Navegando por Assunto "Resistência"

Agora exibindo 1 - 20 de 36

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Alegorias do sofrimento e da resistência: disposições afetivas da política em imagens fotográficas
(Associação Nacional dos Programas de Pós-Graduação em Comunicação, 2022-06) LAGE, Leandro Rodrigues
The purpose of the text is to present the general lines of an epistemological and also a methodological proposal for the debate on images, considered affective expressions of indignation, conviction and desire. It seeks to examine photographs of the artistic and photojournalistic regimes as allegories of the suffering and resistance of the Amazonian peoples, with the intention of discussing how these images manage and give visible and sensitive expression to experiences of suffering, to physiognomies of historical time, to survivals of the desire and political subjectivations. This proposal starts from the experimentalism of knowledge through allegories, rehearsing the theoretical-methodological productivity of the benjaminian allegorical episteme in the legibility of the images and tensioning the forms, correspondences, temporalities and conventions in the examination of images that offer an apprehension of history as an anachrony of sufferings and fights. The background to this approach is the inextricable link between image and politics.
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Os amigos da branquinha: entre a repressão e a resistência
(Universidade Federal do Pará, 2014-12) MARTINS, Amilcar de Souza
From 1930,with the emergence of Getulio Vargas to power was created a project of idealization of Brazilian workers, where habits such as the consumption of drinks should be controlado.No For this project of disciplinarization of worker gained strength in interventoria Magalhães Barata , which forbade the consumption and trade of brandy interfering in a common practice among the popular classes.
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Araguaia em verso e prosa: os poemas da guerrilha veiculados pelo Resistência (o jornal em defesa dos direitos humanos)
(Universidade Federal do Pará, 2018-08-30) MELO, Ivania da Silva Pereira de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The Araguaia guerrilla, a revolutionary movement that took place in northern Brazil during the first half of the 1970s, gained prominence in the pages of the Resistência newspaper, both in verse and in prose. In February 1979, the alternative monthly publication in Belém do Pará published, exclusively, eight poems transcribed from the Primeiras Cantigas do Araguaia leaflet, signed by Libério de Campos. In order to identify how such texts fit into the poetics of resistance, support was sought in Alfredo Bosi's approaches to resistance as a theme and as a process. As these are productions inserted in a context of political militancy, a phenomenological approach was adopted. Two other checks, carried out through observational and comparative procedures, deserve to be highlighted in the text, they are: the role played by the Resistência newspaper regarding human rights; and the similarity between the existence of the guerrilla and that of the homo sacer in the sense of “naked life”, that is, one who becomes illegal and is obliged to live in an area of indifference under the condition of a killer, legally unprotected and with the body exposed to extreme violence, comparison made based on the fundamentals of Giorgio Agamben. This work presents three surveys that relate Literature, Press and History, the latter two being important supports for the development of the study carried out on the “poems of the Araguaia guerrilla”.
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Aspectos resistentes e performáticos nas tragédias medeia, Electra e as Troianas de Eurípedes
(Universidade Federal do Pará, 2015-12) PINTO, Rosane Castro; SARMENTO-PANTOJA, Carlos Augusto Nascimento
This paper presents a study of the tragedies Medea, Electra and The Trojans of Euripides, in which we discuss how the performance and endurance is. We will concentrate on analyzing the female characters the tragic elements and how the narrative is important for understanding the categories violence, memory and oblivion. To understand the theories related to performance, endurance and trauma will use the texts of authors like Jorge Glusberg (1980) which ensures the performance one related to delirium, manifested through the unconscious performer desire, because "the resulting speech is close to delirium and also, truth that is always raving "(Glusberg 1980, p.124). As Sarmento-Pantoja, which states that, the performance can also be considered as a performance built by the characters, "for us this performance can be critical to understand what we call suffering performance" (SARMENTO-PANTOJA, 2002 p.23). Alfredo Bosi notes that resistance is "opposing force itself to external forces" (BOSI, 2002, p. 118) in which we understand as opposition forces that conflict with each other.
