Navegando por Orientadores "PACHECO, Agenor Sarraf"

Agora exibindo 1 - 15 de 15

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Abrem-se as cortinas: arte, política e o teatro experimental na trajetória do grupo Cena Aberta em Belém (1976-1990)
(Universidade Federal do Pará, 2023-09-12) COSTA, Maria Rosa Cunha da; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
Acesso aberto (Open Access)
Antropologia linguística & etnografia toponímica: vivências e narrativas em linguagens socioculturais de Murinin-Benevides-Pará
(Universidade Federal do Pará, 2016-10-06) FARIAS, Maria Adelina Rodrigues de; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
The present experiment deals with the questioning about the meaning of the names of places where people circulate, the toponyms, in the municipality of Benevides-PA, more precisely in the district of Murinin. The toponymic studies have as scope the deprehension of the lexicon of certain territories, considering the historical and socio-cultural formation of the people that live there, specifically through the names given to the social circulation places, such as streets, waterways, districts, cities, etc., evidencing both synchronic and diachronic aspects of speech. The study deals with a discussion about the construction of memory and toponymic identity of this locality, demonstrating the values attributed by the interlocutors to their birth and/or living places. The problematization is based on the following guiding question: What power relations are present in the constitution of this nominalization? For this reason, I considered, for this research, to work with the theoretical assumptions of Postcolonial Anthropology and the studies on Oral Narratives. Thus, I start, in principle, a formal survey, not escaping too much from the traditional methodology of toponymic research, but considering, in the interviews, the alternative toponymy as well, that is, unofficial, vernacular, trying to motivate the interlocutor to seek, in his memory, the identity of such name and its relation to the life of those who live(d) there, whether from the social, political, economic or religious point of view.
Acesso aberto (Open Access)
Uma câmera para os quilombolas: representações imagéticas de si e da cultura negra em Ourém-PA
(Universidade Federal do Pará, 2014-06-26) AGUIAR, Karollinne Levy; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
The thematic of this work deals with the quilombola photography and its object are the image representations that quilombola children, from the black community “Mocambo”, in Ourém, in the northeastern part of Pará, construct about themselves and their culture. The theoretical approach seeks to relate Visual Arts, Visual Anthropology and Post Colonial Studies to substantiate comprehensions towards the relations and the senses these individuals, within their creative process, let see in the constitutive movement of photography as an artwork with its interfaces with culture, memory and quilombola identity in Amazon. To obtain such objectives, the methodology parts from oral history and image analysis, through ethnographic exercises and image workshops with quilombola children and teenagers. In this sense, at the first moment, these individuals assume the role of visual artists to compose registry about them and about the most significant local landscape, according their choices. At the second moment, we put ourselves listening to the meanings attributed to the records by their creators, seeking to capture connections with quilombola modes of living. We argue that the study of objects of art, taking their joints with the place, their subjects and their stories, constitutes strong evidence of alliances between art and life. On the other hand, this work seeks to uncover and appreciate looks that these people construct about themselves and their culture, which can be an important clue about their silences in visual narratives and unexplored intercultural perspectives through the research in Arts in Amazon and in other regions of Brazil.
