Programa de Pós-Graduação em Letras - PPGL/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/2310

O Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA). Confere ao candidato habilitado o título de Mestre e/ou Doutor em Letras, nas Áreas de Concentração em Estudos Literários ou Estudos Linguísticos, tem como objetivos gerais e fundamentais: preparar pesquisadores capazes de desenvolver trabalhos científicos no campo dos Estudos da Linguagem; desenvolver a competência profissional e científica do graduado para que ele atue com criticidade na sua área de conhecimento; e produzir conhecimento científico relevante para o país, com ênfase, quando oportuno, para as especificidades linguísticas e literárias presentes na Região Amazônica.

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O aprender poético na obra Grande Sertão: veredas de João Guimarãres Rosa
(Universidade Federal do Pará, 2019-02-21) PALHETA, Marcos Roberto Pinho; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The aim of the present research is to investigate the poetic learning in Grande Sertão: Veredas, book by João Guimarães Rosa. The guiding thread of this research is the meaning of thinking, like a letting ourselves be reached by the fundamental question of human as being-in-the-world, that is exposed in the way of its ontological constitution by the originary language, in the ontological construct of the character Riobaldo. In this sense, the intention is to investigate the original poetic meaning that is woven in the Guimarães Rosa masterpiece to situate it as a poetic-educative narrative: poetic because it realizes the ontological truth of being, and educative because it realizes the human being as caretaker of this truth, as a being whose essence is being-in-the-world. Not the human being, considered a formal subject of knowledge, as entifying experience within the predetermined conditions of a science, but one who can only be found in the finite situation of the crossing and that is realized as a finite transcendence. Grande Sertão: veredas should be considered a cosmogonic narrative that introduces the poetic learning as originary language and unveils, in the Riobaldo’s track, the hermeneutic crossing of learning, as the task of a questioning thinking that realizes the human being in the world. In conclusion, this study also intends to show that the rosiana narrative is poetic, because it crosses the word in instrumental use, and thus reveals the originary language as a poetic expression. Language is poetic because it makes known the very hidden in the impropriety of existence in the world. It is the expression of the poet-thinker because all language is originally poetry.
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Araguaia em verso e prosa: os poemas da guerrilha veiculados pelo Resistência (o jornal em defesa dos direitos humanos)
(Universidade Federal do Pará, 2018-08-30) MELO, Ivania da Silva Pereira de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The Araguaia guerrilla, a revolutionary movement that took place in northern Brazil during the first half of the 1970s, gained prominence in the pages of the Resistência newspaper, both in verse and in prose. In February 1979, the alternative monthly publication in Belém do Pará published, exclusively, eight poems transcribed from the Primeiras Cantigas do Araguaia leaflet, signed by Libério de Campos. In order to identify how such texts fit into the poetics of resistance, support was sought in Alfredo Bosi's approaches to resistance as a theme and as a process. As these are productions inserted in a context of political militancy, a phenomenological approach was adopted. Two other checks, carried out through observational and comparative procedures, deserve to be highlighted in the text, they are: the role played by the Resistência newspaper regarding human rights; and the similarity between the existence of the guerrilla and that of the homo sacer in the sense of “naked life”, that is, one who becomes illegal and is obliged to live in an area of indifference under the condition of a killer, legally unprotected and with the body exposed to extreme violence, comparison made based on the fundamentals of Giorgio Agamben. This work presents three surveys that relate Literature, Press and History, the latter two being important supports for the development of the study carried out on the “poems of the Araguaia guerrilla”.
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Bruno de Menezes, Dalcídio Jurandir e De Campos Ribeiro e as territorializações afro-amazônicas urbanas (da belle époque à década de trinta)
(Universidade Federal do Pará, 2019-11-22) SANTOS, Josiclei de Souza; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present paper makes a reading of the profane and sacred Afro-Amazonian territorializations in the city of Belém from the nineteenth to the twentieth century, and in the first decades of it, from the works Gostosa Belém de Outrora (1965), by José de Campos Ribeiro, Belém do Grão Pará (1960), by Dalcídio Jurandir, and Batuque (1939), by Bruno de Menezes, observing how the mentioned authors, through their experiences and research, got to create works that reinserted Afro-American minority groups in the narrative of the city. Amazonian communities that had been concealed by the narrative of the majority groups of the Amazon belle époque period, which took place during the gomiferous economic cycle, and these communities were hidden from the conformation narrative of the city. In this cycle there was an enunciative agency of Euro-indigenous essentiality, fed through an artistic production committed to the State apparatus. It is interesting for this paper what the referred works have of Minor Literature, working with the signs of Afro-Amazonian territorializations in the city of Belém, erasing the origin genealogies that generate racisms and hierarchies, which diminished the African descent participation in the Amazonian history. As tools for reading the studied works will be used Comparative Studies, as well as Cultural Studies, in a transdisciplinary perspective.
