Dissertações em Antropologia (Mestrado) - PPGA/IFCH

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/4032

O Mestrado em Antropologia está inserido no Programa de Pós-Graduação em Antropologia (PPGA), da Universidade Federal do Pará. É um curso ministrado sobre a responsabilidade do Instituto de Filosofia e Ciências Humanas (IFCH) da UFPA.

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Desvendando significados: contextualizando a Coleção Etnográfica Xikrín do Cateté
(Universidade Federal do Pará, 2002-02-15) DOMINGUES-LOPES, Rita de Cássia; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048
The object of study is the Ethnographic Collection Xikrín do Cateté under the responsability of the Anthropology Laboratory “Arthur Napoleão Figueiredo” Technical Reserve at the Anthropology Department of the Federal University of Pará. The Collection Xikrín do Cateté is constituted by 144 artifacts, gathered by anthropologist Protásio Frikel (1912-1974) in the beginning of the 60s while carrying out field work among the Xikrín. The group is classified in the anthropological literature as sub-group Kayapó speaking a dialect of the Kayapó language from the Jê family which belongs to the linguistic line macro-Jê. They live on the river Cateté margin in the Parauapebas municipality, in Southern Pará. They currently live in two villages: the Cateté village that holds 600 people and the Djudjê-kô village with 240 people. They are separate from one another by 18 km. The collection is studied to allow the contextualization of the artifacts aiming at identifying their meanings and to acknowledge their potential contemporary use. In the trail of contextualization, I associate the Interpretative Anthropology and the Discourse Analysis tools with the data collected during field work carried out throughout the month of July 2000 and between february and april 2001 when visiting the Collection itself. The Collection has been classified based on Berta Ribeiro (1988) including plumary adornments and adornments made from several materials used by the Xikrín in their day-to-day life such as the Merêrêméi; there are also the weapons; the musical instruments; the ritual, magic and ludic objects; the straw wooven objects and other artifacts used for cooking, for domestic living and manual work tools as observed in the Reserve and the villages. The artifacts in the Collection are a reflection of some of the aspects of the Xikrín reality and identity aprehended generation after generation whom have considered values and concepts which constitue distinctive marks but also bring them close to other indigenous groups.
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Uma vida, duas vidas, muitas vidas: diferenciações de gênero no cotidiano familiar e profissional de camadas médias urbanas
(Universidade Federal do Pará, 2003-02-17) ESTUMANO, Evanildo Moraes; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464
It addresses about the differentiations of gender among fractions of urban medium classes in Belém-PA, starting from aspects of family and professional life of people who work with the theme gender in the field of the academic studies (teaching and research). The work tries to show the updatings, changes, sometimes escapesfrom social models of reference, that is, the conjunctions and disjunctions in the speeches of people when those turn to the performative contexts, where social practices informed by the gender are developed. It discuses also how the social representations are updated and/or modified from the reference that they make about elements of their personal and professional daily life. Thus, the stories of life of the investigated group are taken into analyze proving their experiences in the different and, sometimes, intertwined sceneries in which they build/update their lives.
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O general e os Tapuios: linguagem, raça e mestiçagem em Couto de Magalhães (1864-1876)
(Universidade Federal do Pará, 2003-12-01) HENRIQUE, Márcio Couto; MAUÉS, Raymundo Heraldo; http://lattes.cnpq.br/0915136632611666
The century XIX, more than any other time, tried the gestation of most of our nation projects, structured starting from the political emancipation of the new homeland. Several intellectuals militated in that arduous task of drawing a new face of a Brazil with own identity, although based under an European vision. Among those managers of the new Brazilian identity, one of the most important was the General José Vieira Couto de Magalhães (1837-1898), man of State, political of the Empire and one of the initiators of the folkloric among us. In this dissertation, I try to bound the main work of Couto de Magalhães, The Savage (1876), in the romantic canons and evolucionist of his time, inside of a project of " civilization " of the Indians of the Amazon and the consequent moment of cultural integration of those people and their descendants to the Brazilian population. No matter how much the main justification of the work was the study about the incorporation from the native to the profitable activities of the national economy, the author ended for emphasizing the understanding of the language as fundamental strategy for the peaceful attraction of the populations had then as " savages "; between the racial inventory and the cultural translation of the Brazilian indigenous groups, Couto de Magalhães looked for to value that linguistic arsenal as the truest and authentic representative of the Brazilian nationality. The analysis is made in the sense of understanding which the limits of the translation attempt that the author intended to do of the indigenous legends for the world of the whites, in the intention of legitimating his choice of the Indian as symbol of our identity.