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Bem viver vivido, conquistado e almejado: um estudo sobre comunidades tradicionais que lutam por reconhecimento territorial na Baixada Maranhense
(Universidade Federal do Pará, 2018-03-29) BRITO, Ciro de Souza; SHIRAISHI NETO, Joaquim; http://lattes.cnpq.br/1945327707689415; PORRO, Noemi Sakiara Miyasaka; http://lattes.cnpq.br/3982338546545478
The notion of buen vivir emerges inspired by the knowledge emanating from the ways of life of indigenous peoples of Latin America, being presented by academics and militants as an alternative to the models of achievement of the State based on the hegemonic proposals of development. Since its incorporation into the constitutional order of Bolivia and Ecuador, on the basis of this notion, nature has been elevated to the position of subject of rights, historically occupied only by human beings. In this notion, there is an intrinsic relation between human beings and nature, and a strong linkage of traditional peoples and communities to their territories. In this sense, this dissertation sought to analyze the notion of buen vivir in the light of a land regularization case for traditional peoples and communities in Brazil. It is a claim for regularization as a quilombo by traditional communities of the Sesmaria do Jardim Territory, in the Baixada Maranhense, an area of natural fields that are composed of dry lands and wetlands inserted in the Environmental Protection Area of Baixada Maranhense, which is considered a site under the Ramsar Convention. The research was carried out based on a critical review of the literature in the light of observed and participated empirical processes and by means of action research with the communities involved and with the land agency that formalizes the process of land regularization. The work has a juridical and anthropological approach, has a qualitative character and was carried out from July 2016 to January 2018, with field work in the villages and in the Institute of Colonization and Lands of Maranhão. It was identified a complex link between the process and the form of land regularization with the notion of buen vivir, given the diversity of traditional groups in situation of conflict in common territory. It was learned that, on the same territory, there are groups with different conceptions on how to live on shared lands and water bodies: while self-identified Quilombolas conceive the notion of buen vivir based on commons, while others reject this notion and its consequences. These antagonists, even those with shared ancestrality, do not share the notion of buen vivir based on common use of certain components of nature, because their practices and forms of private appropriation of nature disqualify and are incompatible with this notion. This creates conflicts that have forced traditional communities to mobilize in the face of violations of rights and to find solutions that will allow them to recover the so called time of buen vivir and to guarantee their right to land - dry and flooded lands - that allows their physical and social reproduction. The case investigated showed that buen vivir is constructed from the articulation of specific territorialities, in which distinct conceptions and forms of appropriation of nature can be responsible for breaking the cohesion of community and territory, although the traditional communities can cope with certain degree of dissent based on the right to difference. The study also shows that buen vivir has being built at daily basis, through social and juridical practices that embrace resistance as current practice and freedom as a desired stage. However, buen vivir, in the discourse, is viewed as a potential better future. The research aims to problematize and better qualify who and in what situation subjects have rights to have which rights and the effectiveness of that issue. This dissertation is, therefore, a reading and a reflection about social and localized processes as emerging alternatives for the attainment of lived, participated and conquered buen vivir.
