Navegando por Assunto "Cultural industry"

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
O Dano existencial na sociedade de consumo
(Centro Universitário 7 de Setembro, 2018) VERBICARO, Dennis; CRUZ, Raiza da Costa Santos
The present article, through the deductive method and through national and foreign bibliographic research, aims to analyze the phenomenon of existential damage in con sumer relations. In today's society, there is a strong harassment of the Cultural Industry for the consumer to submit to a consumption pattern aimed at personal self-satisfaction, or even ac ceptance in the social environment. The media's appeal for the acquisition of goods and ser vices overwhelms the psyche of consumers, especially the most vulnerable groups, generating an artificial freedom of choice and artificial happiness, insofar as their personal dissatisfaction with life, or even their Emotional and social needs could be appeased by the satisfaction and pleasure of buying. The research also addresses the novel discussion of consumer behavioral vulnerability to consumer harassment in the context of hypermodernity.
Acesso aberto (Open Access)
Estado e cultura: manifestações culturais tradicionais e as políticas públicas de cultura
(Universidade Federal do Pará, 2014-08) SILVA, Dedival Brandão da
This article aims to study the existing critical situation between government and popular cultures with regard to the (in) existence of public policies in the area of traditional events like Carnival in Abaetetuba. Presents as proposed problem analysis to examine the notion of popular culture as a product and as a process, highlighting the need to recognize the social dimension; then describes aspects Town Carnival checking what has been the eye of the government in relation to this social practice. Finally, it addresses the lack of organic public policy in the City to address the facts of the traditional culture of the carnival, indicating that this factor demobilizing popular movements rather than the movements of the cultural industry of micaretas. At the methodological level, the theoretical conception of the approach fell from the perspective of anthropological theory of culture, based on ethnographic data. This procedure allowed us to conclude that there is a reified understanding of culture by the government, rather than treat it as a representation of the system only considers the level of common sense, on whose perspective it would only match the cultural expressions as a product to be displayed, generating the unimportance of these practices.
Acesso aberto (Open Access)
Precisamos falar sobre o assédio de consumo: a publicidade a serviço da indústria cultural
(Universidade Federal do Pará, 2019-05-27) RODRIGUES, Lays Soares dos Santos; SOARES , Dennis Verbicaro; http://lattes.cnpq.br/9961080231553419; https://orcid.org/0000-0002-2663-3303
Consumer harassment imposes itself in today's society as one of the greatest challenges for Consumer Law. Considering the power of the cultural industry and its ability to influence consumer behavior, identifying how this influence can be materialized by advertising and eventually converted into a form of consumer harassment practiced in the pre-contractual framework is the major objective of the study. Throughout a research based on the deductive method and bibliographical survey, the study is divided into three parts. The first is devoted to the investigation of the transformations and social processes that led to the strengthening of the consumer society as it is conceived nowadays, with special emphasis on the role of cultural industry and the multiple meanings of consumption, demonstrating that it became much more than a way of satisfaction to achieve meaningful aspects of life. The second part, in its turn, analyzes the impacts of these transformations in the light of the new moment of Private Law, addressing and revisiting important concepts for Consumer Law, such as vulnerability and hypervulnerability. At that moment, the study will focus on vulnerability as a notion of multidisciplinary character and, in addition, on the concept of consumer, proposing a re-reading of the traditional definition of this legal figure, considering its current role and new possibilities which are offered as well - which, in a paradoxical way, result in both greater freedom and greater exposure to abusive practices. In the final chapter, we will discuss relevant conceptual and normative aspects of advertising, as well as consumer harassment, seeking, in this second point, to find more defined contours for this phenomenon, suggesting even a concept of its own. In this way, from the subsidies achieved in this and previous chapters, it will finally be possible to reach a conclusion on the relationship between cultural industry, advertising and consumer harassment, finding that the overlapping of its persuasive function to the detriment of the informational can convert advertising into a manipulation mechanism and consequently into an instrument of cultural industry in the practice of consumer harassment within the pre-contractual scope.