Publisher: Universidade Federal do Pará
Citation: MARÇAL, Ana Carolina Chagas. O olhar artístico diante do fenômeno social: a violência invisível do filme o som ao redor. 2015. 123 f. Dissertação (Mestrado) - Universidade Federal do Pará, Instituto de Ciências da Arte, Belém, 2015. Programa de Pós-Graduação em Artes. Disponível em: <>. Acesso em:.
Abstract: This paper intends to investigate how the movie to investigate Neighboring Sounds, directed by Kleber Mendonça Filho, released in 2012, captures elements of reality , reframes them and builds from there a speech about social phenomena such as fear, the feeling of insecurity , urban violence , divisions etween center and periphery, labor relations and the recent colonial past linked to the sugar cycle. We try to show how the film captures the routine of small street of Recife in a naturalistic way, ending up in "realism impressions." Then we address the way in which contemporary cinema and also the national cinema have presented the issue of violence and its differences with the narrative of Neighboring ounds Besides, we discuss the importance dialectic between the field and off the field as formal elements necessary for construction of what we call aesthetic of the "inside" and "outside" and its relation to the fear and the feeling of insecurity, and the construction of the soundtrack that emphasizes the sounds coming out of bounds, referring to what is not there framed by the camera. For this, we conducted analysis of themed Sound around, analyzing the film sequences, starting the work, building possible relationship between her and the world in an incessant movement of return to work, onsidering that work of art is in itself , a social phenomenon that relates to others that are external. In that sense, we seek to relate the film discourse with the concept of disciplinary society of Michel Foucault, Zygmunt Bauman's analysis of the Medes and human relations in contemporary society and the sociology of art by Jean-Marie Guyau, assuming epistemological field as the relationship between philosophy, ociology and sociology of art.
Appears in Collections:Dissertações em Artes (Mestrado) - PPGARTES/ICA

Files in This Item:
File Description SizeFormat 
Dissertacao_ArtisticoFenomenoSocial.pdf7,87 MBAdobe PDFView/Open

This item is licensed under a Creative Commons License Creative Commons