Navegando por Autor "FERNANDES, Daniel dos Santos"
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Item Acesso aberto (Open Access) O abastecimento da feira como uma ação representativa do trabalho coletivo(Universidade Federal do Pará, 2018) QUADROS, Keila de Paula Fernandes de; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Aperetrecho, juventude e orquestra: ritualizações, interações e resistência no boi de máscaras faceiro(Universidade Federal do Pará, 2019-04) PALHA, Rondinell Aquino; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Argila, rio, pontes e narrativas: gestalt social de um recomeço(Universidade Federal do Pará, 2017-09) PORTUGAL, Jéssica Feiteiro; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Benedictu Placere: uma campanha na Amazônia Paraense(Universidade Federal do Pará, 2008-09-10) FERNANDES, Daniel dos Santos; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464This work is an anthropological analysis starting from the relationship author/text of the literature said fictional, taking in consideration the author's course and of the work in the social field, what could be confused with a study of literary critic, of more sociological complexion. This last one could take us to, for instance, a study of literary genders, analysis of the use of the literary language, and their uses inside of a certain social-historical moment. However, all those shades don't get to break with the vision of the literature that leaves of the creative individuality, taking us to a naive apprehension of the literary text. We will use the literary text as one more instrument of which the man makes use to try to understand their time. Placing the literary text starting from the characteristics that ratify the bookkeeping of a literary text in its time-space. Then, we will analyze the author's course, Benedicto Monteiro, one of intellectuals in Amazon, starting from his literary texts “Verdevagomundo”, “O minossauro”, “A terceira margem” e “Aquele um”, called Amazonian tetralogy making an against-point with his autobiographical text Transtempo and his speeches in reports author/agent-subject of research/author, seeking the probable mediations, also built in other social spaces, that can turn this author a more way of reading the decade of 70 in the Century XX, moment disturbed in Brazil and of the military government's intense incursion in the Amazon, that in Benedicto Monteiro's text is punctuated in the Amazônia Paraense, Baixo-Amazonas.Item Acesso aberto (Open Access) Caminhos de cultura de uma etnografia(Universidade Federal do Pará, 2018) LIMA, Suzanny da Silva; FERNANDES, Daniel dos SantosThis article aims to present the first results of an ongoing research on cultural constructions that is being held at the Agricultural Village of Princesa do Xingu in Altamira-Pará. A brief discussion about the concept of culture within the ethnographic approach was constructed in order to guide the references in which the results i n question were collected. To that end, the perspectives of Geertz (1989) and Albó (2005) on culture were guiding in the understanding of the cultural constructions of the dwellers of the Agricultural Village in question after approximately 46 years of its foundation. In addition, the ethnographic approach to scientific research in the view of Geertz (1989) and Mattos (2011) is also parameter for the data presented here. Instruments of ethnography such as participant observation, field notes, photographic records, and interviews were used to collect data until now.Item Acesso aberto (Open Access) Costumes em uma feira: interações, vivências e perspectivas(Universidade Federal do Pará, 2019-12) ARANHA, Talita Vieira; PALHA, Rondinell Aquino; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Cotidiano dos "silêncios": momentos de plantio em agricultura familiar(Universidade Federal do Pará, 2016-12) FERNANDES, Daniel dos SantosThisvideo shows thedailylifeof a family in agriculturalworkandon a dayofthemonthofNovember 2016, basedonthelogicoffamilyfarming. The video uses as spacesthespacesofthe Souza family, momentsofthemother, thechildren, thefatherandthecousins. Located in thevillageof Areia Branca, municipalityof Santa Izabel do Pará / Pará. A SONY camera, model DSC - H50, wasusedto capture theimages.Item Acesso aberto (Open Access) Devoções no jurussaca: da louvação aos caminhos(Universidade Federal do Pará, 2016) SILVA, Glayce de Fátima Fernandes da; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Envoltos nos saberes tradicionais: comunidade quilombola e o cotidiano particular(Universidade Federal do Pará, 2018-04) SILVA, Emanuele Nazaré da; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Grupo de carimbó da associação de pais e amigos dos excepcionais-APAE: a dança como fator de inclusão social(Universidade Federal do Pará, 2018) GUIMARÃES, Vaniely Corrêa Barbosa; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) O jantar do santo: rituais de visitação da comitiva de São Benedito da colônia em Bragança - PA(Universidade Federal do Pará, 2017-06) CAVALLI, Gabriella Bianca Miuta; CORRÊA, Jéssica do Socorro Leite; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) A memória imagética pelo UHE Belo Monte (PA) narrado por mulheres arpilleristas(Universidade Federal do Pará, 2017-05) PORTUGAL, Jéssica Feiteiro; FERNANDES, Daniel dos SantosThis academic work speaks about a reflection from the social and environmental impacts resulting of the process of implantation of hydroelectric plants in the Amazon, through a Chilean embroidery technique of cloth fabric making, produced and exposed by women affected by UHE Belo Monte (PA). Methodologically, reflection starts from the perception of the landscape represented by arpilleras not only by the iconographic aesthetics of the image, but as an imaginary narrative, which is subjectively articulated by arpilleristas women, is a product of the collective imaginary, and thus materializes through discourse Ideological resistance to the impacts caused by the enterprise. As a way to guide the reflection of the image understood as narrative and memory product, this study is based on the theoretical-methodological articulation of authors that approach the subject of: Imagem fotográfica como método etnográfico como Guran (2011); O imaginário coletivo por Maffesoli (2001); A memória coletiva por Halbwachs (1968). The analysis makes the possibility to perceive the image that the arpilleristas women affected by the Belo Monte Hydroelectric Plant seek to explain about the process of implantation of hydroelectric plants in the Amazon from the social representation, and the reasons that justify the creative use of the art by images as language strategy and communication.Item Acesso aberto (Open Access) Nos trilhos da “guerra”: a transgressão de um trem de carnaval(Universidade Federal do Pará, 2016) BRITO, Geovana Nascimento Brito; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) Pamonha: traço cultural na alimentação de Tauari(Universidade Federal do Pará, 2018) CARDOSO, Savana Cristina Lima; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) As relações entre imagem e arquitetura: um olhar sobre a catedral Diocesana de Santa Maria, Mãe de Deus, Castanhal (PA)(Universidade Federal do Pará, 2018) CRUZ, Marcos Murelle Azevedo; FERNANDES, Daniel dos SantosItem Acesso aberto (Open Access) "Viduas liberi" na noite bragantina(Universidade Federal do Pará, 2019-04) FERNANDES, Daniel dos Santos; OLIVEIRA, Karla Juliana da Silva