Artigos Científicos - FAFIL/IFCH
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/3780
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Item Acesso aberto (Open Access) Crítica científica e modelos interpretativos em Nietzsche(2008) BARROS, Roberto de Almeida Pereira deFrom the denounce of the contradictory presence of dogmatic moral presuppositions in the formulation of scientific activity principles, Nietzsche conceives another notion of science compatible with the hegemonic option for knowledge, which he recognizes as present in occidental culture. This article intends to discuss on which parameters Nietzsche, in the intermediary period of his philosophical production, proposes his interpretation of occidental science and formulates a demystifying critique of it.Item Acesso aberto (Open Access) Fisiopsicologia e naturalização do conhecimento em Nietzsche(Universidade Federal do Pará, 2015-06) BARROS, Roberto de Almeida Pereira deNietzsche's reflection about knowledge is inseparable from the positivist context of German universities in the second half of the nineteenth century. Nietzsche assimilates from it a strong naturalistic tendency, which gives him arguments against the metaphysical-rationalist interpretation of knowledge. This article aims to analyze aspects of these assumptions with regard to his consideration of knowledge, that keeps him away from idealism to the naturalist reductionism.Item Acesso aberto (Open Access) Lessing, um espírito livre. Sobre o aforismo 103 de O Andarilho e sua Sombra(Universidade Federal do Pará, 2016-06) CHAVES, Ernani PinheiroThis article aims to analyze the aphorism 103 of The wanderer and his shadow, entitled "Lessing", in order to show the confrontation of Nietzsche with the thought of the great essayist, poet and playwright, considered the creator of modern German theater. This confrontation has as its starting point at the aphorism referred above the question of "style", which gives the opportunity to reflect about this question in Nietzsche, in this important moment of his work, turning point, as we know, especially from three other important "characters" to the discussion of this subject: Schopenhauer, Wagner and the French culture.