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Capoeira: sobrevivência e resistência na sociedade do capital
(Universidade Federal do Pará, 2023-08-14) SILVA, Francisco Márcio Costa da; SILVA, Élido Santiago da; http://lattes.cnpq.br/3584642268601018; https://orcid.org/0000-0003-2545-0860
The present study within its scope brings forth notes that outline the current configurations of Capoeira and its functions in the everyday social context. From the premise that Capoeira is a practice originating from the diaspora as a means to resist an oppressive system (ABIB, 2004), and it was consolidated in Brazil during the period of slavery (Rego, 1968), it still endures and has both national and international reach, being present in over 150 countries across the five continents according to the latest survey by IPHAN (2014). The central concern of this research endeavor lies in comprehending the resilience of a longstanding practice stemming from the era of enslavement in the context of the contemporary capitalist system. As posited by Mészáros (2005), which commodifies all aspects of existence. References employed for this study include Marx (2007, 2008, 2011, 2013), Mészáros (2005, 2015), Antunes (2009), Vasquez (2011), and various others, thereby providing foundational insights into the workings of the aforementioned system were used. Regarding Capoeira, this study draws upon the works of Rego (1968), Brito and Granada (2021), Khol (2014), Araújo (2006, 2008), Campos (2001, 2009), Falcão (2004, 2011), Abib (2004), among others, to elucidate the conditions and various facets through which Capoeira has evolved as a sporting and cultural practice, persevering over time and in response to structural changes driven by capitalism. In pursuit of comprehending how Capoeira endures to the present day and the dimensions it encompasses, an extensive search was conducted both nationally and internationally to engage with individuals who have been practitioners of Capoeira for a minimum of ten years. They were queried about the ways in which Capoeira manifests itself within their respective contexts. As a result, it was observed that there have been numerous changes in this practice since its inception. However, it is its ability to undergo metamorphosis that has enabled it to adapt to social demands, transforming itself into a pluralistic practice. However, its condition as a commodity was emphasized as predominant. This path has ensured other possibilities for survival within the capitalist system, with labor (both in its formative and subsistence aspects) serving as the foundation that has facilitated its longevity and continuity to the present day, reaffirming Capoeira's embryonic role as a form of resistance in diverse circumstances.
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O cinema de luta dos Mêbengôkre-Kayapó: as múltiplas dimensões de resistência nos filmes e práticas de produção do Coletivo Beture
(Universidade Federal do Pará, 2024-08-30) GOMES, Angela Nelly dos Santos; LAGE, Leandro Rodrigues; http://lattes.cnpq.br/2396184188116499; https://orcid.org/0000-0002-6814-9640
This research reflects on the cinema produced by Mebêngôkre-Kayapó indigenous filmmakers, focusing on the films and production practices of the Beture Collective, which brings together filmmakers from this ethnic group in the state of Pará, Brazil. The aim is to understand how the cinema of the Beture Mebêngôkre-Kayapó Collective expresses dimensions or meanings of resistance through its works and filmmaking practices, in relation to the socio-political or cultural struggles of the ethnic group. In order to understand how cinema is appropriated and transformed into an ally in these struggles, and in what dimensions this occurs or is expressed, we analyzed the works of the Beture Collective that are representative of their production; we observed and analyzed the group's production practices in an attempt to understand how they relate to the resistance processes of the Mebêngôkre people; what the motivations and objectives of filmmaking are and how the Beture Collective appropriates techniques, technologies and cinematographic or audiovisual language and adapts them to their objectives according to their worldview. This is a qualitative study developed through film analysis and field research with open-ended interviews and observational participation. The theoretical framework is interdisciplinary in that it combines film and image studies with Latin American criticism from the perspective of decolonial studies, as well as concepts related to indigenous studies from anthropology, sociology and geography, which converge with the subject of the research, in order to understand the meanings of resistance that are expressed, constitute or cross Mebêngôkre cinema. The research highlights the complexity of Mebêngôkre cinema and the Beture Collective, which is born and develops in a way that is intertwined with the sociopolitical and cultural issues of the ethnic group and indigenous peoples as a whole. We conclude that the cinema of the Beture Collective is a cinema of struggle, a multifaceted practice of resistance, since it is born and develops intrinsically to the struggles for rights in various senses, for the preservation and demarcation of territories, for affirmation as a producer of their images, narratives and memories, and presentation of their ways of seeing and being in the world. A cinema that is also mediation in the complex ethnic and intercultural interrelationship with indigenous and non-indigenous society.