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A contística das águas como escrita do desastre e da catástrofe: vidas viradas pelo avesso na Pan-Amazônia
(Universidade Federal do Pará, 2021-01-22) SOUZA, Irisvaldo Laurindo de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
This master's thesis is the result of a research that investigated the representation of waters in the Amazonian literature, focusing on contouring that has as its leitmotiv the typical hydrological disasters of the region. Among them the Andean "llocllada", the fallen lands, the floods and the fluviomarine tide known as pororoca. The corpus consists of six short stories by four authors: "Terra caída", by Alberto Rangel (2008), part of the book Inferno Verde; "La llocllada" and "Sob as primeiras estrelas" [Cielo sin nubes], by the Peruvian writer Francisco Izquierdo Ríos (1975; 2010); "A flood", by the Amazonian writer Arthur Engrácio (1995); and "Poraquê" and “Mamí tinha razão", by the Paulista writer living in Pará João Meirelles Filho (2017). This research adopts the comparative method and its approach is qualitative, based on bibliography. The main hypothesis was to observe how water disruption impacts the Amazonian subject's experience both on his direct relationship with nature and on his relations with the prevailing social order. The theoretical axis that guides the investigation is the concept of catastrophe, taken from contemporary philosophical thought but directly articulated with the Aristotelian doctrine of human power. The second theoretical key used is the concept of disaster, brought from sociological thought and also epistemologically linked to the power of the natural act in Aristotle's doctrine. With this instrumental, the analytical reading of water contouring is undertaken as an allegorization of the Amazonian man's modus vivendi and of his problematic and sometimes traumatic exposure to the powers that govern the actions of Nature and the facts of Culture. The critical interpretation of literary texts by authors from different periods and aesthetic affiliations thus provides a reflection on the fractures that water disasters cause in daily life and in the experience of individual and collective subjects in the Pan-Amazon, as well as on the traumas imposed on them in late Modernity as a result of the advance of the capital's civilization on the Amazonian border.
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Desamparo e insulamento nas obras literárias a "Ilha da Ira", de João de Jesus Paes Loureiro e "Órfãos do Eldorado, de Milton Hatoum
(Universidade Federal do Pará, 2018-09-12) FERREIRA, Lourdes Nazaré Sousa; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The present thesis sought to analyze two contemporary literary works, the novel Orphans do Eldorado de Milton Hatoum (2008), and the play The Island of Wrath, by João de Jesus Paes Loureiro, present in the book "Collected works: theaters and essays" (1976). The discursive voices that resonate with the characters in the narratives were important to answer the argument that this thesis is based on: the concept of helplessness as understood throughout the centuries proves sufficient to account for the anguished and traumatized experiences erected in the literary text . And since it is always necessary to construct meanings to represent psychic aspects, this study was based on the observation of all the expressive theoretical procedures for textual composition. It becomes fundamental to clarify, in view of the proposition that was exposed and evaluated in this work, the terms insulation and helplessness. Therefore, the objective of this work was to perform a comparative reading of the two works, verifying through the discourses of the characters how the helplessness is revealed in a literary production from the twentieth century. Through this bias, the developed reflection focused on visions undertaken through a theoretical-investigative study based mainly on a transdisciplinary theoretical framework with Freudian psychoanalysis, in order to broaden the view on helplessness as it emerges from the literary space. These discussions found their main theoretical support in the books Inhibitions, Symptoms and Anguish, by Sigmund Freud (1996), Birman (1999), Camon (1990), Maffesoli (1987), Michaud (2001), among other theorists whose contribution was thorough relevance as a way of presenting the arguments, their contexts and the relations they have with the core of the research. The research allowed to identify in the works of the corpus, the existence, as a metaphorical arsenal of sensations and affections that are manifested with immense force representative of universalizing behaviors and conflicts, such as loneliness, anguish, violence, abandonment, lack. For this reason, the abandonment will be understood, in this study, that in erecting contemporary literary productions will present itself as an aggregator of affections and senses being pertinent to take it as a paradigm or analytical tool for the understanding of other similar fictional texts.
