Navegando por Assunto "Temporalidade"

Agora exibindo 1 - 5 de 5

Acesso aberto (Open Access)
Música, temporalidade e emoção nos bailes da saudade de Belém, Pará, Brasil
(Universidade Federal da Paraíba, 2020-12) CASTRO, Fábio Fonseca de
The work presents the results of ethnography carried out in the bailes da saudade (balls of nostalgia) in Belem, Para, Brazil, and seeks to discuss the artifices and dispositives for the production of temporality in the urban culture of that city. In this perspective, an attempt is made to understand the relationship between music, temporality and emotion using Heidegger's (2012) reflections on daily temporality, Derrida (1972; 1994) on the question of the “metaphysics of presence” and Schütz (1967; 2012), about the intersubjective processes that make up culture.
Acesso aberto (Open Access)
Rituais de memória e temporalidade num Dia de Finados
(Universidade Federal de Goiás, 2019-06) CASTRO, Marina Ramos Neves de; CASTRO, Fábio Fonseca de
Acesso aberto (Open Access)
Semiotical blues: artifícios da temporalidade nostálgica
(Universidade Federal do Rio de Janeiro, 2015) CASTRO, Fábio Fonseca de
The article reflects on the artifice of temporality in contemporary culture. We start from a “pre-ethno graphic” exploration about ball of nostalgia (baile da saudade), traditional parties present in Belém, Brazil, characterized by remastering of songs the years 1970-1990 and peculiar modes of sociability, to discuss the the persistence of nostalgic sensitivity, structuring the contemporary intersubjective tissue. From a type-ideal, which we call semiotical blues, we seek to understand the structural ele ments of this nostalgic sensibility: the artifice of its narrative temporality, or rather, its temporality as a narrative device. We used as key reference in the conduct of our thinking, the thought of M. Heidegger about everyday temporality, that of J. Derrida on the issue of “metaphysics of presence” and the phenomenological perspective of A. Schutz, in the perception of experience reserves and structures of relevance, present in the intersubjective processes and thus, produces the culture.
Acesso aberto (Open Access)
Temporalidades liminares e liminoides. Música e semiotical blues nos bailes da saudade de Belém
(Associação Nacional dos Programas de Pós-Graduação em Comunicação, 2020-06) CASTRO, Fábio Fonseca de
This article summarizes the results of an ethnography carried out at the “bailes da saudade” in Belém, Pará. It seeks to reflect on the musical sensitivity and the devices and devices for the production of temporality in the urban culture of that city. We relate ethnography and phenomenology in an attempt to understand cultural phenomena related to this sensitivity, identifying its nostalgic components through an analytical category: the semiotical blues. In the perspective of this perspective, an attempt is made to understand the relationship between music, temporality and emotion using Heidegger's (2012) reflections on daily temporality, Derrida (1972; 1994) on the question of the “metaphysics of presence” Schutz (1967; 2012 ), on the intersubjective processes that make up culture.
Acesso aberto (Open Access)
Temporalidades, anacronismo e ensino de História
(Universidade Federal do Pará, 2019-02-29) CRUZ, Edgar Cabral Viegas Borges da; SILVA, Wesley Garcia Ribeiro; http://lattes.cnpq.br/2125737316069934; LOPES, Siméia de Nazaré; http://lattes.cnpq.br/8791203591623509
The current work‟s main objective is to present how the notions of temporality and the anachronisms may and shall be explored as important tools to be used in the didactics of history, making easier the comprehension of the themes used into the teaching-learning relationship, as well as in the construction of concepts, searching through the participant observation and the dialogs established with the scholar community, between teachers and students, develop as propositional dimension workshops and support resources for history teachers helping, trying to turn them into multiplier agents of the developed ideas.