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Cinema e resistência: a ditadura militar brasileira em Zuzu Angel, de Sergio Rezende
(Universidade Federal do Pará, 2015-12) CALEGARI, Lizandro Carlos
From 1964 to 1985, Brazil experienced the Military Dictatorship, to which images of extreme violence are linked. The artistic production of that moment came to represent such a historical situation, seeking to produce works that were against the ideology of the authoritarian power. Aside from literary works and musical expressions, many films were made to “speak” about that period. The purpose of this article is to deal with the concepts of resistance and cinema in order to verify how these words help in an analysis of Sergio Rezende’s Zuzu Angel (2006). Walter Benjamin, Alfredo Bosi, and Márcio Seligmann-Silva are the main authors who underscore the present approach.
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Concreto reforçado com fibras de bambu (Dendrocalamus Giganteus)
(Universidade Federal do Pará, 2019-11-14) FERNANDES, Robson da Silva; PICANÇO, Marcelo de Souza; http://lattes.cnpq.br/4535052395600357; https://orcid.org/0000-0001-7313-1229
Vegetable fibers appear as an alternative to manufacture structural elements in relation to metal and synthetic fibers that have high costs, also causing pollution to the environment due to their manufacturing process. This study analyzes the results of mechanical tests of a fiber reinforced concrete of bamboo bark (Dendrocalamus Giganteus), for use in cementitious plates, obtained experimentally in cylindrical and prismatic specimens according to ABNT standards and international recommendations. Composite traces were determined by means of a pilot study, 1: 2.12: 2.88: 0.58 using the CP-IV pozzolanic cement. The experimental program consisted of a 25 MPa Fck reference concrete and three dosages corresponding to 0.5%, 1.0% and 1.5% by volume of bamboo fiber to the concrete mass, forming four dosages in total. After curing, according to NBR 5738 (2003), prismatic specimens were tested for flexural tensile strength according to NBR 12142 (2010) / JSCE-SF4 (1984) and cylindrical specimens to evaluate the strength. from CRB to axial compression, according to NBR 5739 (2018), to diametric compression tensile, according to NBR 7222 (2011) and static modulus of elasticity, according to NBR 8522 (2008). In the axial compression test the presence of bamboo did not provide an increase of resistance in relation to the reference concrete. However for the tensile and flexural strength, the mixing with the addition of bamboo fiber generated a strength gain of 7% and 9%, respectively, compared to the concrete without addition. It can be concluded that insertion of fiber from bamboo bark increases the tensile strength of the composite.
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Criminologia crítica e apagamento político na compreensão do encarceramento no Brasil
(Universidade Federal do Pará, 2023-01-05) FERREIRA, Nilton Carlos Noronha; GOMES, Marcus Alan de Melo; http://lattes.cnpq.br/0371519214729478
The present research sought to understand the dynamics involving imprisonment and resistance in Brazil. This is an explanatory and qualitative research, whose method of approach was the deductive, using the technique of bibliographical research. In this sense, the research problem that guided the analysis was: to what extent can the dynamics of resistance in prison be understood from the perspective of Marxist criminology? Thus, the working hypothesis consisted to considering that, on the one hand, the exercise of punitive power mobilizes several grammars that support prison and, in this context, promote a political emptying of incarcerated individuals by inserting them in a position of subjection to the power exercised over them. On the other hand, considering an analytical perspective, it starts from the idea that critical criminology has formulated premises that reaffirm this logic, firstly, by undertaking a limited incorporation of the Marxist contribution and, secondly, by not having consistently developed an analysis of how individuals affected by criminalization processes deal with it. The general objective would be to investigate to what extent the dynamics of resistance in prison can be understood from the perspective of Marxist criminology, while the specific objectives are: a) to verify the challenges involved in understanding the context of imprisonment and resistance by criminology Marxist-based criticism; b) to examine the discourses that make up the grammar of prison, in order to glimpse what role is assigned to it; and c) analyze incarceration seeking to understand the articulations that aim at resistance to punitive power. In this sense, the research presents an initial overview that proposes to articulate epistemological and analytical questions about the projections of discourses on prison about political mobilizations undertaken by individuals submitted to the logic of incarceration, inside or outside the prison walls.
