Artigos Científicos - FAFIL/IFCH
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/3780
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Item Acesso aberto (Open Access) Considerações sobre o ator: uma introdução ao projeto nietzschiano da fisiologia da arte(2007) CHAVES, Ernani PinheiroTogether with the project of revaluation of all values, the schema of a "physiology of art" gains a central role in Nietzsche's last writings. That's a perspective that supposes a defeat both of the "artist's metaphysics" of the initial period and of the critique of romanticism that characterizes a second moment. Taking as a starting point the discussion about the pertinence of utilization of the term physiology in Nietzsche's work, this article intends to present, in general terms, the reaching of this project to the discussion of the relations between art and truth, art and illusion. In conclusion, the intention here is to show the importance of this idea of a physiology of art taking as a reference the figure of the actor.Item Acesso aberto (Open Access) O trágico, o cômico e a "distância artística": arte e conhecimento n'A Gaia Ciência, de Nietzsche(2005-12) CHAVES, Ernani PinheiroThis reading of The Gay Science intends to show some important elements which, in this book, gravitate around the theme of "distance". Analysing particularly three aphorisms of the book, our goal is to clarify the movement, in the text and in Nietzsche's thought as well, from distance as Ferne, with its romantic source, to distance as Distanz. However, in the end, we intend to show that Nietzsche dislocates the romantic theme of the Ferne, taking it as an "artistic distance", which becomes the distinctive trace between the perspectives of art and knowledge.