Navegando por Orientadores "QUEIROZ, Juliana Maia de"

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Agulhas e galhofas no romance A Família Agulha (1870) de Luís Guimarães Júnior
(Universidade Federal do Pará, 2021-07-07) BORCEM, Rogerio Pereira; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922; https://orcid.org/0000-0002-1741-1725
Luís Guimarães Júnior was born on February 17, 1845 in Rio de Janeiro and died on May 20, 1898 in Lisbon. The writer most often forgotten by literary stories and criticism in general was an important man of letters in the 19th century. He produced a considerable number of texts of the most diverse genres and among all this diversity of writings published mainly in the Diário do Rio de Janeiro there is the work A família da Agulha (1870). In view of the rescue of this important literary production of the 19th century, in this research we intend to carry out a critical analysis of this novel, highlighting the issues present in the work and the mechanisms of construction of the narrative itself. Moreover we intend to highlight aspects related to the author's life, his relations with the publishing market of the time, the engagiment with the reading public as well as the critical receptions about his publications in general and more specifically the novel in question. Such appreciation was consolidated mainly from the analysis of some primary sources due to the scarcity of research and studies that target both the writer and his work. Among these sources, the newspaper Diário do Rio de Janeiro from 1869 to 1872 is cited as an example, a period in which Guimarães Júnior served as the writer of this periodical.
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Uma é a escritora, outra, a mulher: um estudo sobre as duas facetas da personagem feminina em Lésbia (1890), de Maria Benedita Câmara Bormann (Délia)
(Universidade Federal do Pará, 2021-08-25) RODRIGUES, Pamela Raiol; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922; https://orcid.org/0000-0002-1741-1725 Endereço
During the Nineteenth century, the education that Brazilian women belonging to the socioeconomic elite received was primarily designed to make them an exemplary mother and wife. However, with the modernization of the Brazilian Empire and aiming for national development, a better education became necessary, including for women. Thus, some of them were better educated and, from this knowledge construction, they could question their life models. Throughout this period, the Brazilian press and publishing market developed effectively; however, this literary space was quite closed to women writers who intended to write and publish. Today, we know that, despite these difficulties in her education and social life, notable women became writers in the 19th century. Among them was the name of Maria Benedita Câmara Bormann, known as Délia, a widely published writer in 19th century Rio de Janeiro, although today there is almost no access to her work or records of her work in literary compendia. Therefore, the present dissertation aims to ponder on how the female character is configured in the novel Lésbia, published in 1890 by Delia. At the center of the plot, we have Arabela, who becomes a writer, participating in the publishing market of the late nineteenth century, besides experiencing several love relationships throughout the narrative. Thus, our reading of the female figure surrounds two aspects: the representation of the female writer in 19th century Brazil and, then, we analyze Arabela through the bias of her love life and affectivities, elements that make Bormann's prose ahead of its time. To fulfill these specific objectives, we anchor ourselves in studies on the history of Brazilian women, with a focus on those belonging to the wealthier class (VERONA, 2013; SANTOS, 2010, D'INCAO, 2018), studies on female sexuality and affectivity (DEL PRIORE, 2014), on the history of the Brazilian book market of the century in question (EL FAR, 2006, 2010), and on narrative fiction (CANDIDO, 2018; LEITE, 1985). As a result, we believe that currently there is still a need to revise the official literary historiography, because if names like Delia's - a writer who helped consolidate Brazilian literature - are erased, a revision that rescues the names of our first female writers is necessary. In this way, we will be able to make use of a more egalitarian literary history.
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A figura feminina na escrita de Jane Austen e Júlia Lopes de Almeida
(Universidade Federal do Pará, 2021-12-14) SERRÃO, Rebecca Falção; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922
This thesis has as one of its main objectives to analyse comparatively the novels Razão e Sensibilidade (1811), written by Jane Austen, and Memórias de Marta (1888), written by Júlia Lopes de Almeida, focusing on the compositional development of its characters: Marianne Dashwood and Marta. Based on a related bibliography, we discuss as a central theme the books already mentioned here the fictional representation of its female figures. It is necessary to present a breaf contextualization of the writers’ life and the period they lived, with the purpose of highlight how this fact could have contributed on the theme’s choice addressed by the authors in their books, this way emphasizing how these writers have questioned the woman’s issue. Being so, we seek for raise interpretative hypothesis about the literary path of the writers as well as compositional aspects of the female characters in consideration of the nineteenth woman’s insertion both in England and in Brazil.
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Subversivas vozes femininas em Jane Austen: das publicações na Inglaterra regencial à circulação, tradução e recepção no Brasil
(Universidade Federal do Pará, 2023-10-31) GALENO, Maria do Carmo Balbino; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922; https://orcid.org/0000-0002-1741-1725
Jane Austen's literary writing has been, over two centuries, considerably revisited and interpreted from various perspectives. My interest in this research is to highlight the subversive ,*female voices in her novels, in convergence with Mary Wollstonecraft's A Vindications of the Rights of Woman (1792); as well as investigating the first records of the austenian presence in Brazil, through advertisements for the sale of his works in newspapers, from the 19th century onwards. Based on the study by Vasconcelos (2016), on the translation of Persuasion via France and Portugal, which shows the medium of book trade in this exchange and points out the first references to the work in Rio de Janeiro, I expose through traces in the Hemeroteca Digital, which, years before, the novel was advertised for sale in a Pernambuco newspaper; thus, the present study expands knowledge about the circulation of the work in the country. I also try to highlight the first reviews of Jane Austen in the literary pages of brazilian newspapers in the 19th century, which presented the writer as one of the pillars of the romance genre, as well as a voice that defended women's desire and rationality. Still on the trails of the Hemeroteca, I track and demonstrate how the first brazilian translation of Pride and prejudice took place in the mid-twentieth century. To conclude, I analyze, in both novels, the strength of female voices that break with “The Angel in the House” and identify with “Judith Shakespeare”, female representations debated by Virginia Woolf. I argue, therefore, that it is in the subversion of female characters that lies one of the reasons why Austenian work remains in continuous vitality, both academic and popular. To follow this path safely, dialogues with the studies of Sandra Vasconcelos, Virginia Woolf, Simone de Beauvoir, Gerda Lerner, Silvia Federici, Janet Todd, Ian Watt, Margaret Kirkham, Terry Eagleton, Paulo Henriques Britto, among other theorists and critics, were essential.