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De Carlos Eugênio à “Codinome Clemente”, entrevista com Isa Albuquerque
(Universidade Federal do Pará, 2021-06) SARMENTO-PANTOJA, Carlos Augusto Nascimento; SARMENTO-PANTOJA, Tânia Maria Pereira
Interview held on October 15, 2020, as an activity of the VII International Seminar on Literature and Resistance Film (SELCIR). The interview was conducted by PhD. Augusto Sarmento-Pantoja and had the collaboration of PhD. Tânia Sarmento-Pantoja and the participation of Filmmaker Isa Albuquerque and researcher and widow of Carlos Eugênio, PhD. Maria Cláudia Badan Ribeiro. Below we transcribe some passages from the interview with Isa Albuquerque. The full interview is available on video https://www.youtube.com/watch?v=O9LQuU0pKsQ.
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(Des)silenciando os rastros da marujada de São Benedito em crônicas da revista Bragança ilustrada
(Universidade Federal do Pará, 2013-06) ALENCAR, Larissa Fontinele de
We propose the analysis of chronic “O Esperado” by Lobão da Silveira and “O Chamado” by Jorge Ramos, both published in the decade in 1952, in the magazine Bragança Ilustrada, on the assumption the silencing of tracks reminiscent of the period of slavery black and religion of African descent in Brazil, which produce multiple indicators of resistance silently observed in literary codes which omit evidence of a culture originally syncretized with African Catholicism dominant in the era of colonial Brazil. Thus, we will highlight studies of the trail and silence, as well as a theoretical discussion about memory, dialoguing with an ethnographic approach about the Marujada de São Benedito from Bragança-Pa, and then analyzes the chronicles.
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Deste palácio que em breve se transformará em ruínas: o Brasil ditatorial na Brasília de Nicolas Behr
(Universidade Federal do Pará, 2015-12) SALGUEIRO, Wilberth Claython Ferreira; CORDEIRO, Leandra Postay
This paper aims to compare the city of Brasilia, as represented in Nicolas Behr's poetry, with the situation of Brazil during the period of military dictatorship, by the means of analyzing some of Behr's poems. Taking into account the concept of literature as testimony, our discussions will be focused on issues of authoritarianism, ideological control, and the role of literature in the constitution of historical memory.
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O Direito à consulta e consentimento prévio, livre e informado na construção de resistências: a elaboração do protocolo comunitário autônomo de consulta como instrumento de garantia de direitos fundamentais na Comunidade Quilombola de São José de Icatu - Baião/PA
(Universidade Federal do Pará, 2021-11-08) PEREIRA, Adhara Abdala Nogueira Pereira; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787; http://orcid.org/0000-0002-8083-1415
In response to the secular movement of occupation and exploitation that energizes Traditional Peoples and Communities in the Amazon, these groups' great activity was to appropriate more legal and normative instruments to add to their struggles and resistance. In this context, the Quilombola Community São José de Icatu stands out, located between the municipalities of Baião and Mocajuba, in the region of Baixo Tocantins, State of Pará; as being today an example of mobilization and social organization for the surrounding communities. In this sense, Convention 169 of the International Labor Organization has been the instrument that most stands out in the current scenario faced by them, it was through the knowledge of the right to Consultation and Prior, Free and Informed Consent - CCPLI, that they began to recognize the importance of their culture and the guarantee of fundamental rights; which motivated the elaboration of the Autonomous Community Protocol for Prior Consultation and Consent; being the first Quilombola community in the region to have this initiative. Thus, this paper seeks to understand, from the understanding of the community of São José de Icatu, how the right to Free, Informed Prior Consultation and the process of elaboration of Consultation Protocols could be considered an instrument to guarantee fundamental rights of the Quilombola Community against the threats of the development process, despite the link between heritage and occupation, as a symbolic and political construction in the unity of the group over time. To this end, research was carried out using interdisciplinary methods, at different times, first by conducting a conversation circle in an event held in the community in 2019, and the second by semi-structured interviews, in 2021; supported by the analysis of bibliographic and documental data. So, we conclude that the community recognizes in the CPLI an instrument to guarantee rights, as well as the expectation of the effectiveness of a legitimate document, which meets the internal demands and cosmovision of its subjects, in the elaboration of the Consultation Protocols, even though there are political and institutional barriers that try to make such effectiveness unfeasible. This way, community members consider both instruments as means capable of solving external and internal demands and conflicts, adding to the defense of their culture, territory, and rights, and contributing to the struggle for resistance and existence of this community.