Acesso aberto (Open Access)
Cidade e educação: memórias e experiências do ensino primário e ginasial em Breves – Marajó das Florestas (1943-1985)
(Universidade Federal do Pará, 2023-06-30) PUREZA, Enil do Socorro de Sousa; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
In order to understand the construction process of the city of Breves, in Marajó das Florestas, as a regional development hub, focusing on the 20th century, this research presented as a central thesis the assertion that educational experiences in primary and secondary education in the city of Breves , between the 1940s and 1980s, were of great importance for the formation, expansion of urban space and development of the municipality, attracting institutions, public and private services necessary for life in the 20th century to its structure. To arrive at the confirmation of this thesis, we started with the following problematizing questions: How were the city and education, and education and the city historically built in the territory of Breu, in the period from 1943 to 1985? How did the educational and sociocultural practices experienced by residents occur in the expansion and development of urban life? How did the implementation and/or strengthening of primary and secondary education take place in the city? From these guiding questions, the objectives of the research were: to analyze city and education and education and city through written, oral and visual documents, identifying historical-social changes and continuities in the ways of living in Brevense between the 1940s and 1980s; understand the trajectory of formation of the school group from 1943 in the city, the expansion and consolidation of primary education and follow the emergence of secondary education in the context of the 1960s/70s, its contributions to the expansion of the city and the visibility of the city in the regional and state scenario in times of military regime. Based on Social and Cultural History and dialoguing with written, oral and visual documents, the results indicate that Breves became the main educational center of the Marajós das Florestas, from the 1960s onwards with the implementation of the Miguel Bitar State Gym, which joined to primary education, which began in the 1940s with the Dr. Lauro Sodré, Boarding School Evangélico Amazonas and Colégio Santo Agostinho. They also showed that, in the education and city movement, the city became a regional reference in several sectors, and education played a sine qua non role, because through the training of people, multiple development possibilities were opened for Breves to become , nowadays, an educating city.
Acesso aberto (Open Access)
Com a cara lavada e a mala nas costas: memórias e identidades na trajetória do Usina Comteporânea do Teatro (1989-2011)
(Universidade Federal do Pará, 2012-06-28) ANDRADE, Valéria Frota de; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
This dissertation study the trajectory of the group Usina Contemporânea de Teatro, established on 1989 in Belém, and that even today still stands out as one of the most active in theater scene of Pará. Originated in the student political movement scene, the group occupied the streets and community centers, adding later, other lines of work, like animation theater and multimedia theatricals in a continuous co-authorship process. The research explores the group memory using the testimonies of some of its founders, and various documents and images, to restore and update past experiences, reflecting aspects of group identity from methodological Oral History and Analysis perspective. Topics of theater theory are used in the approach of the group experiences, and the concepts from structure of feeling, by Raymond Williams, and convivial theater, by Jorge Dubatti, support the comprehension that Usina has his existence based on a web of relationships affections, configuring the group as a collective in which personal ties have always been at the root of creative processes.
Acesso aberto (Open Access)
A cultura nas margens da educação: formação, ensino e saberes Afroamapaenses na voz de professores de arte
(Universidade Federal do Pará, 2014-06-10) COSTA, Bruno Marcelo de Souza; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
In this research I present discussions about Art Education, Knowledge and Doings Afroamapaenses in Macapá - AP. The work has the theme "Culture on the banks of Education" and as a research subject " knowledge and doings afroamapaenses reinterpreted in the daily lives of teachers of Art and the knowledge and practices of their professional practices . The guiding questions that motivated the research were: a social and cultural groups that these teachers belong and/or self-identify; how they relate to the culture afroamapaense recreated there; that african -Brazilian cultural and artistic practices sharing on your social territory and approaches that exist between culture and curriculum afroamapaense Art worked for these teachers . To better understand the object of study, the research sought dialogue with scholars of history, art and culture and African african - Brazilian, education, curriculum and identity, especially those in the theory of Cultural Studies and Postcolonial Thought based. Thus, thinking about the stories and knowledge that Africans arrived and recreated in Brazil and in the Amazon and how they have been or not worked in teaching Art, decided to investigate these relationships and their consequences through knowledge and practice afroamapaenses practiced by those teachers art of the public schools of the city of Macapa / AP. To achieve the proposed initial goal, used the field of oral history as a methodology, analyzing and interpreting narratives collected from teachers of art, also made use of other resources to capture that information considered relevant, such as: research and educational historical documents ( Plans Education, PPP ) and a questionnaire directed to some of the teachers . The intention was that from the oral narratives of teachers and targeted questionnaires could identify approaches that have the african - Brazilian culture and / or the curriculum afroamapaense "practiced" in the teaching of art and what is the place of stories and knowledge in the lives of African Art teachers. My bet is that heritage and legacies of black diasporic cultures in the Amazon, are latent, live (a) is present in different expressions of the modes of living of teachers of art in the region, especially from Macapá - AP.