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O discurso do Infilmável: formas de pensar a adaptação entre literatura e cinema
(Universidade Federal do Pará, 2023-09-11) LOUREIRO JUNIOR, João Pereira; SARMENTO-PANTOJA, Carlos Augusto Nascimento; http://lattes.cnpq.br/3263239932031945; https://orcid.org/0000-0003-0552-4295
This thesis reflects on the discourse of the infilmable from the representation of the impossibility in the translation process between literature and cinema, potential justification to evidence a supposed aesthetic impediment in the interartistic relationship the literary and the filmic. To discuss the ways of thinking adaptation from this perspective, we assume that the unfalmable reveals the conflictive relationship between what is proposed to be done (from mechanisms and resources built in the making of the script) and what materialized as an adapted product. This occurs through an intense process of searching for the film and finding solutions to assume the particularity of the cinematographic work, which in the filmable, is as unfalmable, because all cinematic translation is a possibility, a desire to transform aesthetic creation into a language in all its imagery potential. To analyze the constitution of the unfalmable discourses, we used several theoretical frameworks in the field of adaptation that helped us in the research. To discuss relational constructions around the game literature, cinema and translation, we used authors such as Borges (2007), Benjamin (2008), Llosa (2004), Cândido (1972), Adorno (1970), Bernardet (1985). When we discuss the unfalmable, starting from a conceptual, etymological, semantic, linguistic and historical perspective, to reach the places of speech that feed the term, we use authors such as Stam (2008), Avellar (2007), Bazin (1991). To support our readings on translation, adaptation and other related concepts, we propose a dialogue with Figueiredo (2010), Sanchez Noriega (2001), Plaza (2003), Seger (2007), Hutcheon (2013). In order to enhance our discussion, we analyzed some adaptations of films/TV series, based on Don Quixote by Miguel de Cervantes, we used as theoretical contribution scholars such as León (2015); Hidalgo and Arruda (2020), Morell (2022) Silva (2016), Johnson (2003). As a conclusive point for the discursive delimitation that we propose to investigate, this thesis demarcates its position in the field of translation/ adaptation between cinema and literature, evidencing the fragility of a discourse around the unfalmable that potentiates itself in the space of common sense, by the discursive imposition of an uncontrolled impossibility, as soon as it is confronted by the power of translation between the borders that encompass the literary and the filmic and its eternal becoming.
Acesso aberto (Open Access)
O dispositivo da delação em regimes de exceção: análise das narrativas No corpo e na alma e Soledad no Recife
(Universidade Federal do Pará, 2020-09-29) OLIVEIRA, Samantha Carolina Vieira de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
The study analyses the reporting mechanism in narratives referring to the period of the civil and military dictatorship in Brazil. The corpus delimited to build the analysis is the testimony No corpo e na alma (2002), written by Derlei Catarina de Luca and the novel Soledad no Recife (2009), written by Urariano Mota. On the basis of the two narratives, it was possible to problematize the perspective of the reporting mechanism, proposed category to think about how reporting practices occurred and worked during the state of exception, and, mainly, how the resulting practices escaped as representations for the corpus both testimonial and literary. For this reason, through the case study, the analysis points out, while using other examples, how the protagonists of both narratives had their lives demobilized because of the reporting suffered. The delimitation of the political and historical context was fundamental, because I start from the analysis of the device concept thought up by Michel Foucault, whose assumption is that a device is a control technology that is constantly being readapted, depending on the requirements, therefore, the work understands as the reporting mechanism – that one situated in a historical and political context – as a control tactic readapted from other times and contexts. To better think about the implications and nuances of the reporting mechanism, it was necessary to systematize it from its action elements, which has made it possible to understand the practice of denunciation within the device. And beyond that, the work also needed to present the implications of literary theory with regard to the studies of testimony and testimonial content, concept thought up by Márcio Seligmann-Silva (2009), since both narratives needed to be problematized because of their literary value and the structural divergences presented between them, the first being a testimony and the second a novel with testimonial content. Taking these implications into account, this production needed to be based on categories such as Michael's Foucault (2017) device, state of exception and sovereignty of Giorgio Agamben (2004; 2010); Judith Butler’s precarious life (2018); in addition to theoretical contributions on testimony and Ceília de Luque’s testimonial content (2003), Valéria de Marco (2004), Eugênia Vilela (2012), Márcio Seligamann-Silva (2017); Tânia Sarmento-Pantoja (2018) e Augusto Sarmento-Pantoja (2019). Finally, the research takes as its methodological basis the comparative literature, in particular by considering the circulation of certain issues arising from the relationship between history and culture; and also historical materialism, especially, for analysing the emanations of barbarism in objects of culture and for betting on the perception of the past as a way of rethinking and changing structures of the present.
