Dissertações em Psicologia (Mestrado) - PPGP/IFCH

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/2330

O Mestrado Acadêmico iniciou-se em 2005 e pertence ao Programa de Pós-Graduação em Psicologia (PPGP) do Instituto de Filosofia de Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA).

Navegar

Agora exibindo 1 - 8 de 8

Acesso aberto (Open Access)
A “despatriarcalização” da diferença sexual em Lacan: Paul B. Preciado e outras vozes
(Universidade Federal do Pará, 2024-07-19) SILVA, Mayara Tibúrcio Cavalcanti da; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825; https://orcid.org/0000-0002-8988-1910
Starting fro m the effects caused by Paul B. Preciado's speech in “Can the monster speak?”, this dissertation intends to focus on the voices addressed to Lacanian psychoanalysis, critical of sexual binarism and articulated with the decline of patriachal colonial model. In these discussions, the “epistemology of sexual difference” problematized by Preciado is central, in inescapable conjunction with Judith Butler. In addition to providing space for reviewing some readings of this psychoanalysis, we seek to promote the et hical commitment to listening new possibilities, which unite feminists, queers and psychoanalysts, in the proposal to deconstruct the sexual difference and to affirm other possibilities, without dependence on binaries, hierarchies, father or phallus.
Acesso aberto (Open Access)
Discurso moderno e psiquiatria reformada: considerações sobre um Centro de Atenção Psicossocial (CAPS)
(Universidade Federal do Pará, 2011) QUEBRA, Sâmea Carolina Ferreira; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
This dissertation aims to discuss the relation between the new madness care and intervention service which is the Center for Psychosocial Care (CAPS), and the psychiatric view that was built throughout the XIX century. The CAPS that is supported by the precepts of the Brazilian Psychiatric Reform, purpose to combat the asylum assistance for madness model that last long over the centuries, especially supported by the modern period through the psychiatric discourse that look the madness as the object of its knowledge, transforming it into mental illness. The method of research was participant observation which passed through the direct presence oh the researcher on the study field, describing the elements that define the research object, such as: therapeutic workshops, group and family psychology, hospitality, collective or individual meetings and other activities which are part of the investigated service. It begins with a description of the object CAPS II: Santa Izabel, since its inception in Santa Izabel of Pará, in 2001 to its current settings. Then, the underlying precepts of the Psychiatric Reform ideologically governing this service, placing historical references leading to this reform movement, from Foucault‟s theoretical contributions on the transformation of psychiatric power and madness in disease, as well as other authors who seized of this issue within the Europe, Brazil and Pará were referenced. Psychoanalysis is taken in this dissertation as an opportunity to bet on a possible subject tha can succeed and exist, highlighting the Freud and Lacan‟s contributions about psychoanalytic theory of psychosis. Ends with data collected analysis, joined with bibliographic references, demonstrating that despite the CAPS propose a break with the asylum model established by psychiatric knowledge throughout that century, several actions that are supported on that objective update asylum practices that instead of giving a new place to madness, reissuing the imposed confinement on individuals who experienced this subjective experience. It concludes that the CAPS needs to make problematic and relative the regulated requirements by the Reformation and its law, to guarantee against the medicalization knowledge that is as present as before, and then get reinvent practices, concepts and ways of madness.
Acesso aberto (Open Access)
Dor psíquica, recalque e ponto de vista "econômico"
(Universidade Federal do Pará, 2007) ROCHA, Oneli de Fátima Teixeira Gonçalves; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
This work intends to realize a theory study in Freud about the psychotic pain under the “economical” point of view, within the metapsychological concept of repression. The axle theory that based this investigation is the Psychoanalyzis, finding to comprehend the constitution of the psychotic pain, identifying the concept of repression like defense. This concept describe the investment of charge of affection present in the appearing of psychotic pain, in the case of hysteria conversion of Elizabeth Von R. (1893-1895), pseudonym gave by Freud to Ilona Weiss, young that became the clinical case more complete about hysteria conversion. We got like mains results of this systematization, first: the evidence that the psychological pain is a psychological condition, and too, is a specific consequence of the dynamic psychological belongs to subjectivity in the hysteria conversion, that appear specifically in this clinical case. Second, is the result of remembrance of pathogenic representations repressed, originated by a conflict. Third, the conflict is linked to web representations of sexual and moral nature. Fourth, presents like main mechanism of defense the repression. Fifth, verified that the dissociation between the idea and its quota of affection, or the sum of excitement, make that the destiny of this, be converted to the body by of symptom, because this the hysteria conversion. And finally, is by the process of analysis that will leave the patient to manifest, beginning of her reminiscence, the psychotic pain.
Acesso aberto (Open Access)
Entre o belo e o feio: das Unheimliche como princípio estético em Freud
(Universidade Federal do Pará, 2008) MAGALHÃES, Alex Wagner Leal; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
The present work aimed study the Freud’s esthetic considerations present in the text “The Uncanny” (1919), how such positions promote a real discontinuity in the western esthetic thought. In this way, at least show how all the artistic production has in the unconscious material it’s main engine and source of inspiration, Freud inserts it in the group of the other productions of unconscious, (dreams, jokes, neurosis, etc). Nevertheless, in the context of “The Stranger”, Freud starts to understand the art not anymore as a production of the psycho apparatus moved by the principle of pleasure, therefore in this text Freud advances the matter of the death pulsing and the eternal return of undesirable feelings as the functioning of a subjectivity guided beyond the principle of pleasure, in this meaning, the death as the last stop of the existence starts being the great keynote of the new Freudian’s researches, and the beauty of the art would be like that hopelessly involved in the anguish and helpless provoked by the comeback of undesirable feelings. In this way the unheimlich while haunt and uneasiness feeling provoked by the devil’s pulsing that insists in being present, starts being faced by Freud as an important esthetic principle.
