Navegando por Assunto "Imaginary"

Agora exibindo 1 - 6 de 6

Acesso aberto (Open Access)
De Cachoeira a Belém: a inflexão das ilusões de Alfredo
(Universidade Federal do Pará, 2008-03-28) FERREIRA, Paulo Jorge de Morais; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This paper tries to demonstrate, through the journey made character Alfred, along the itineraty that goes from Cachoeira to Belém city, in a dalcidiana creation, the process of gradual disalienation of a boy who little by little becomes a young man. The building of his personality is through a very suffering process, wich in this heros life leads him to a necessary shock caused by some disillusions. Confronting with am bivalent feelings, with stages indecisions and indefiniteness, Alfred goes making his own way through the labyrinth of his being as the city also represents a not less challenging labyrinth. In this integration process, the final aim is the rescue of humain dignity which is not limited by the being of a hero; Alfred embraces a large political projet which is sought as a popular alternative.
Acesso aberto (Open Access)
Ecos de um Theatro Assombrado : um estudo de caso sobre as relações entre materialidade, visagens e o Theatro da Paz, Belém (PA)
(Universidade Federal do Pará, 2024-09-30) BARBOSA, Gabriel Rodrigues; MATOS, Beatriz de Almeida; http://lattes.cnpq.br/5130782589745088
This dissertation, structured in three acts, explores the relationships between materiality and visages in the amazonian imaginary. It delves into the topic through the case study of the narratives shared by the workers of the Theatro da Paz, located in Praça da República, Belém, in the state of Pará, Brazil. The Act I: Amazonian Visages aims to conceptualize the word Visage throughout a discussion about the territorialization of the environment into the imaginary, which influences the spatial and social distances observed between Saints, Visages and Enchanted. Those distances are themselves intertwined with the social-spatial categories of Center, Margin and Deep. The Act II: Theaters focuses on the History of Theatro da Paz to explore the social role that theaters played in Amazonian colonization strategies and the economical, social, and environmental changes incurred in Belém throughout the second half of the XIX century. Those factors are partially responsible for the physical traits currently embodied by the Theatro da Paz. Finally, Act III: Senses and Things brings together these discussions to answers questions about the role visages have between the workers’ relationship with the Theatro da Paz; of impacts of physical characteristics and operational hours in the emergence of visages; the role of ordinary material things in narratives about visages; and how these aspects entangle themselves into mastery-type relationships that strengthen social bonds between all involved subjects.
Acesso aberto (Open Access)
“Filho que é filho não abandona a mãe, e a mãe não abandona o filho”: Testemunhos de milagres na devoção à Nossa senhora de Nazaré em Belém do Pará
(Universidade Federal do Pará, 2020-12-28) RAMOS, José Maria Guimarães; MORAES JÚNIOR, Manoel Ribeiro de; http://lattes.cnpq.br/2429279552706202; https://orcid.org/0000-0001-6986-7671
The present work is a study on popular Catholicism stands in Belém - Pará, it is an exercise of analyzing elements of the social imaginary of the devotees of the Virgin of Nazaré from the elements observed in the narratives of miracles that take the form of testimonies, of which are takes a hermeneutical approach. The research field, that is, the Casa de Plácido, was built around actions that characterizes the dynamics of the testimonies, that is, narratives of pilgrimages, healings, graces and miracles. The assumption is that testimonies of miracles are part of a social process, of a religious view of the world that helps to configure and understand the local culture. For this reason, the theoretical instrument chosen for this analysis is the hermeneutics of Paul Ricoeur's testimony, which is a theory to interpret as the testimony of a religious nature and its social meanings expressed in the testimonial narratives of the devotees.