Acesso aberto (Open Access)
Ele não compreende nossos costumes: literatura, colonização e memória na Trilogia africana, de Chinua Achebe
(Universidade Federal do Pará, 2023-12-21) CHAGAS, Alessandra Santos; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Being considered one of the greatest writers within the modern African literary field, Chinua Achebe is one of great relevance nowadays because of his literary political project that joins history and literature in order to create a fiction writing made from African perspectives and experiences as a counterpoint against colonial speeches, literature and representations. Thus, this work aims to investigate how the African Trilogy, written by Achebe between 1958 and 1964, contributed to set a new way of representing traditional experiences from the perspective of those who were put aside of history and colonial speeches. Moreover, we will analyze how colonization caused social, cultural, religious and identity transformations to Igbo people. As theoretical background to this work, it was used the works of Pollack (1989; 1992), Quayson (2000), Benjamin (1987), Said (2011), Bhabha (2011), Noa (2015) as they encompass postcolonial theory and memory studies. This research also made use of some critical works of Achebe (1988, 2000, 2012a, 2012b) himself. Hence, it was observed that Achebe’s literature by being aligned to Nigerian social-politics requests tried to represent not only Igbo people experiences before colonization as a way of rescue and celebrate traditional memories, but also cultural, religious, identity and linguistic transformations that was brought by colonization.
Acesso aberto (Open Access)
Eles muitos cavalos e pssica: a literatura brasileira contemporânea imersa no caleidoscópio citadino
(Universidade Federal do Pará, 2025-02-11) COELHO, Luana da Silva; PEREIRA, Helena Bonito Couto; http://lattes.cnpq.br/9240687015870539
Based on the assumption of the complexity of life in urban centers, which causes social and psychological impacts on the individuals who constitute this reality, this work seeks to analyze how this space is being represented in contemporary Brazilian literature, focusing on the novels Eles eram muitos cavalos (2001) by Luiz Ruffato from Minas Gerais and Pssica (2015) by Edyr Augusto from Pará. With the help of bibliographical research method and comparative literature, the aim is therefore to analyze the city as a space-character in the aforementioned novels, guided by the marks of Romanesque fragmentation, discussed by authors such as Sá (2007), Hossne (2007), Ricciardi (2007) and Macedo (2007); the forms of contemporary realism, based mainly on Schøllhammer (2009; 2012; 2013), the influences of cinematographic montagem techniques, elaborated by Eisenstein (1990), Leone & Mourão (1993), Stam (2000) and Carone (1973) and traces of the detective novel, theorized by Reimão (1983) and Massi (2011). In view of this, since the city is a theme that permeates the history of Brazilian literature, it can be inferred that its recurrent presence in contemporary writing is notable, since it is the locus that brings together a set of social ills. This theme has captured the attention of writers in today's context, being treated in different ways and represented through writing techniques that permeate the simultaneity of events occurring in big metropolises and influenced by the chronotope in which each author and work are inserted – from São Paulo, as in Ruffato's novel, to Belém and the Amazon region, as in Edyr's case.