Acesso aberto (Open Access)
Para quem não sabe amar, fica esperando alguém, que caiba no seu sonho: uma leitura psicanalítica da obra musical de Cazuza
(Universidade Federal do Pará, 2010-08-26) ELIAS JUNIOR, Agis Bechir; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
This work consisted of an exercise of psychoanalytic interpretation of the Cazuza’s musical work. Divided in three periods: Barão Vermelho Band, single career and single career under the sign of the AIDS. One was looked for it listens, which the interpreter is implicated in the production of a new sense. It gave way, the methodological proposal of the psychoanalysis was used implicated, being looked for approaches between the psychoanalysis and the art poetic, exploring in that interlacement, the dimension of the abandonment (Hilflosigkeit), of the excess as solutions that repair the effects of the castration, as if it was treated of a defect in the narcissus constitution and, finally, the finitude, that Cazuza previous announce to himself, imposing him a new way of to think and to work with the end. It was taken in it counts that Freud, in his texts about art, admits that the art, just as the dreams and jokes, it is projection of the unconscious and that later the arte becomes conceived inside of the limits of the compulsion to the repetition of his eternal return as a subjectivity governed for besides from the principle of the pleasure. Finally, It is that the I Lyrical of the poet it appears for the it lacks absolute of solution for human condition before his fragility, for the place of the emptiness of the significance of the own to be and of his existence.
Acesso aberto (Open Access)
Psicanálise e teoria crítica: a Durcharbeitung freudiana em Adorno
(Universidade Federal do Pará, 2011) GOMES, Paulo Bruno Rosa; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
Acesso aberto (Open Access)
Representações sociais sobre a Aids e a Terapia Anti-Retroviral: influências no tratamento de pessoas vivendo com HIV/Aids
(Universidade Federal do Pará, 2010) CUNHA, Janaina Barbosa Gomes; BARRETTO, André Maurício Lima; http://lattes.cnpq.br/3046718437592588; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
As Antiretroviral therapy evolves, AIDS has acquired chronic disease characteristics especially in those countries in which access to medication is actually guaranteed. Brazil has become a model country since it has a health care program that has presented good results towards epidemic control. In November 1996, the Brazilian National Health Care System announced a law which established the mandatory nature of free access to antiretroviral medicat ion for all those who needed it. The obtained results with treatment – that is, progressive reduction of viral load and maintenance and/or reestablishment of immune system functioning – have been associated to outstanding benefits on physical health of HIV-positive patients which allow these people to resume and materialize their life projects. However, universal access to medication that enables free-of-cost treatment for HIV carriers still faces adherence issues. Considering a more restricted understanding, adherence may be defined as a person’s behavior – such as taking medicine, following guidelines of a diet or adopting changes in life style – that relates to recommendations established by the health care team. In this context, this study proposes to analyzing HIV-positive subjects´ social representations of antiretroviral treatment and its implications on their adherence process to it, therefore featuring images and meanings these HIV-positive individuals who have adhered or not adhered to antiretroviral therapy have about this kind of treatment and its consequences on their lives as well as standing out the objectifications and anchorages that form their social representations. Methodology was based on theoretical formulations about qualitative research, prioritizing interviews focused on Explicitness Method of Underlying Speech. These interviews were held at Parasite and Infectious Diseases Special Reference Unit – this unit belongs to the network of Pará State Health Secretariat health care units – and at João de Barros Barreto University Hospital, more specifically at Parasite and Infectious Diseases Clinical Unit.
Acesso aberto (Open Access)
Suicídio, da identificação com a mãe morta ao resgate narcísico: um estudo psicanalítico do personagem Richard Brown do filme As horas
(Universidade Federal do Pará, 2007) FERREIRA, Maria Cristina da Silva; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825
The theme of such Dissertation is suicide as a consequence of identification with the dead mother. It is a theoretical research based on the psycho-analytical theory which recurs to the analysis of the character Richard Brown, from the motion picture The Hours, in order to illustrate the theoretical argument that the identification revival with the dead mother may be an unlinking factor for the suicide of the melancholic patient in the adult life. Initially, it is tried to explicit the dead mother concept, characterized as a mother who, even when present, is quite absent as for the cares and love investment towards the child due to her depression. Thus, to the child, the maternal image shall be one of a lifeless mother, a dead mother. It shows identification with the dead mother as a psychic defense to the traumatic situation provoked by the maternal love underinvestment. The child, in the relationship with the mother, lives a psychic catastrophe which Green has called narcissist trauma, what will determine the fate of the libidinal, objective and narcissist investment of the individual. Hence, melancholy is considered a psycho-pathology, manifested at an adult age by the individual subjugated by the complex of the dead mother. The study of melancholy in the Mourning and Melancholy of Freud furnishes subsidies to the understanding of the inner world processes of those ones who want to terminate their own existence. Melancholy evidences the struggle between the I and the Super-I on the roles of accuser and accused ones. It shows that the Super-I becomes sadistic when asking for perfection to the masochist I narcissistically impoverished by the identification with the dead mother. When it gets to the sadistic borders, such struggle leads the I, identified with the dead mother, to desire to eliminate the object badly introduced to a part of the I, in order to rescue its idealized narcissist value. It points out suicide as the psychical exit found by the melancholic patient to get free from the identification with the dead mother. It is concluded that in the suicide, the unconscious conflicts manifested in the adult life are revivals of the psychic contents registered in childhood. In this paper, the revival of the identification with the dead mother would have been the unlinking factor of suicide of Richard Brown in his adult life.

Navegar

Navegando Dissertações em Psicologia (Mestrado) - PPGP/IFCH por Orientadores "CHAVES, Ernani Pinheiro"