Acesso aberto (Open Access)
Emília Snethlage e Heloísa Alberto Torres: gênero, ciência e turismo na Amazônia do século XX
(Universidade Federal do Pará, 2022-08-04) ALBERTO, Diana Priscila Sá; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
The presence of women in the history of science, especially in the Western world, is intertwined with the very constitution of this field of knowledge, but for a long time they have remained in the shadows of male performance. The historical science, since its birth, has marked the "man" as the central character of the narratives and, even though some scholars pointed out that women were included in this historical being, the disciplinary field of history kept them away from the stage of mankind's sociocultural formation. Scientific travel, from the 19th century on, proved to be a rich path to problematize this vision and the meanings of its silences, allowing interpretative connections between science, gender, and tourism. The history of female participation in the history of sciences in the Amazon in the 20th century, focusing on the performance and legacy of two women scientists, one German and one Brazilian, Emília Snethlage (1868-1929) from the Museu Paraense Emílio Goeldi - MPEG and Heloísa Alberto Torres (1895-1977) from the Museu Nacional do Rio de Janeiro - MNRJ, is the central theme of this thesis. These scientists, who lived experiences in regions of Brazil, especially in the Amazon, used tactics to build an important path in their fields of expertise in the natural sciences (ornithology) and humanities (anthropology). Their expeditions left important clues for the investigation of the history of tourism in the region, by presenting elements that made up the modern tourist phenomenon, such as lodging, food, and transportation. From this contextualization, the objective of this work was to investigate, in the light of studies on the history of science, gender and tourism, the female participation played, in particular, by Emília Snethlage and Heloísa Alberto Torres, in the construction of scientific knowledge in the Amazon in the early twentieth century, entering into their professional trajectories, strategies and their respective universes. In relation to the problematic, the question was asked about the importance of the role of women in the history of science in Brazil and how was the specific participation of these scientists in the Amazon? The research was based on Edward P. Thompson with Social History and his reflections on experience and tactics in everyday life; Carlo Ginzburg with Micro-History when entering in the indications of other paths taken by them; Michelle Perrot, Londa Schiebinger and Anne McClintock when referencing the role of women in the scientific field, helping to inquire forms of coloniality experienced in the daily life and work of Emília and Heloisa. As far as tourism studies are concerned, we dialogued with Paulo de Assunção, Alexandre Panosso Netto, and Helena Doris. A. B. Quaresma when dealing with the reflection of the tourist phenomenon and its openings in history and research in the Amazon. The methodological path traced clues of the performance of these women of science in the Museu Paraense Emílio Goeldi, Guilherme de La Penha Archives. Files on Emília Snethlage were also searched in virtual media at the Biblioteca Nacional Digital and at the Museu de Astronomia e Ciências Afins, where a collection on Heloísa Alberto Torres was found. The documentary research started in 2018 and went on until mid-2022, mainly by virtual environment, due to the Covid-19 pandemic. To answer the problematic of the thesis, the research mapped and analyzed evidence in newspapers, articles produced by these scientists, personal and institutional letters, and novels, which made visible experiences and practices of these scientists in their institutions and in the daily life of research in the Amazon. Based on these findings, the thesis demonstrates that Emília and Heloísa played a fundamental role in the construction of science in the Amazon, through their actions and "world sensibilities", at a time of full hegemony of male domination in the scientific field. These women built their trajectories in ornithology and anthropology in such a way that their publications and scientific achievements spread beyond their institutions, making their mark in the history of science in Brazil and abroad. Furthermore, the trips have revealed new directions for understanding the tourist phenomenon in the Amazon region, since they have used the constituent elements of the practice in the activity. Thus, they contributed to think the emergence of a new epistemology about tourist trips.