Acesso aberto (Open Access)
Entidades e identidades no diálogo entre seres fantásticos das narrativas orais tradicionais da Amazônia e dos RPGS
(Universidade Federal do Pará, 2021-05-04) MUINHOS, Breno Pauxis; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782; https://orcid.org/0000-0002-1365-6258
The Amazon, besides being a geographic region, is a space of traditional civilizations and their cultures. Several societies flourished and developed in this space, and came in contact with others from other parts of the world, and in this place they came to create another variety of thoughts that are concretized in narratives that continue today. In Literature, it has become a setting for the most diverse manifestations of literary art, and in History it constitutes a framework rich in the phenomena of humanity. Role-playing games, RPGs, are part of a genre that emerged in the late sixties in the USA, which presents in its vast material reflections of different historical and literary moments. His contributions are noticeable in several printed materials aimed at practitioners of this narrative activity and other medias. The present thesis aims to trace the dialogues that the RPG printed texts have with some oral narratives collected by the IFNOPAP Project, which aims to expose the resistant imagery in the local identity about what they understand as mythological reality. The focus of the work is on the texts that report fantastic creatures present in the testimonies of several subjects that were questioned by the researchers. The reports are placed in comparison with the texts coming from books of narrative games, something that aims to present how traditional popular narratives still resist time and are absorbed by a genre proper to modernity. For a complete perception, an outline of the course of studies of oral narratives in Brazil and other parts of the world, relevant to the objectives of the thesis, will be drawn. In addition to presenting the context of how role-playing games emerged, it will also be presented how the narratives present in the works can be perceived as appropriate literary texts for interpretation and analysis proper to Literary Theory. From these premises, it will be confirmed that fictional entities will be at the side of the construction of the identity of these peoples, based on the material of the authors who contributed to the IFNOPAP Project. Finally, in annex, the thesis will present a proposal that presents examples of how traditional oral narratives can be adapted for use as RPG scenarios, which will have their own characteristics to be used as a form of resistance and Amazonian expression.
Acesso aberto (Open Access)
Escrituras indígenas de autoria de mulheres Potiguara (Brasil) e Mapuche (Chile)
(Universidade Federal do Pará, 2022-02-11) ALENCAR, Larissa Fontinele de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
In this dissertation I propose a study in the field of resistence literature on the writings written by the women from the Potiguara (Brazil) and Mapuche (Chile) native peoples. For this purpose, this research is structured as a great tessitura formed by threads and theoreticalmethodological lines whereby the basic epistemologies support, initially, on the process of brushing history against grain, thereby, tracing the (re)made literary plot made by indigenous women thread by thread. A priori, I realize that the literatures of indigenous authorship are resistence literatures and that the indigenous literary territory-body in connection with nature is done through words in defense, as well as it remains firm in its purpose and own ideologies, even with all the impositions and subjugations engendered by the hegemonic discourse perpetuazed by the colonizer. It’s also important to emphasize that the resistence literature is a field of literary theory that studies the literatures that emerge in contexts of authoritarianism, state of exception, barbaric situation, likewise in trauma situtations, or, even, thematize such psychologycal and socio-historical conditions. Therefore, this literature sub-area configures itself as a great potential to existence through resistence, thus forming a poetry rupture of “reexistence”. Seen in these terms, I consider that the Potiguara and Mapuche women’s writings are developed by words that transcend the resistence both gender and ethnic identity. This perspective is significant on the literary corpus of this research, and enables that the scope of the dissertation is done through the expression of the fractured body of the indigenous woman, which, consequently, in resistence, it tenses through the literary production, the memory, ancestry, gender issues, ethnic identity and subjective and collective relationships with the colonial trauma. From this point of view, the literary corpora of this research is composed of the texts by the Potiguara writers: Eliane Potiguara, Graça Graúna and Sulami Katy; of the Mapuche people the texts selected were by the writers: Graciela Huinao, Faumelisa Manquepillán and Daniela Catrileo. However, I reinforce that on this dissertation, there are also references to a considerable writing production created by other writers, including even some that belong to other ethnic groups. Thus, this is a bibliografic and qualitative research developed from a descreptive analytical approach and also done through the reading comprehension of the literary texts selected for it. For this purpose, after doing the literary copora analysis, I pursued to make text snatches that were consonant to the compression of poetic aspects of the indigenous writers’ texts, on the conception of an ancient escrevivência on the development of gender identity poetries and ethnic identities, besides a perspective of the indigenous view about the colonial traumas caused by the genocidal state. Finally, taking an overview about this research, I consider that one of the most significant contributions of this dissertation is on the combination of the resistence literature to indigenous literature, because it adds to this field another literary narrative from decolonial source that goes through bodies and texts that were excluded from literary studies for a longe time.