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Escrituras indígenas de autoria de mulheres Potiguara (Brasil) e Mapuche (Chile)
(Universidade Federal do Pará, 2022-02-11) ALENCAR, Larissa Fontinele de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
In this dissertation I propose a study in the field of resistence literature on the writings written by the women from the Potiguara (Brazil) and Mapuche (Chile) native peoples. For this purpose, this research is structured as a great tessitura formed by threads and theoreticalmethodological lines whereby the basic epistemologies support, initially, on the process of brushing history against grain, thereby, tracing the (re)made literary plot made by indigenous women thread by thread. A priori, I realize that the literatures of indigenous authorship are resistence literatures and that the indigenous literary territory-body in connection with nature is done through words in defense, as well as it remains firm in its purpose and own ideologies, even with all the impositions and subjugations engendered by the hegemonic discourse perpetuazed by the colonizer. It’s also important to emphasize that the resistence literature is a field of literary theory that studies the literatures that emerge in contexts of authoritarianism, state of exception, barbaric situation, likewise in trauma situtations, or, even, thematize such psychologycal and socio-historical conditions. Therefore, this literature sub-area configures itself as a great potential to existence through resistence, thus forming a poetry rupture of “reexistence”. Seen in these terms, I consider that the Potiguara and Mapuche women’s writings are developed by words that transcend the resistence both gender and ethnic identity. This perspective is significant on the literary corpus of this research, and enables that the scope of the dissertation is done through the expression of the fractured body of the indigenous woman, which, consequently, in resistence, it tenses through the literary production, the memory, ancestry, gender issues, ethnic identity and subjective and collective relationships with the colonial trauma. From this point of view, the literary corpora of this research is composed of the texts by the Potiguara writers: Eliane Potiguara, Graça Graúna and Sulami Katy; of the Mapuche people the texts selected were by the writers: Graciela Huinao, Faumelisa Manquepillán and Daniela Catrileo. However, I reinforce that on this dissertation, there are also references to a considerable writing production created by other writers, including even some that belong to other ethnic groups. Thus, this is a bibliografic and qualitative research developed from a descreptive analytical approach and also done through the reading comprehension of the literary texts selected for it. For this purpose, after doing the literary copora analysis, I pursued to make text snatches that were consonant to the compression of poetic aspects of the indigenous writers’ texts, on the conception of an ancient escrevivência on the development of gender identity poetries and ethnic identities, besides a perspective of the indigenous view about the colonial traumas caused by the genocidal state. Finally, taking an overview about this research, I consider that one of the most significant contributions of this dissertation is on the combination of the resistence literature to indigenous literature, because it adds to this field another literary narrative from decolonial source that goes through bodies and texts that were excluded from literary studies for a longe time.