Acesso aberto (Open Access)
Doença como experiência: as relações entre vulnerabilidade social e corpo doente enquanto fenômeno biocultural no estado do Pará
(Universidade Federal do Pará, 2012-06-11) SILVA, Ariana Kelly Leandra Silva da; SILVA, Hilton Pereira da; http://lattes.cnpq.br/3917171307194821
This study examines the biosocial representation of individuals with Sickle Cell Anemia (SCA) in Pará State, Brazil, considering that this as a biocultural phenomenon, involving evolutionary, genetic, environmental, socioeconomic and cultural aspects of their daily life. The research deals with the sociability and the health issues of forty people with SCA, representing 10% of the States' cases, contacted in the Fundação Hemopa, Belém, the reference center for blood disorders in the State. The research encompasses their routine situation of social vulnerability, their perceptions of Health and Disease, treatments (Western and Folk Medicine), diagnostic, stigmas, prejudices, taboos and difficulties of access and accessibility to the services of SUS (the Brazilian National Health System). A comprehensive qualitative methodology and content analysis were used to understand the experience of persons who live daily with the instability and complexity of the disease. The personal experience of disease was uncovered though the formal conversations/interviews about the origins of the biological heritage, social relations, family entanglements and extra-familial dimensions of the individuals' in question, focusing on the evolution of SCA, especially considering the physical and psychological pain and other health complications experienced by the study's participants. The habitus in relation to their life ways is a category which includes the perception of the ethnic/racial nature of SCA, still perceived as "a disease that comes from the black people" with all its associated taboos. I conclude suggesting that many impacts of SCA are linked to the Social Determinants of Health and that there are important differences in relation to the susceptibilities of the persons, with many biosocial layers that require greater awareness by the political, clinical and primary care institutions responsible for the care of the affected citizens.
Acesso aberto (Open Access)
Do tempo dos pretos d’antes aos povos do Aproaga: patrimônio arqueológico e territorialidade quilombola no vale do rio Capim (PA)
(Universidade Federal do Pará, 2012-10-01) MORAES, Irislane Pereira de; MARQUES, Fernando Luiz Tavares; ALMEIDA, Marcia Bezerra de; http://lattes.cnpq.br/1085631337892211; http://lattes.cnpq.br/0365104813041022
This master's dissertation were built from the dialogue between anthropology and archeology, seeking to understand the uses and meanings that archaeological heritage plays in the field of contemporary social relations, specifically, those built according to the logic of traditional peoples and communities. Understood as an ethnographic category, heritage allows a glimpse on the meanings of quilombolas communities from Taperinha, Nova Ipixuna, Sauá-Mirim, Benevides and Alegre Vamos, in São Domingos do Capim (State of Pará), draw around the archaeological site Aproaga. In the struggle for definitive titration of its territory the quilombolas define themselves as Peoples of Aproaga, in this context, cultural awareness enables the construction of collective identity. Around the historic ruins of the Greathouse of Sugar Plantation from the colonial age, the social memory about the time when the Blacks were slaves restores and strengthens the present cultural references and ethnic boundaries in consonance to the feeling of belonging to Aproaga. Thus, public archeology and ethnography allows us to understand the dynamics and social relations of the present and its fruitions with the past, the meanings of material culture as well, the ethnic dimensions which heritage might take in the context of territorial rights of communities descendants and / or origin. Whereas, the territoriality quilombola built by the People of Aproaga imply a critical way of thinking about heritage policies in Amazon, and more broadly the reflexivity of the research towards a decolonial science praxis.