Acesso aberto (Open Access)
Eu intimo-me a reconhecer-me em mim-mesmo: sujeito e memória na poesia de Age de Carvalho
(Universidade Federal do Pará, 2019-06-10) VIEIRA, Jessica Daniele de Lavor; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Memory is an important element in the poetry of Age de Carvalho, because, as observed in many texts that compose his critical fortune, there is a biographical reality that serves as a starting point for the construction of the poems and that, when allied to various poetic resources, shifts from his commitment to reality and becomes a matter of poetry acquiring great polysemic power. In this context, we perceive in the constant return to the past the voice of a subject, the Self that retains the memories that are associated, above all, with the search for its origin and identity, as subject that reflects its place in the world. As a theoretical contribution of the work we will resort to Blanchot (1997), in his studies on the nature of poetic language, Ricoeur (2007), Le Goff (1996) and Halbwachs (2006) on memory, Freud and Lacan (2003) , while being endowed with an unconscious aspect, in order to understand how this structure relates to memory, and consequently to poetic creation. As a corpus, eight poems were selected from the poet's last three books: Caveira 41 (2003), Trans (2011) and Ainda: em viagem (2015), since the three books have memory as an important element mainly associated with poetic themes such as friendship, travel, exile, homeland and family origin, bringing to the poem the presence of a subject linked to ontological questions.
Acesso aberto (Open Access)
O exílio no testemunho da segunda geração: elementos para um paradigma narrativo
(Universidade Federal do Pará, 2021-02-26) LOBATO, Ladyana dos Santos; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
In this research, we analyze the testimony of the children of the persecuted, disappeared and political dead of the 1964 Military Dictatorship, which refers to the childhood experience in exile and the way this experience is presented in literary and cinematographic production. For this, we selected two research corpora. The first consists of testimonial narratives published in 2014 in the book Infância Roubada, among which we selected the narratives entitled: “O exílio do meu pai foi a nossa despedida”, by Suely Coqueiro; “Por que você é tão tristinha?” by Marta Nehring; and “Adotados pela Revolução Cubana”, by Virgílio Gomes da Silva Filho. The second corpora consist of the novel entitled Meninos sem Pátria, by Luiz Puntel, published in 1988, by the Vaga-Lume series; the novel titled A Resistencia, published in 2015, by Brazilian writer Julián Fuks, son of parents exiled from the dictatorship in Argentina; and the film entitled Diário de uma Busca, released in 2010, by Flávia Castro, daughter of persecuted politicians from the Dictatorship in Brazil. The thesis dialogues with concepts from the field of migration studies (CAVALCANTI, 2017; OIM, 2009, SAYAD, 1998), among which we highlight the concept of exile (AGAMBEN, 1996; SAID, 2003; VIÑAR and VIÑAR, 1992; ROLLEMBERG, 1999, 2007). The thesis also dialogues with studies on narratives of exile (ADORNO, 1999; CORTÁZAR, 2001; VIDAL, 2004; FIGUEIREDO, 2017), state of exception (AGAMBEN, 2004); testimony (SELIGMANN-SILVA, 2003, 2005, 2013; VILELA, 2000; SALGUEIRO, 2012); literature and testimony (DE MARCO, 2004; LUQUE, 2003); memory (SARLO, 2007; BASILE, 2019; FANDIÑO, 2016); survival (PELBART, 2008, 2013) and utopia (SZACHI, 1972). The study has as its central theoretical approach the studies on exile, testimony and memory of the second generation. However, we found that the testimonial narratives are crossed, as well as the concept of utopia, as there is, in these texts, a personal desire of the children to understand their own identities, which points to the paradigm of an ad infinitum present of the traumatized experience of the event historic. Faced with this reality, an alternative emerges, namely, the desire to carry out a collective project that strives for another form of relationship between the population and the State. Is this the utopia for a way of life not marked by state violence? The utopia of the subject's integrity? This utopian proposal is, at the same time, paradoxical, due to its impossibility, considering that, once physical, psychological or moral integrity is violated, it can never be recovered. To respond to this issue, we propose a common analytical tool for testimonial narratives that report childhood experiences in exile. In this process, we consider the presence of 4 (four) analysis categories. They are: 1) Motivation (for the trip); 2) The Trip; 3) The Stay; 4) The Return. In the analysis of the narratives of the research corpora, from the four proposed categories, we verified that the exile experience of the second generation is linked to a set of elements that point to the way in which the dictatorial state constituted itself as a promoter of violation of fundamental rights of children and that, therefore, utopia is, in the same measure, an unrealizable project. Thus, this study is of fundamental importance for us to present our theoretical contribution to exile studies, as well as to propose an analysis instrument that could be used by other researchers in similar research bodies.