Acesso aberto (Open Access)
Fitas de cetim, papel crepom, flores de plástico... será um “o benedito”? festas, símbolos e identidades no Bairro do Jurunas em Belém do Pará
(Universidade Federal do Pará, 2012-03-02) CHAGAS, Eduardo Wagner Nunes; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
This paper presents the results drawn from the observation of the festivities dedicated to St. Benedict in the neighborhood of Jurunas, in the city of Belém of Pará, Brazil. The objective of this study is to understand the process of elaboration of symbols in the context of these celebrations, considering them as a product and reflection of mixtures produced the hybrid aspect of Brazilian culture, from the relationship between Catholicism and popular culture. The paper considers these festivities, as a sign representative of the Jurunas neighborhood's identity as a between-place producer of tensions, however, are mitigated by the context in which they perform carnivalized celebrations. The study also presents a synthesis of representative ambience of the festivities the oxymoron "carnivalization devout".
Acesso aberto (Open Access)
Ideadores de Bictaxi: cartografias de experiências estéticas em modos de viver e fazer bicitaxis na Veneza Marajoara (Afuá-PA)
(Universidade Federal do Pará, 2014-07-21) SIMÕES, Vanessa Cristina Ferreira; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
Afua is a municipality located in Marajó of Forestry, State of Pará, where the main roads of the city are wooden bridges built over the river, which invades in times of marajoara wintering. This natural phenomenon, still causing flooding of the territory, its manifestation is celebrated as a feast among residents, referring to a way of life capable of interconnecting culture and nature. Given these characteristics, Afuá needed to recreate their primary means of urban transport, hence emerged the bicitaxi. Built from the need of residents permitted to use motorized vehicles given the structure of the city, in an area where bicycles prevail. The bicitaxi born from the union of two bicycles, fused by a metal frame. In this scenario, in this dissertation I present cartographies of experience of creating and experienced use with bicitaxi giving existence to other aesthetic and visual schemes. In her contribution, walked towards understanding how the bicitaxi is inserted in the daily Afuá and understand their dialogues with lifestyles built there; analyze new sensibilities and visualities regimes that constitute the exercise of creating and using bicitaxi, imbricated in aesthetic ecosystems; argue that this aesthetic is and how it articulates the cultural and symbolic dimensions of life in Afuá; and also to understand how these designers understand their creative processes and negotiate with local and global codes in order to make the bicitaxi. For that, I outlined a theoretical-methodological design which articulated the perspectives of Oral History, guiding the conduct of interviews with the afuaenses about their memories of the processes of creation and use of the vehicle, and Cartography, acting orientation-center study to moving map scenarios in which culture is built. Also dialogued with scholars of Cultural Studies, Postcolonial Thought and contemporary authors of Art and Design. In dialogue with them, developing the results of this research, which showed aesthetic ecosystems and livelihoods paths in the city, through which the bicitaxi is established and acquires its own meaning, being crossed by emotions, memories and power struggles; besides demonstrating that his way emerge knowledge, coined by trial and updated with every new vehicle produced; and point processes of creation in the city while exercises instigate experimentation, and self-recognition of its peculiarities, characterizing them as continuous and fragmented, collaborative, informal and supported by knowledge minted in everyday processes. Furthermore, recognize the aesthetic experience developed in the city as of resistance, subverting conventional aesthetic standards; composite, because they are the result of cultural encounters and disputes; and also the fragment, since they are the result of creative processes in constant motion.