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Espetacularização da violência e a resistência na contística de Clarice Lispector e Caio Fernando Abreu
(Universidade Federal do Pará, 2021-06) FERREIRA, Rennan Willian Vasconcelos; SARMENTO-PANTOJA, Carlos Augusto Nascimento
This article analyzes the spectacularization of violence and resistance found in Brazilian short stories produced after 1964, in two short stories A lingua do “P”, (1974) by Clarice Lispector, and Terça-feira Gorda (1982), by Caio Fernando Abreu. These productions come closer as they serve as an important mechanism for contesting, directly and/or indirectly, the dictatorial regime established in the country. We will take as theoretical foundation the studies of Alfredo Bosi (2002), Augusto Sarmento-Pantoja (2013) and Sandra Pesavento (2006), in an attempt to assimilate how the tales of such decades are intrinsically linked to a will to resist, conceiving the voices to the silenced by oppression and providing reflections on the coercive practices that led the individual to rethink their human condition.
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O Grito dos silenciados contra a devastação neoliberal na BR-163
(Universidade Federal do Pará, 2020) ARAÚJO, Roseane de Seixas Brito; CASTRO, Edna Maria Ramos de
The research aims to analyze the current capitalist accumulation's phase from the intensification of social conflicts in Itaituba, in the Brazilian Amazon, due to the socio economic impact generated by neoliberalism. The municipality's strategic location on the Santarém-Cuiabá highway (BR-163), into the banks of the Tapajós River, in western Pará, it has extraordinary mining reserves it owns, that long has been attracting transnational corporationsinterestslinked to agribusiness, mineral exploring, and construction of large infrastructure work. During the analysis period, from 2007 to 2017, there was a vertiginous growth in the activities linked to these interests, wherein the large public and private investments on the banks of the highway that has shown the neoliberal capitalism's dynamism in recent decades, marked by the association of large capitals around the world, denationalization of state public assets, and economy's financialization. Mainly, are targeted countries and regions that, like Brazil and the Amazon, have a rich natural heritage, weak environmental management, flexible rules and legislation, in a historical context aggravated by fragile democracy and disrespect for social and ethnic rights. Moreover, the highway is a part of a major axis of agricultural production to circulate commodities, which led to the construction of large port structures, in a multimodal transport logistics to enable the shipment of production to world markets. More, the agricultural and mineral neo-extractivism practiced without limits in the region also requires large infrastructures for energy production, which implies the construction of hydroelectric plants. Thus, if the Tapajós's Hydroelectric Complex mega-project is carried out by the federal government, the lives and work of thousands of people will be rendered unfeasible, and the surrounding nature will be destroyed, causing immeasurable proportions of socio- environmental damages. These are the priorities of the neoliberal agenda that reinforce Brazil's subordinate position in world geopolitics, as a producer of raw materials to serve the industrialized countries at the center of capitalism. International laws and agreements signed by the country have been systematically violated to favor the accumulation of the region's wealth. In this sense, the Brazilian State acts as a participant in the power games controlled by the dominant countries worldwide, leading the region to disastrous impasses. Such dynamism overlaps and enhances structural and historical problems, such as the grabbing of public lands, lack of environmental control, violence, arbitrariness, and disinvestment in smallholder production, producing more and more concentration of wealth, which generates poverty and misery to life and work of most of the populations from the region. From this, the theoretical- methodological perspective of the research combines the propositions from Bourdieu (1983; 1989; 1997) and Foucault (1999), and has a qualitative perspective, by using semi-structured interviews with different social actors in the region, combining also a documentary analysis. The investigation purposes to identify as has been the organization of the counter-reactions to neocolonialism domination, under the leadership of indigenous people, traditional communities, social movements, and workers, together with the investigation that leads understanding the importance of 'the locality' to provoke displacement of power and impose the recognition of territorial and socio-cultural rights. The results point to the strengthening of resistance networks, which urgently demand the aggregation of other political forces from the counter-hegemonic field.