Acesso aberto (Open Access)
A expressão do poder na produção literária de Bruno de Menezes
(Universidade Federal do Pará, 2020-09-21) PEREIRA, Edvaldo Santos; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782
From the perspective that the composition of literary narratives, the development of the action from power relations is frequent, the hypothesis was formulated that relationships of this nature stand out as aesthetic components of the action in these works. Although without any concerns regarding philosophical concepts, Michel Foucault’s principles on power are used as basis for this research, mainly addressed in the book Microphysics of Power. In addition, Karl Marx’s concept of the power manifested in labor relations in the production process of society will also be considered. In this sense, a relationship is established with the study of the structures that make up the social environment, through microphysics, the principle of which includes issues related to the struggle for social equality in labor, as well as to the molecular formation of society. These concepts are based on a power manifested on the most varied levels and different aspects of a social network. In these circumstances, the scope of the literary work extends with the reproduction of these relations in the narrative action, through the appropriation of this resource in the composition of its characters. To support this thesis, the works of writer Bruno de Menezes, from the state of Pará, were taken as literary object. Divided into four sections, the first addresses manifestation of power from reality to fiction; the second, forms of power manifestation as a practice of the different levels of society transposed to literary work; the third, biographical aspects of the author, with emphasis on his life trajectory, as a person who is attentive to social problems, engaged in union and cooperative movements, and who brought this experience to his work; finally, the fourth section will focus in the author’s literary works, focusing on the power relations manifested in his poetic work and in his fictional narrative.
Acesso aberto (Open Access)
A fissão no paradigma distópico: 1984 e Verde vagomundo
(Universidade Federal do Pará, 2018-10-11) COSTA, Alline Araújo; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The dissertation analyzes, in the first instance, the catastrophic and dramatic context identified in the narratives, the representative forms of the appeals to the historical contexts that these have manifested, since it had been realized that such historical episodes are fundamental for the observation of the corpus. This perception makes us consider the tense and oppressive climate present in societies as important points for the proposed research, and that the narratives converge on the same principles of state of exception. In this way, the mentioned literary productions separated for analysis are Nineteen Eighty-Four (1949), of George Orwell, acclimated in London and Verde Vagomundo, of Benedicto Monteiro, set in Alenquer. The works keep the memory of remarkable episodes in the history of the world, such as World War II and the Cold War, and closer to the national reality of Brazil, with the Military Dictatorship of 64. In this way, Miguel, the devil-goddess, is presented as resistant to any kind of authoritarian system, in addition, to the dictatorial impositions that reached his quiet city surrounded by Amazonian rivers and forests, it is then realized that the memories contribute crucially to the stance of resistance adopted by the protagonists. Winston, on the other hand, has constant memories and sensations of a different London of the one that is experiencing. Accompanying this small panorama of works, we will see in this text the state of exception as a dystopian structure of the narrative, a social condition that presses the characters to silence themselves before repression and their unconformity. Thus, it is necessary to say, since then, that the analysis is comparative in the scope of childhood and the production of resistance from the memories of the two characters, within their particularities. For that reason, we will cover some topics that we consider pertinent to the research, such themes are present in the motto of approach proposed by Walter Benjamin; Giorgio Agamben; Michel Foucault; Aleda Assmann; Roberto Esposito; Alfredo Bosi, among others. Topics such as: Memory; Docilização; Silencing; Killable Man.
Acesso aberto (Open Access)
Hibisco Roxo, de Chimamanda Ngozi Adichie: um Bildungsroman Ex-cêntrico
(Universidade Federal do Pará, 2020-08-31) AZEVEDO, Maria Tereza Costa de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
This research’s starting point is the analysis of Chimamanda Ngozi Adichie’s novel Purple Hibiscus, based on the Bildungsroman (formation novel) paradigm, however, there are also aspects that transcend this romance subgenre. In order to contemplate the trajectory that consists the research problem, this work is structured under four different sections. The first one contains the introduction, in which the central hypothesis of the research is presented: the assumption that it is possible to conceive a Bildungsroman transgressive characterization, identified after reading the novel and dialoging with its critical breadth. The second section relies on the studies regarding Bildung and Bildungsroman in order to revisit the history of both categories and their original mainly characteristics as well as the changes on the literary model throughout time. In the third section, the literary model transgressions are presented and evidenced in the contemporary reception of the paradigm, especially due to the concept of ex-centricity as it is proposed by Linda Hutchoen in Poetics of Post Modernity and might be identified in Chimamanda’s work. The fourth section recaptures the classical Bildungsroman principles, this time, applied to the analysis of Purple Hibiscus, aiming to analyze the Bildung trajectory of the protagonist, looking to highlight the aspects that escape to the classical paradigm of Bildungsroman and also discuss if enlightenment and emancipation are categories capable of providing visibility to the transformation that the protagonist went through and, as a consequence, the paradigm went through as well, constituting the mainly attributions of that which will be called ex-centric Bildungsroman at the end of the study. To support the discussions presented in this study, apart from the elucidations about the relations of ex-centric literature and Linda Hutcheon’s poetics of postmodernity, this work is also based on the concepts developed by Mikhail Bakhtin, Cristina Ferreira Pinto e Wilma Maas regarding the origin and the trajectory of Bildungsroman; on the enlightenment and the consequent emancipation that is provided by this concept the fundaments consist on the works of Immanuel Kant and Theodor Adorno, respectively.