Acesso aberto (Open Access)
Produções audiovisuais das/nas baixadas de Belém-Pa: fronteiras simbólicas, experiências urbanas e (Re)configurações de paisagens nos bairros Jurunas e Terra Firme
(Universidade Federal do Pará, 2025-03-20) COSTA, Victória Ester Tavares da; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
This research originates from concerns regarding the production and circulation of images of the Amazon in various narratives over the centuries. Driven to observe the region beyond the imaginaries that have been strengthened by repetition, I challenge the perceptions that relate to exotifications and immerse myself in the urban Amazon. Believing in pluralities and the constant processes of landscape reconstruction, I focus on the context of the lowlands of Belém, specifically the Jurunas and Terra Firme neighborhoods, in order to study urban formation in contexts of symbolic borders, understanding them as an in-between space of complex dynamics that include familiarities, tensions, conflicts, belongings, and, therefore, a significant potential for cultural and artistic production in the urban world of Belém. Thus, through a dialogue between the fields of anthropology and audiovisual studies, this research aims to demonstrate how artistic and communicative practices are constructed and constructed by the landscapes lived in the city, and, consequently, by the people and professionals who experience them in their daily lives. The ethnographic field of this research is audiovisual production (in all its phases of conception), with its foundation in the practices of the streets and what is said about them over time. What resonates and what has been forgotten in these spaces that bring the specificities of these artistic manifestations of the lowlands. Bringing urban anthropology and landscapes, cinema, and the imaginary together to chart these paths led me to explore places and follow the processes of shaping a Belém of other centralities, both in its ordinary dynamics and in its artistic expressions, which exceed the realms of sound and image, becoming a strategic tool for political-social expression.
Acesso aberto (Open Access)
“ Tudo tem sua mãe”: O mundo mítico de Caraparu-Pará
(Universidade Federal do Pará, 2021-01-26) NOBRE, Mariléia da Silveira; PESSOA, Fátima Cristina da Costa; http://lattes.cnpq.br/4011084861970140; SÁ, Samuel Maria de Amorim e; http://lattes.cnpq.br/3256903697536068
This study aims to understand, through the farmers’ discursive practices who lives in Caraparu village, the constitution and functioning of the imaginary that is projected in the socio-historical real understood as their material conditions of existence. My desire, as a researcher, is to understand the functioning of this imaginary materialized in those discursive practices and, besides, to examine the evidence of probable / possible transformations of this imaginary, having as an empirical object of analysis the narratives of the young farmers of Caraparu. There is, therefore, in this research, a gesture of understanding that seeks to recognize the regularities of a discursive and ideological formation that supports the belief in the rules that govern the daily lives of the subject and imposes obedience to them. To achieve these objectives, ethnographic and discursive approaches are articulated in the analysis of narratives of the oldest and youngest farmers in that region. It is advocated, as a result of the analysis, the recognition of a mythical / cabocla discursive formation, which governs the relationship between human and non-human beings. Such a relationship is based both on fear and respect for enchanted beings as well as on fear and dread for fadistas and on reciprocity between them. The nature of this research led me to visit a theoretical field exogenous to that of Anthropology, wich is, that one of materialistic discourse analysis. I evoked from this field the Real / Symbolic / Imaginary triad, intertwined in Michel Pêcheux's reinterpretation of the Jean Jacques Lacan’s works and those of Louis Althusser. The clipping of the discursive sequences that make up the discursive corpus will allow us to understand processes of subjectivity that point to the movements of full identification, counter identification or even disidentification with the knowledge of the dominant discursive formation in that community.
Acesso aberto (Open Access)
A violência escolar em matérias de jornal: um imaginário construído em Belém-PA
(Universidade de São Paulo, 2015) SILVA, Livia Sousa da; MENDONÇA, Kátia Marly Leite
With the intention of investigating the constitution of the imaginary school violence in the media text; believing that the media is full of intentions that construct an imaginary of school violence influencing opinions and decisions, whether in the private or public sphere jurisdiction; participating even in the construction of school violence as an object of study, attention and intervention. That is what we propose in this work, a first incursion into this field of meanings, combining studies of Sociology of Communication and the Imaginary and studies of Comprehensive-Dialogical Hermeneutics, in order to expose a prelude to the framing of this research.