Acesso aberto (Open Access)
Arqueologia do baixo Tapajós: ocupação humana na periferia do domínio tapajônico
(Universidade Federal do Pará, 2012-10-17) MARTINS, Cristiane Maria Pires; SCHAAN, Denise Pahl; http://lattes.cnpq.br/9087840228167206
This research investigates a archaeological site located on a supposed south boundary of the Incised and Punctate Tradition area of influence, in the lower Tapajós River, and debates the results of the investigation in the light of the data and hypotheses on the precolonial occupation of the region. Archaeological investigations in the region in the last couple of years have revealed that the area of dispersal of this tradition is larger than previously expected. Material culture styles and the ways the landscape was occupied seem to indicate cultural contact between the inhabitants of the lower Tapajós River and the peoples who lived on the Nhamundá and Trombetas rivers basins by the end of the first millennium. So being, this research focus was twofold: (1) a local scale, with reference to Serraria Trombetas site and a detailed study of the in-site space as a micro cosmos of a regional history; and (2) a regional scale, comparing local results with the chronology and the characteristics of other sites in the region. Cultural diversity among the pre-colonial indigenous groups in the region was studied through ceramic styles, lithic objects, spatial distribution of vestiges in the local and regional levels, and the absolute chronology.
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Masculinidades em cena: o modo de ser e de pensar o metrossexual a partir das telenovelas
(Universidade Federal do Pará, 2012-10-31) OLIVEIRA JÚNIOR, Edyr Batista de; CANCELA, Cristina Donza; http://lattes.cnpq.br/8393402118322730
I tried to analyze the perceptions of subjects about the way of being and thinking the metrosexual character from Brazilian soap operas. The use of characters from this kind of program for research was important because soap operas are productions that contribute to the viewing of behaviors and dissemination of the "new", besides having great input in Brazilian homes. Because of this, I conducted sixteen interviews with five women and eleven men, all residing in Belém, Pará, undergraduate or graduated in order to show how these people see the male characters that are presented on electronic serials and if they perceive metrosexual characters or with metrosexual characteristics in Brazilian soap operas. I also investigated what some operators of communication - writers, authors, actors and academic writers who study Brazilian soap operas – think about the relation of the male audience with this type of program, through interviews they gave to some media and / or academic papers they wrote. Moreover, I discussed the construction of the metrosexual and the current association of this male type with homosexuality. Thus, I approached the comprehension of my interlocutors on three characters which I focused in my interviews: Narciso (Vladimir Brichta), from Belíssima (2005), Thomas (Leonardo Miggiorin) from Cobras e Lagartos (2006) and Carlos (Carlos Casagrande), from Viver a Vida (2009), verifying the characteristics that make men represented in these roles recognized or not as vain. It will be possible to see that the idea of a male type unconcerned about what he wears, who uses soap to wash his hair not to spend much time with shampoos and conditioners, for example, has lost ground in the contemporary scene, once men, more and more, externalize their vanity, contributing to the "manufacture" of beautiful and desired bodies.
Acesso aberto (Open Access)
Ocupação indígena na foz do rio Tapajós (3260-960 AP): estudo do sítio Porto de Santarém, baixo Amazonas
(Universidade Federal do Pará, 2012-11-21) ALVES, Daiana Travassos; SCHAAN, Denise Pahl; http://lattes.cnpq.br/9087840228167206
In Amazonian archeology, the Formative period (4000-2000 BP) is defined by sedentary settlements of people whose subsistence rely on agriculture, complemented by game, fish, and gathering. when agriculture became the generalized form of food production and societies became more sedentary. This period is important, among other things, because it precedes the development of regional societies around the beginning of the Christian Era. However, it is little known, either because of the small amount of recorded sites or by the lack of research. This dissertation presents the results on an investigation of the Formative contexts at the site Port of Santarem, in the lower Amazon, a region where the long sequence of occupation dates back to the Paleoindian Period. The investigation was design to observe such occupation at the Port site, seeking to understand its role in the dynamics of regional long-term occupation. The excavations reveled evidence of human occupation in the late pre-Columbian period (cal. AD 1020 to 1160) known as the Santarém phase of the Incised and Punctate Tradition, as well as an early occupation, at the base of the cultural layer, which corresponds to the Formative period (cal. 3160 a 3090 AP).