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História na Beirada: memórias de quilombolas do Caldeirão
(Universidade Federal do Pará, 2024-11-13) CASTRO, Laiane Katrine da Silva; ACEVEDO MARIN, Rosa Elizabeth; http://lattes.cnpq.br/0087693866786684; https://orcid.org/0000-0002-7509-3884
Memory is a central element in the study of social groups, connecting daily life to the historical past of these communities. This dissertation adopts a decolonial and counter-hegemonic approach, prioritizing the voices of the elders of the Quilombola Community of Caldeirão, in Salvaterra, Pará, while linking these narratives to an analysis of the historical and contemporary transformations of the territory. It discusses the colonial process on Marajó Island, marked by the imposition of large estates, the land appropriation by religious missions, and the presence of Africans and their resistance. This colonial context is essential for understanding the identity dynamics of Caldeirão, which preserves insurgent cultural practices in opposition to the enduring colonial legacies. Through memories and oral tradition, the research seeks to understand the trajectories and expressions of local identities, valuing lived experiences as legitimate forms of knowledge. As a quilombola community fighting for the recognition of its land rights, memory plays an essential role in (re)constructing identity, renewing itself without breaking its roots. The methodology — participant observation, oral history, and interviews — enabled immersion in the community's daily life and the listening to voices sidelined by official history, revealing local knowledge and multiple temporalities that shape community life. Thus, memory is valued as a living practice of transformation and resistance, offering a panorama that integrates ancestral narratives, the impact of colonialism on Marajó, and the contemporary challenges faced by the Quilombola Community of Caldeirão
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Imagens do espaço urbano e da violência em canções da música popular
(Universidade Federal do Pará, 2021-12) CORNELSEN, Élcio Loureiro
This brief study aims to establish a relationship between urban space and violence, and the way in which this relationship is present in the lyrics of popular music songs. Lyrics from four songs were selected to compose the corpus of analysis: “De frente pro crime” (1975), by João Bosco, “Veraneio vascaína” (1986), by the group Capital Inicial, “Periferia é periferia” (1997), by the group Racionais MC's, and “Minha alma” (1999), by the group O Rappa. We start from the concept of violence, as proposed by Tânia Pellegrini as “the use of force to cause physical or psychological harm to another person”. The study showed that the main aspect in common between the four songs is the criticism of the potential for violence in the Brazilian urban space. Thus, such issues can also be understood in the key of the concept of resistance, as postulated by Michael Foucault and, respectively, Alfredo Bosi.
Acesso aberto (Open Access)
Interações comunicativas de mulheres em prisão domiciliar: entre sociabilidades, aprisionamentos e resistências
(Universidade Federal do Pará, 2019-03-14) PESSOA, Nara Cristina Moura; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research presents the theme "Communicative interactions and women under house arrest: Between sociabilities, imprisonments and resistances". These women, in their great majority, present situations of social vulnerability, have committed crime, have gone through the closed prison system and now face the challenge of returning to "social life." But we can only understand this challenge from the communicative interactions established with the women themselves. For this reason, this research has in its centrality the establishment of communication processes with five women who are serving a sentence under house arrest in Belém do Pará, so that we can understand not only their life histories but also the sociability constructed in spaces of sociability. In this sense, the research problem presents the following question: How are the communicative interactions of women under house arrest in the spaces of sociability in which they are circulated constructed? Thus, it is based on the hypothesis that women in house arrest establish in the spaces of sociability in which there are communicative interactions of constant tensions, experienced between situations of exclusion / stigma and situations of resistance. It is a constant game to survive in an unequal and unjust society. Thus, the theoretical framework that allowed us to reflect on communication and sociability was Freire (1983), Mead (1973), Simmel. In relation to the issue of gender and prison, we have recourse to Davis (2016) and Artur (2011), and to discuss the arrests we anchor in Goffman (2004), Foucault (2011) and Thompson (2002). As for the methodological approach, the communicative-dialogic method used in conversation with the five women accused of having committed a crime was adopted, as well as a formal interview with the judge responsible for the "Begin Again" project, to which they are linked by of work. As result of the research we observe that the established communicative relations are of constant tensions, sometimes the dialogue and the understanding are limited by the stigmas of prey status, or they break with this relation of power that tries to place them in a place of exclusion.