Acesso aberto (Open Access)
I dwell in possibility: a tradução poética de Emily Dickinson por Mário Faustino
(Universidade Federal do Pará, 2022-03-21) OLIVEIRA, Filipe Brito de; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
Emily Dickinson is one of the most celebrated American poets of all time. Dickinson’s poetry has been read by successive generations, who find in their poems reflections on the spectacle of things, nature and life. It is not for nothing that her poetry has been translated along almost a century in Brazil by great names in our literature. The purpose of this dissertation is to study the translations made by the poet and literary critic Mário Faustino (1930 - 1962), published in the Supplemental Dominical (Sunday Supplement) of Jornal do Brasil on the page Poesia-Experiência. In this regard, the work was divided into three chapters. The first discusses the life and work of Emily Dickinson, as well as the elements that constitute the writer’s poetics. The second chapter presents Mário Faustino and the conditions for the production and circulation of the translations he carried out. The third chapter analyzes the poems selected by Faustino and his translations, in order to observe the strategies adopted by him in order to recreate the poems in our language. To support this research, the works of Berman (2002), D’Hulst (2001), Martin (2007), among other authors, were used. We can affirm that Faustino's translations have great formative value for the readers and writers generation throughout the 50's, either because of the reach that the literary supplement had, or because of the role played by Faustino in the presentation and criticism of authors who used experimentation of words as an instrument for poetic production.
Acesso aberto (Open Access)
Max Martins: diálogo entre o verbal e o visual plástico na cena literária em Belém
(Universidade Federal do Pará, 2020-06-15) SANTOS, Ilton Ribeiro dos; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/6393961522804578
Acesso aberto (Open Access)
A memória das representações de morte e AIDS no conto e no cinema na década de 80
(Universidade Federal do Pará, 2018-08-23) ARAÚJO, Francisco José Corrêa de; SARMENTO-PANTOJA, Carlos Augusto Nascimento; http://lattes.cnpq.br/3263239932031945
The present dissertation entitled "The Memory of Representations of Death and SIDA in the 80's in the Short story and Cinema" analyzes how the memory of the representations of death and aids in the contisio of Caio Fernando Abreu and in the cinematographic production of the end of the decade was constituted. 80. Therefore, in this process we resort to literary, historical, sociological, philosophical and artistics contributions regarding the relations between memory, death and SIDA. The 1980s were marked by the discovery of SIDA and this discovery generated worldwide fear because of the high levels of disease lethality. We can say that the discovery of the HIV virus "immobilized" science, because it was responsible for provoking a set of traumatic situations, which involved silencing, prejudice and entanglement. Therefore, we seek to identify the memory-building process in the history of death and SIDA representations in Brazil, to recognize how Caio Fernando Abreu, in The Dragons do not know paradise (1988), represents death by relating it to SIDA using a literary language of resistance, and reflect on the testimonial content of the film: Crossroads (Directed by Rob Epstein, USA / 1989). The research proposed here follows a methodology of bibliographic study in which we conclude that the memory of SIDA in the 80s reveals a representation of catastrophic death and silencer, marked by prejudice and inefficiency of public policies, but also witnesses the resistance of social movements for the conquest of rights. Thus, the existence of a collective memory that represented the historical reality of SIDA enables us to hope for better days where the human being is more harmoniously related to death, where there is greater understanding of the difference between living with HIV and dying of SIDA. And in this textual construction literature still has much to contribute to breaking the silences that surround the temporality of existing.
Acesso aberto (Open Access)
Memória e história em el país de la canela, de William Ospina
(Universidade Federal do Pará, 2018-12-08) ABREU, Francelina Barreto de; ALMEIDA, Carlos Henrique Lopes de; http://lattes.cnpq.br/9511564560016368

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