Acesso aberto (Open Access)
“O melhor sítio da terra”: colégio e igreja dos jesuítas e a paisagem da Belém do GRÃO-PARÁ: um estudo de arqueologia da arquitetura
(Universidade Federal do Pará, 2013-04-29) LOPES, Rhuan Carlos dos Santos; MARQUES, Fernando Luiz Tavares; http://lattes.cnpq.br/0365104813041022
This research investigates the insertion of the jesuit’s school and church in colonial Belém. It analizes, from the perspective of the archaeology of architecture, the way this edification became a powerful element in the landscape of the oldest part of the city. In addition, I establish an analytical relationship of this process with the foundation of the Feliz Lusitânia project, in the historical center of the capital of Pará. The research was based on both the colonial period documentation and the Feliz Lusitânia project. I analyzed the discourses in these sources, regarding the intentions of the agents in charge of conforming a landscape of power in the oldest part of Belém. I have also used maps and images to show belém’s spatial arrangement and the presence of the builidings investigated. Thereby, I observed the differentiated layers in the local landscape, having in mind the ideological manifestations expressed in the architecture.
Acesso aberto (Open Access)
Um buraco no meio da praça: múltiplas percepções sobre um sítio arqueológico em contexto urbano amazônico – o caso de Belém, Pará
(Universidade Federal do Pará, 2014-05-16) FERNANDES, Glenda Consuelo Bittencourt; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101; ALMEIDA, Marcia Bezerra de; http://lattes.cnpq.br/1085631337892211
This research considers the multiple meaning sassigned to the historical site “ Igreja Nossa Senhora do Rosário dos Homens Brancos”, located in the urban context of the city of Belém, Pará, in Amazon, specifically in the Carmo Square. The site was studied during an Urban Archaeology Project which aimed at presenting the structures of the Church to the public through an architectural strategy known as archaeological windows. From the perspective of Public Archaeology I discuss the meanings and uses of the site in the daily life of the local communities. The fieldwork was performed between 2012 and 2013 and during this time I have conducted an ethnographic research, carrying out interviews with residents, workers and other people that walk across the square every day. Finally, I discuss the historical context of the site, and present some reflections concerning the design of the cultural heritage policies in urban contexts.
Acesso aberto (Open Access)
Iluminando os mortos: um estudo sobre o ritual de homenagem aos mortos no dia de finados em Salinópolis – Pará
(Universidade Federal do Pará, 2014-05-26) NEGRÃO, Marcus Vinícius Nascimento; ALENCAR, Edna Ferreira; http://lattes.cnpq.br/7555559649274791
The Lighting of the Dead, conducted in the city of Salinópolis (PA) - and in some municipalities of northeastern Pará -, consists of a ritual homage to the dead, which takes place annually on the occasion of All Souls' Day, on November 2. In this city, there is a very specific way to pay tribute to the dead in their graves which, during the night, are illuminated with the lighting of candles to, in sequence, a moment of fraternization between the relatives of the deceased occur. Thus, the main aspects that problematized in this paper relate to the underlying issues in this symbolic ritual homage to the dead. Thus, the lighting of the dead works as a device that triggers sociability around death, reintegrating symbolically the dead to the social life and the living to the spiritual life.
Acesso aberto (Open Access)
“Égua”, é a hora do intervalo na tv: marcadores sociais da diferença, consumidores/as e publicidade produzida em Belém do Pará
(Universidade Federal do Pará, 2014-06-18) OLIVEIRA, Robson Cardoso de; CANCELA, Cristina Donza; http://lattes.cnpq.br/8393402118322730
This dissertation is "born" with a mission: to investigate on the receipt of social markers of the difference between the advertising consumers produced in the city of Belém, Pará, in order to observe how the categories of Gender and Sexuality are received and (re) signified at the moment we watch the interval time in TV. However, other social markers of difference as Class, Color/Race and Generation were added by consumers in conversations, and consequently were problematized in this study. In addition, discussions about advertising and consumption also gained prominence as a consequence of the very strength of the consumers’ speeches. As a result, I realized that social markers of difference were being operated in the narratives in an intersected (or articulated) mode, among these, the most active in this tangency were the Gender, Color/Race and Class categories, comprised by speeches as: black and poor male; and white and rich woman. The "game" between the real and the "magical" world of ads (Rocha 1990), also commented out by consumers, viewing the advertising much closer to real idealizations, instead of showing the realities at the interval time in TV.
