Navegando por Assunto "Poetry"

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O aprender poético na obra Grande Sertão: veredas de João Guimarãres Rosa
(Universidade Federal do Pará, 2019-02-21) PALHETA, Marcos Roberto Pinho; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The aim of the present research is to investigate the poetic learning in Grande Sertão: Veredas, book by João Guimarães Rosa. The guiding thread of this research is the meaning of thinking, like a letting ourselves be reached by the fundamental question of human as being-in-the-world, that is exposed in the way of its ontological constitution by the originary language, in the ontological construct of the character Riobaldo. In this sense, the intention is to investigate the original poetic meaning that is woven in the Guimarães Rosa masterpiece to situate it as a poetic-educative narrative: poetic because it realizes the ontological truth of being, and educative because it realizes the human being as caretaker of this truth, as a being whose essence is being-in-the-world. Not the human being, considered a formal subject of knowledge, as entifying experience within the predetermined conditions of a science, but one who can only be found in the finite situation of the crossing and that is realized as a finite transcendence. Grande Sertão: veredas should be considered a cosmogonic narrative that introduces the poetic learning as originary language and unveils, in the Riobaldo’s track, the hermeneutic crossing of learning, as the task of a questioning thinking that realizes the human being in the world. In conclusion, this study also intends to show that the rosiana narrative is poetic, because it crosses the word in instrumental use, and thus reveals the originary language as a poetic expression. Language is poetic because it makes known the very hidden in the impropriety of existence in the world. It is the expression of the poet-thinker because all language is originally poetry.
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Escrituras indígenas de autoria de mulheres Potiguara (Brasil) e Mapuche (Chile)
(Universidade Federal do Pará, 2022-02-11) ALENCAR, Larissa Fontinele de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
In this dissertation I propose a study in the field of resistence literature on the writings written by the women from the Potiguara (Brazil) and Mapuche (Chile) native peoples. For this purpose, this research is structured as a great tessitura formed by threads and theoreticalmethodological lines whereby the basic epistemologies support, initially, on the process of brushing history against grain, thereby, tracing the (re)made literary plot made by indigenous women thread by thread. A priori, I realize that the literatures of indigenous authorship are resistence literatures and that the indigenous literary territory-body in connection with nature is done through words in defense, as well as it remains firm in its purpose and own ideologies, even with all the impositions and subjugations engendered by the hegemonic discourse perpetuazed by the colonizer. It’s also important to emphasize that the resistence literature is a field of literary theory that studies the literatures that emerge in contexts of authoritarianism, state of exception, barbaric situation, likewise in trauma situtations, or, even, thematize such psychologycal and socio-historical conditions. Therefore, this literature sub-area configures itself as a great potential to existence through resistence, thus forming a poetry rupture of “reexistence”. Seen in these terms, I consider that the Potiguara and Mapuche women’s writings are developed by words that transcend the resistence both gender and ethnic identity. This perspective is significant on the literary corpus of this research, and enables that the scope of the dissertation is done through the expression of the fractured body of the indigenous woman, which, consequently, in resistence, it tenses through the literary production, the memory, ancestry, gender issues, ethnic identity and subjective and collective relationships with the colonial trauma. From this point of view, the literary corpora of this research is composed of the texts by the Potiguara writers: Eliane Potiguara, Graça Graúna and Sulami Katy; of the Mapuche people the texts selected were by the writers: Graciela Huinao, Faumelisa Manquepillán and Daniela Catrileo. However, I reinforce that on this dissertation, there are also references to a considerable writing production created by other writers, including even some that belong to other ethnic groups. Thus, this is a bibliografic and qualitative research developed from a descreptive analytical approach and also done through the reading comprehension of the literary texts selected for it. For this purpose, after doing the literary copora analysis, I pursued to make text snatches that were consonant to the compression of poetic aspects of the indigenous writers’ texts, on the conception of an ancient escrevivência on the development of gender identity poetries and ethnic identities, besides a perspective of the indigenous view about the colonial traumas caused by the genocidal state. Finally, taking an overview about this research, I consider that one of the most significant contributions of this dissertation is on the combination of the resistence literature to indigenous literature, because it adds to this field another literary narrative from decolonial source that goes through bodies and texts that were excluded from literary studies for a longe time.
Acesso aberto (Open Access)
O FR. 16 de Safo e o Banquete de Platão: a relação entre Eros e beleza
(Universidade Federal do Pará, 2022-04-19) LACERDA, Marjore Mariana Lima; SOUZA, Jovelina Maria Ramos de; http://lattes.cnpq.br/0475424515288539; https://orcid.org/0000-0002-1249-1068
We will try to show throughout this dissertation that the conception of Eros and beauty (to kalon), as well as the relationship between these two elements, are present in the oldest Greek poetic materials, such as the fragments of Sappho of Lesbos, an archaic melic poet. Thus, when we analyze his Fr. 16, we will point out how erotic conception is in line with the traditional vision in order, finally, to emphasize that the dialogue Platonic Banquet, by bringing to the dance the connection of eros with beauty, rescues themes portrayed in tradition, returning them, however, to philosophy.
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O homem e a hora do desvelo: reflexões antropológicas em análise homoerótica n(d)a poética de Mário Faustino
(Universidade Federal do Pará, 2015-06) BARATA, Rodrigo Otávio Maroja; CARDOSO, Joel
This article aims an anthropological reading of poems by Mário Faustino, confronting them with the issue of homosexuality present in the life and work of poet of Piauí. And how to give the mechanisms of repression, interdict, symbolism, to fetch in Peter Fry and Michel Foucault, an analysis and a reading of homosexuality, sometimes silent, sometimes latent, in the poetic of Faustino.
Acesso aberto (Open Access)
Itinerário de Bruno de Menezes: poeta modernista de Belém do Pará (1893-1931)
(Universidade Federal do Pará, 2019-09-30) REIS, Carolina Menezes de Brito; CHAVES, Lília Silvestre; ttp://lattes.cnpq.br/4273510661737259; NASCIMENTO, Maria de Fátima do; http://lattes.cnpq.br/6007359856182459
Bruno de Menezes, author of several works from Pará, whether in prose, poetry, theater or critical study, draws attention for the diversity of his literature, especially since his third publication, Poesia (1931), known as the first edition of the greatest book highlight of the author, Batuque (1939). However, what can be seen is that the writer had already started the modernist movement in the state since 1913, with the publication of the poem “O Operário”, in the newspaper O Martelo, in which he claimed the rights of workers, generally exploited by the bosses. of late Belle Époque society. The objective of this work was to contextualize the relevance of Bruno de Menezes' role in the construction of modernist literature in Pará and the artistic renewal that took place since the publication of the magazine Klaxon (1922) surfaced. The methodology used is the current contemporary research method, where there is an infinity of research channels, that is, the search, not only in print – theses, dissertations, books, magazines, archive documents – but also in many electronic media, publications by critics in newspapers, documents and photos of the poet. The outline of this dissertation took place from the poet's birth to the year 1931, highlighting relevant aspects of Afro poetry and the vast critical fortune of Bruno de Menezes. The need to extend this type of research to other writers from Pará is highlighted, as they contributed to Brazilian modernist literature.