Acesso aberto (Open Access)
Mulheres entre enfeites & caminhos: cartografia de memórias em saberes e estéticas do cotidiano no Marajó das florestas (S.S. da Boa Vista – Pa)
(Universidade Federal do Pará, 2013-06-20) JARDIM, Ninon Rose Tavares; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
This research presents a mapping of know-how with jupati fibers, woven by women from rivers Pirarara, Seringueiro, Urucuzal and the Village of Nazaré, in São Sebastião da Boa Vista city, at the Marajó Forest, state of Pará, Brazil. The problem that guided this research was to analyze how these forest marajoara women build know-how in the artistic creativity of weaving fibers and what are the meanings of this art in their lives and how their works dialogue with tradition and contemporary. Also, how this art has been (re) meaning over the years. Following theoretical orientations of Cultural Studies and Postcolonial Thought in connection with the field of Art and through the methodology of oral history, ethnography sought the physical landscape, people and culture of a rural community in the Amazonia. And so capture the aesthetic developed in daily life, the senses of know-how gestated in making ornaments and paths between forms and colors. From this, I analyze the creative and production process during the making fiber in relation to the times of marajoara way of living. I present a discussion of how this art is absorbed by the market; bring to the art scene in fiber jupati conceptual issues in dialogue with the art field, linking tradition and modernity, classical and popular art and aesthetics of daily life, interwoven looks to women about their work and the symbolic, aesthetic and formal meanings. I try to get approximations with memories indigenous heritages and histories as correlating Ornaments and Paths. Its chromatic relations, roles that art plays in the lives of these women and the iconic, indexical and symbolic meanings of artistic compositions. Absorbed by this universe, I find that the know-how fiber is articulated to cosmologies and ecosystems aesthetic; fiber art is knowledge and livelihood; Works expressing feelings of pleasure, like weaving, urging transgressions of cosmological local codes; strengthen family ties; moments of intimacy, complicity, learning, disputes, achievements between mothers, daughters and sisters; (re) affirm identities, artistic authorities, establishing codes of respect and hierarchies in the recognition about the quality of the weave.
Acesso aberto (Open Access)
Peixe frito, Santos e Batuques: Bruno de Menezes em experiências etnográficas
(Universidade Federal do Pará, 2018-04-06) WANZELER, Rodrigo de Souza; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
In this thesis, I undertake a study that primarily tries to present another reading key for the intellectual production of Bruno de Menezes (1893-1963), who gained prominence in the Amazon cultural scene as a great literary. Thus, I try to reconstitute important aspects of his life trajectory, I highlight representations of the daily life of the city of Belém coming from his social and political experiences and I focus the diversity and plurality of voices, coming from the latent interculturality in Belém of the first half of the twentieth century. In this exercise, I explore the ethnographic bias in some of his main compositions, an interpretive line chosen to resignify the studies on the black literate. In order to achieve the central objective of the research, in other words, the thesis that stitches the work, some questions became the north: What ethnographic experiences make up the life trajectories of Bruno de Menezes? How did the intellectual perceive himself and others in his writings? In what conditions and circuits did the writer conduct research and produce writings about the cultural dynamics in paraense scenarios of the Amazon? Finally, what is the importance of Bruno as a social thinker for the Amazon context in the first half of the twentieth century? The formulation and understanding of these issues are anchored in the theoretical-methodological cross-cutting of an ethnographic know-how that was aligned in the connections of Anthropology with Literature and Folklore, Cultural Studies, Postcolonial Studies and Oral History and it verticalizes in a field that literary works, folk surveys, photographs and oral reports reconstruct evidence of and about the writer on screen. In view of the above, I divide the academic text into two parts: in the first, I deal with Bruno's various paths throughout his life and emphasize established networks, which have contributed to the formation of his self-constitution and critical repertoire. In the second part, I approach three productions of Bruno de Menezes - Boi Bumba: auto popular; São Benedito da Praia: Folclore do Ver-o-Peso and Batuque. The intention is to reconstitute and analyze the ethnographic experience of these literary compositions and dare to include the black jurunense in the roll of the great thinkers about the culture in the Amazon, going, thus, beyond the literary aspect, facet which Bruno is really recognized. So, I think that from every epistemological background in which the thesis is supported, another Bruno de Menezes is unveiled, the esthete of the word is also an ethnographer of the paraense Amazon.