Acesso aberto (Open Access)
Análise espacial dos sítios monumentais do leste da Amazônia ocidental
(Universidade Federal do Pará, 2014-08-19) BARBOSA, Antonia Damasceno; SCHAAN, Denise Pahl; http://lattes.cnpq.br/9087840228167206
This study aimed to analyze the geometric enclosures located in the eastern state of Acre, using geoprocessing tools and considering environmental and cultural factors that could have influenced the decisions of social groups on the location and morphology of these archaeological sites. The approach of landscape archaeology was used, as well as GIS as an analytical tool. From the survey data of 419 geometric enclosures in eastern Acre State, the research investigated cultural patterns related to the morphology and configuration, location and orientation of sites, using statistical and methods of spatial analysis. The study concluded that patterned building techniques were used in the construction of the enclosures and their location took into account the proximity of water sources, soil types and elevation. Morphological characteristics were associated with the size and location of sites. The survey also found that most of the enclosures was constructed to mark the winter or summer solstice. Considerations were also made on the state of conservation of sites and challenges to the management of this heritage.
Acesso aberto (Open Access)
Pedaços de pote, bonecos de barro e encantados em Laranjal do Maracá, Mazagão-Amapá: perspectivas para uma arqueologia pública na Amazônia
(Universidade Federal do Pará, 2014-09-04) LEITE, Lúcio Flávio Siqueira Costa; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101; ALMEIDA, Marcia Bezerra de; http://lattes.cnpq.br/1085631337892211
The Maracá region, in the municipality of Mazagão, state of Amapá, holds a vast archaeological potential, in which contexts of secondary burial in urns with anthropomorfic and zoomorfic characteristics—found in caves and shelters—feature prominently. The present dissertation is an ethnography about the representations that inhabitants of Vila de Laranjal de Maracá—located in the surroundings of several such sites—share of the archaeological traces found, as well as of the research carried out on these materials. Besides that, this study also tackles issues on practices of encantaria (Enchant Cult) and on the imaginary related to places described by the inhabitants. To accomplish that, participant observation, interviews, and bibliographic analysis were used in the attempt to reflect—based on the principles of Public Archaeology—on the different forms of impact of material culture.
Acesso aberto (Open Access)
A memória coletiva e o ofício de sapateiro em Belém-Pa: as narrativas de mestres e aprendizes da arte dos calçados
(Universidade Federal do Pará, 2014-09-04) ROCHA, Manoel Cláudio Mendes Gonçalves da; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
The objective of the present study is to think over shoemaker craft in Belém, Pará. The research starts from the assessment of cobbler’s narratives, accurately workers from Batista Campos’s district and Campina’s District, located at central portion of the city. By the review of shoemaker’s memories about their social trajectories, I intend to comprehend how this occupation altered itself, how these people realize changes in urban life and space modifications over the years elapsed, therefore, frame and reconfiguration of urban world’s landscapes. The propositions listed here point to the fact that shoemaker knowledge and know-how, and a “saber viver” that reflects everyday experience of these individuals make workshops constitute spaces of sociability. In these places, besides manufacture and repair of shoes, other social forms are produced – full of sensitive and symbolic contents resulting from interactions and relationships engendered there and by the mediation of craft inherent technical gesture.
Acesso aberto (Open Access)
Pombo, pato, galinha, bode: bichos em trânsito! Estudo etnográfico sobre as apropriações de animais no Ilé asé Iyá Ogunté - um templo de candomblé na Amazônia
(Universidade Federal do Pará, 2014-09-16) SANTOS, Cléver Sena dos; BARROS, Flávio Bezerra; http://lattes.cnpq.br/4706140805254262
The present work aims to investigate the various forms of appropriation social, cultural and magical-religious context of faunal biodiversity in the temple of candomble Ilé asé Iyá Ogunté. Using approaches to studies included in Ethnoecology, as well as conducting ethnography of the religious center. Although the relationship between religion and nature living in the founding basis, and organizing design of candomblé, there are very few studies on the appropriation of animals in religious centers, and usually the ones that exist, are concentrated in the production of inventories almost always devoid of context. In general, studies involving appropriations of nature are concentrated in rural areas and little attention has been directed to urban populations. Thereby circumventing this framework, the present study aims to investigate the ways in which human groups appropriate the biological diversity in the context of candomblé and what their contributions to the cultural enrichment.
