Navegando por Assunto "Performance (Arte)"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
Atos performativos de uma Bufonaria Matuta: Arte, cura e ancestralidade em Belém do Pará.
(Universidade Federal do Pará, 2025-06-30) NUNES, Ana Carolina Marceliano; ALMEIDA, Ivone Maria Xavier de Amorim; http://lattes.cnpq.br/5012937201849414; https://orcid.org/0000-0001-8277-5210
Acesso aberto (Open Access)
Cravelhas reguladoras: um procedimento psicofísico direcionado à formação do violinista
(Universidade Federal do Pará, 2021-05-19) RABELO, Maria Isabel dos Anjos Veiga; ALENCAR, Cesário Augusto Pimentel de; http://lattes.cnpq.br/0024366223698692
This research proposes the achievement of methodological processual ways in order to improve the learning, development and practice of the violinist, considering its constant formation and willingness to performative circumstances, when understood by event referent to musical execution towards the spectators. Suggests, at rush, illustrative analogies of the state of the performer musician defined in metaphorized stages, which syntesis, entitled Cravelhas Reguladoras (turning pegs), is conceived as the processual tool of integral relevance of the other elements linked together and comprehended in the tetrahedon figure. In this sense, the turning pegs go towards the general goal of incursion, whatever is to investigate the procedures aimed at the aforementioned search for a psychophysical potency on the scene, integrating the musician’s organism on it’s psychophysical properties. The methodology mixed three main procedures: literature’s revision embracing the musical and theatrical language, using the term psychophysicality and the concept of “recurrent principles” of Eugenio Barba; self-report of violinist experience and as student during the psychophysical training with the purpose of domaining the scenic presentification; case study with semi-structured interviews with Music Bachelor’s students in Belém do Pará with violin habilitation. In this narrative stage, specific points were substantially answered before the questions about the need of a violinist’s preparation, enabling it to a musical performance without blockades. The investigation has the theorical support of David Roland (2001), Sonia Ray (2015), Barry Green (1987) e Eugenio Barba (1991).
Acesso aberto (Open Access)
DIGESTIVO: Trajetória de Experimentação de um Corpo em Fluxo
(Universidade Federal do Pará, 2023-09-10) BARROS, Jorge Lucas Farias (DIGESTIVO); SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243
This research proposes to investigate the fabulation of a body in flux that discovered possibilities of materializing its desires in experiments. At first, the material “silicon fibers” became a primordial material for researching - experimenting with the body, establishing the demarcation of a creative trajectory, which accumulated and formed a large collection of works, evidencing the existence and power of this body in flux, fostering immersion in ways and not ways of experimenting - to materialize your desires in different fields of the arts. However, it was necessary to research and experiment to unravel the possibilities contained in the body - flow - desire, but above all a body that was discovered to be anomalous, for contradicting the normativity-rules that can be established in its doing; it demonstrated to go beyond human capacity by surpassing limits, extrapolating control - understanding of one's own body. In this research – experimentation, the body constantly questions itself by asking itself: How far can a body in flux reach with its experiments? From this, the objective of this paper was to report the path taken during the journey in research - experimentation that revealed not only the power of this body - work, but the discovery of a research that is still in continuity
Acesso aberto (Open Access)
Dinamites dissidentes : construção (re)performática de uma autoetnografia
(Universidade Federal do Pará, 2023-07-07) ROCHA, Raphael Andrade; ALMEIDA, Ivone Maria Xavier de Amorim; http://lattes.cnpq.br/5012937201849414; https://orcid.org/0000-0001-8277-5210
Acesso aberto (Open Access)
Palavra-corpo: uma cartografia fragmentária, enigmas do livro de artista na construção dos espetáculos
(Universidade Federal do Pará, 2019-06-28) FREIRE, Bernard da Trindade Bahia; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
The following dissertation tries to analyze a cartography constructed from artistic processes experienced by me, presenting a content that converges between the real and the virtual. The analysis consists of observing the workings of creation processes that are posted on the palavra-corpo blog, in a fragmented way and create beyond these fragments other possibilities through every thing that transforms me during the trials and experiments that I breathe. This body is put through a poetic of itself through texts, photographs, sounds, images, scribbles, vídeos and other virtual interactions that lead to reading beyond the blog platform. Artistic cartography seeks to show a personal document of the processes that I am experiencing, understanding my artistic know-how and seeking to understand this virtualization that is inserted next to the body in this re-construction of the imagery created. Imaginary this, shared from what I do and show, in parts, through this body that expands in this mediatic confluence. This dissertation seeks to show the reader a research between textual reading and performance that fragmented process that I develop as na artist. The research addresses, through theoretical references, a discourse that I seek to interpret along with other artists that I recognize through the experiments in the theatrical/performative/mediatic processes that are constructed. According to the Idea recognized with media concepts that seep into the artistic work safter its creation, expanding the process of creation for future re-productions of this own idea. In this junction between the real and virtual body, I present two theatrical spectacles Reator Eterno and I(MUNDO) UBU, that show the records for a multimedia interaction, allowing another movement of creation, a continuity without demarcations and absolute ends of works through the web. The research through this fragmented cartography connects to the virtual to share records of the artistic processes that I experienced, connecting the viewer to the works through the hypertextual reading of the writing in the artist's notebook in various media. The resultis a performance of this environment that I try to describe in the discourse of this research, amplifying the senses of a body that moves on this virtuality of the present.