Acesso aberto (Open Access)
Quando os anjos caem em excitação [Arte]cidade e mídias contemporâneas na campanha AXE-excite
(Universidade Federal do Pará, 2012-03-30) QUEIROZ, Elane Cristina do Carmo; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
his dissertation deals with the relationship between [art] the city and contemporary media from the perspective of developing knowledge and poetic aesthetic, which is the substrate AXEexcite campaign, an advertising product that, in light of this hypothetical work environment for producing artistic enjoyment as a side effect of the advertising campaign. This campaign offers a variety of technological resources and image relevant to the fields of languages and artistic expressions. For the development of this knowledge, we as a methodological procedure Content Analysis relevant to the fields of art and communication implicit in the advertising campaign AXEexcite. We dissect the object of study, with the intention of revealing the simultaneous time-spaces and landscapes that reconfigure the new urbanism (the royal city, creating a virtual city), and taken as espetacularizada art scene, the alliance between artistic languages and image technology as provocative element, strengthens the relationship between art and everyday life. Admitted to the line of research processes of Creation, Transmission and Reception in Art, the thesis aims to ultimately apply the guidelines of this line to read the hype AXEexcite deodorant, to probe mergers in the art communication and surprising aesthetic experience in sociocultural relationships activated in urban space.
Acesso aberto (Open Access)
O Ramal do 40: histórias e memórias de comunidades na reserva extrativista Marinha Maracanã, Nordeste do Pará (1960-2020)
(Universidade Federal do Pará, 2022-07-28) FIGUEIREDO, Elida Moura; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
This study aims to understand, from the point of view of historical experiences, changes and continuities in the ways of life of the residents of an Amazonian fishing community, 40 do Mocooca, from the emergence of new forms of mobility with the construction of a road that provoked the emergence of other contact zones, social practices, cultural exchanges, altering traditions in local daily life. The research was carried out in the 40 do Mocooca region, a village in the municipality of Maracanã, in the Salgado Zone of Pará, between 2018 and 2021, chronologically defined between 1960-2020. Theoretically, it was based on Social History and Cultural Studies and methodologically, it followed guidelines from documental criticism and Oral History to dialogue with collective and individual memories in circuits of oral tradition as a constituent of the ways of being, thinking and acting of the inhabitants of this region. In the work, the thesis is defended that changes perceived in the study of the past compared to the present, on the one hand, alter webs of relationships woven for decades between residents and the environment with the contact of new historical agents, information, cultural products, especially, at the turn of the 20th to the 21st century, on the other hand, even in unequal conditions, the social agents of the place re-elaborate the new technological and cultural apparatuses and continue in defense of their living traditions, fighting daily for what they believe to be the path of local development. To explain this thesis, the research is based on analyzes of the experience and experiences of these people, as well as on the study of small and large local events, some individual, others collective, in an attempt to understand the trajectory of this community that presents itself in a network of relationships and decisions of a mobile life between the countryside and the city, between the past and the present, between nature and urbanization, between fishing and a type of tourism, which we call “alternative” and “informal”, which comes forcing the emergence of some globalized practices observed from the arrival of new needs and habits of local consumption, above all, by the younger ones.
Acesso aberto (Open Access)
Ser gay não é fácil, ser umbandista é mega e os dois juntos é bem difícil: afrorreligiosidade e homoafetividade nos terreiros de Umbanda em Igarapé-Açu/PA
(Universidade Federal do Pará, 2024-08-08) MORAES, Marlison Souza; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
Acesso aberto (Open Access)
O Teatro Cacuri: narrativas de vida e cenografia amazônica
(Universidade Federal do Pará, 2012-06-29) LIMA, Walter Chile Rodrigues; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
This study aims to investigate the Cacuri in a double perspective revealed in the narratives of the inhabitants of Abaetetuba islands and its usage as amazon cenography. The methodology of this research has as footings the oral history to comprehend the dynamic of fishing activity in Cacuris, analysing the data in ceaseless dialogues with the cultural studies and the architectural way of Cacuri from the form theory, specially in the work of Wassili Kandinsky, associating the sthetics of the farmyard to the scenic space of spheric principles which highlights reaches the creation of the scenographic project of Cacuri theater. This work states that through difficulties faced by fishermen to keep on executing this art of traditional fishing in Amazon, since generations are giving up of practicing it, the scenic realm getting possession of its potencialities becomes a weapon against the forgetfulness of this local craft knowledge