Acesso aberto (Open Access)
Pelas trilhas dos filhos do sol e da lua: memórias das pinturas rupestres de Monte Alegre, Pará, Amazônia, Brasil
(Universidade Federal do Pará, 2014-10-14) SILVA, Arenildo dos Santos; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267; SCHAAN, Denise Pahl; http://lattes.cnpq.br/9087840228167206
The present work aims to reflect on the set of narratives about the cave paintings of the mountain ranges region of Monte Alegre, Pará, in the seek to understand the meanings that the archaeological heritage takes within contemporary social relations, in particular, those built according to the logic of traditional populations. The study begins with a historical dialogue through the first narratives on these images recorded by travelers and naturalists since the nineteenth century, afterwards it brings for discussion the works and knowledge produced by archaeological science in recent decades, and finally, it also adds the voices of residents of the Village of Ererê and surroundings about these iconographies. The dissertation was constructed from the interstitium between Anthropology, Archaeology and History, because the information that supported the research were obtained from reports of travelers, works of archaeological research, interviews, observation and the living together with residents of the village. The result is a tangle of distinct voices which weave, intersect and echo in the formation of a kaleidoscope of narratives composed by fragments of worlds, guided in the experiences, in the relationship with the social life and the lived present. The paths taken indicate reflections about the heritage policy in the Amazon, and more widely reflections of the search according to a decolonial praxis of science.
Acesso aberto (Open Access)
Arquitetura disciplinar na Amazônia: o Educandário Dr. Nogueira de Faria – Ilha de Cotijuba
(Universidade Federal do Pará, 2019-03-13) SEABRA, Amanda Carolina de Sousa; COSTA, Diogo Menezes; http://lattes.cnpq.br/3938588690473816; https://orcid.org/0000-0003-4220-8232
For more than 30 years, the island of Cotijuba (Belém - PA) has housed three different institutions (reformatory colony, school and prison) that had as their purpose the education and recovery of the individual to live in society. The architecture of this place is great and it draws attention whenever you arrive at this island. This research makes an initial historical survey of what contexts and motives this school was created in the early 1930s and what led to its closure in the late 1970s. From this, it seeks to understand how the architecture of all this construction was used as another form of control of the inmates and, also, to understand how the discipline materialized and was perpetuated for years in this architecture. To do this, we use the architecture archeology approach to reach the objectives, based on three methodologies in this area: spatial, gamma and alpha analysis. With this, it is possible to answer the main question, which is: how did the discipline materialize in the architecture of the educational Dr. Nogueira de Faria?
Acesso aberto (Open Access)
Keka Imawri: narrativas e códigos de Guerra entre os Palikur-Arukwayene
(Universidade Federal do Pará, 2019-03-15) BATISTA, Ramiro Esdras Carneiro; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048; https://orcid.org/0000-0003-2113-043X
The dissertation is a historical-anthropological study about the Keka between the Palikur-Arukwayene people of the Urukauá river that demonstrates the constitution of the autonomous person among the peoples that compose the interethnic mosaic on the border of Oiapoque from an event considered bellicose, time in which it seeks to bring to light the indigenous version related to the historical occupation of the Guyanese region that was constituted for centuries as the Caribbean Amazon. Despite the Keka be translated as war by different indigenous interlocutors, the ethnographic quotidian shows that it is best translated as party or warrior competition, addressing principles and motivations for the ritual indigenous bellicosity preceding the European invasion and prevail in different ways, to the shame of the action and the impacts caused by the indigenism of the bordering national states.
Acesso aberto (Open Access)
Pelos caminhos da cidade: experiência e percepção de paisagens em videoclipes na Amazônia contemporânea
(Universidade Federal do Pará, 2019-03-22) COSTA, Victória Ester Tavares da; GONTIJO, Fabiano de Souza; http://lattes.cnpq.br/7539767705260462
Amazon has a history of diverse foreign imageations, which stigmatized it in simplified and exotic references. In this researh, I explore other landscapes of this region, those whose imaginary construction permeates the experiences and daily interactions that occur in it. The urban space becomes this few explored image of an area known for its fauna and flora. Artistic expressions, in turn, are a way to demonstrate perceptions and experiences of spaces, the music video does this through visuality and sonority, giving more elements that make it possible to (re)create imaginaries. Based on the particularities of this audiovisual genre and the choice of six music videos filmed on the streets of the city of Belém do Pará, I came to three groups of local interlocutors, whose I was able to dialogue about the daily life, experience and images of these spaces considering what is created and what is shown today about the city.