Faculdade de Artes Visuais - FAV/ICA

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/3183

Navegar

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
Diásporas de encantados na Amazônia Bragantina
(2015-06) SILVA, Jerônimo da Silva e; PACHECO, Agenor Sarraf
Starting from ethnographic exercises, the text presents diasporic experiences of women mourners that when migrating from northeastern Brazil to “Amazon Bragantina”, in Pará State, from the 1950s, whose lives were marked by the initiation process with the entities of the Brazilian enchant (Prandi, 2004). On overnight trips to cemeteries, transfiguration, physical transport, clairvoyance and wanderings in animal bodies, winds and waters, these mourners revisited “worlds” and ancient “times”, going to talk with shamans and “powerful” chanters of Maranhão, Paraíba, Piauí and Ceará, letting people see and delighted in other senses of displacement. The belief in the ability of entities to monitor persons holding the “gift of praying” to the Pará, as well as continually transitioning these sites, nomadizando up (Deleuze; Guattari, 1995) between “there” and “here”, constitute the phenomenon of “diaspora of the enchanted” (Brah, 2011; Hall, 1999, 2009). Living with these women teaches, among other things, to defend conceptions of meetings and displacements of cultures that perceive the radical otherness of the cosmology of the human sciences, even when one believes this faithfully situated in places of departure, passage and arrival of movements, forgetting often it is not the place, but the material and symbolic transits.
Acesso aberto (Open Access)
Arte Pará: etnografia e interpretação em um salão de artes visuais na Amazônia
(Universidade Federal do Pará, 2019-04) FLETCHER, John
The presente paper brings ethnographic reports on experiences with artists, curators, organizers and technicians in the assembly of the Arte Pará exhibit, between the years of 2012 to 2015, held in the city of Belém. An integral part of a doctoral research, this clipping is based on synchronic and dialogical methodological premises from authors, such as Vincent Crapanzano and James Clifford, problematized by contributions of thoughts by Walter Mignolo, Eva Marxen, Beatriz Sarlo, Homi Bhabha and Johannes Fabian, among others. Thus, in order to expose a more critical view of our asymmetric present, this research aims at conferring other interpretative dimensions to the general dynamics of human experience.
Acesso aberto (Open Access)
Museus em periferias urbanas brasileiras
(Universidade Federal do Pará, 2019-04) ALCÂNTARA, Camila de Fátima Simão de Moura
Nowadays, in Brazil, community initiatives in urban centers express their social and cultural values through museological processes. The main objective in this article is to investigate museums and cities as anthropological ethnographic fields, when identifying these processes in low income neighborhoods of Brazilian urban centers. The study is applied to the Pilot-project for the Memory Points Program, linked to the Brazilian Institute of Museums, based on the ethnographic experience with the Ponto de Memória da Terra Firme, a community initiative that develops a museological process in the neighborhood of Terra Firme in Belém, Pará. After analyzing strategies and relations established due to the consolidation of the Memory Points, it is concluded that these museological processes derive from a political will to register social memory through the appropriation of cultural heritages recognized by its residents, thus consolidating in community museums.

Navegar

Navegando Faculdade de Artes Visuais - FAV/ICA por Data de Publicação